Norah Jones explores new musical horizons as she collaborates with producer Danger Mouse (Brian Burton) for Little Broken Hearts, her fifth studio album under
Blue Note/EMI Records that is released and distributed locally by Polyeast Records. A drastic departure from her previous efforts, Jones ventures into
heartbreak territory by offering twelve tracks that show a darker, more cynical
and impish side of her.
The
album greets the listener with Good
Morning that features the ethereal voice of Jones coupled with atmospheric
guitar passages. But listening closely to the lyrics, one can already realize
that it’s anything but good for her and this sets the tone for the rest of the
album. During a listening session at the Polyeast Records office, I noted that
majority of the tracks took me back to a previous Danger Mouse produced album
which is the excellent Demon Days by
the Gorillaz. This album is one of my favorites and I never expected a Norah
Jones record of all things to evoke the sound of the Gorillaz’ sophomore
effort.
While most of the tunes are laidback, effortless and seemed
to drift into the air as Jones crooned along, the lead single Happy Pills stands out as a bouncy
number laced with a snarky hook and lyrics. While this track made an effort to shroud
the mocking lyrics behind a happy beat, there was no attempt at all to veil the
threats with the chilling and disturbing Miriam.
Instead of coming up with an album that show raw emotion
lamenting the heartbreak that has done wonders for some artists, Jones got
playful and went wicked instead. And add to the mix the stamp of Danger Mouse with
his distinct textures and beats. The result is an album with tracks that feel
like fragments of Jones’ broken heart meant to stab at those that caused the
heartbreak in the first place.
Little Broken Hearts
Tracks:
1. Good Morning
2. Say Goodbye
3. Little Broken Hearts
4. She's 22
5. Take It Back
6. After the Fall
7. 4 Broken Hearts
8. Travelin' On
9. Out on the Road
10. Happy Pills
11. Miriam
12. All a Dream
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