Angeli Bayani, Bembol Roco, Yayo Aguila, and Eula Valdez |
The threat of a heavy downpour
didn’t stop the stars, VIP’s, and guests who love French cinema from strutting
down the red carpet at the Première Night of the 23rd French Film
Festival held recently at the Central Square, Bonifacio Global City.
I guess that everyone there,
myself included, couldn’t wait to get back in a celebratory mood after last
year’s opening got cancelled due to security concerns. While moderate rain
poured outside, celebrities also poured inside like actors Yayo Aguila, Angeli
Bayani, Mon Confiado, Cherie Gil, Bembol Roco, Eula Valdez, and Althea Vega.
Rock star Ely Buendia was also spotted walking the red carpet that night. I heard
that these celebrities arrived at the venue through a motorcade sponsored by
Peugeot.
The food by Paris Délice and
cocktails by Don Papa at the reception were such a hit that it took some effort
to um, force the guests to head to the cinema for the actual film screening. But
due to technical issues, the previously announced film to be screened that
night, Taxi 5, had to be replaced
with Épouse-moi mon pote/Marry Me, Dude.
Épouse-moi mon pote/Marry Me, Dude
One of the goals of the festival
in recent years is to develop an audience so that French films can be released
commercially beyond the festival. And to test the waters, this year’s edition
has included a few mainstream movies that are accessible and somehow relatable
to the Filipino audience. And Épouse-moi mon pote/Marry Me, Dude, released in 2017, is one of the films that will have
a wider-commercial release later on through the distribution of Pioneer Films.
The movie stars Tarek Boudali
(who also directed and co-wrote the film) as Yassine, a Moroccan who becomes an
illegal immigrant in France when he loses his student visa after a night of
indiscretion. Marrying his slacker bestfriend, Fred (Philippe Lacheau) looks to
be a solution to Yassine’s problem that is until immigration officer Dussart
(Philippe Duquesne) suspects that the marriage is a sham. To further complicate
Yassine’s problems, add to the mix his former flame Claire (Andy Raconte), Fred’s
girlfriend Lisa (Charotte Gabris), and of all people, his mother (Baya Belal). The
film follows how Yassine and Fred try to keep the appearance of a married gay couple
to satisfy Dussart while keeping the rest, especially the women in Yassine’s life,
out of the loop. But sooner or later, this juggling act of Yassine is bound to
get out of hand and he has to come clean during the film’s eventual climax.
The film did deliver some laughs
but the shallow and stereotypical depiction of homosexual couples and lifestyle
meant that the gags that relied on this worn out its welcome quite earlier on for
me. I am not a huge fan of the romantic comedy genre with everything getting
sorted out and everyone being happy in the end. And this film did have a grand
picturesque ending that had almost practically everyone joining in the celebratory
finale even if they didn’t have a stake to whatever happened to Yassine.
Despite my misgivings with this
film, I think that having something light (albeit offensive) worked well for this
particular evening. It would have put a damper on the celebratory mood seeing
yet another of those disturbing films starring Isabelle Huppert especially now that
the red carpet was rolled out once again after last year’s cancellation.
And better to have had some laughs before heading out on the road with the
prospect of a very rainy weekend ahead.
The 23rd French Film Festival is presented by the Embassy of France to the Philippines, Institut Français, UniFrance, the Alliance française de Manille, and the Film Development Council of the Philippines, in cooperation
with the Ayala Malls Cinemas, SSI Group, Inc., and Central Square with the
support of Lacoste, L’Occitane, Diptyque, Peugeot Philippines, Marithé François
Girbaud, Pioneer Films, CMB Paris Délice, Don Papa, Le Cellier, Taters,
Chimara, and media partners Expat Newspaper and Spot.ph.
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