Zarzuela > Sarswela, A Musical Bridge Between Spain and the Philippines

On August 26, Instituto Cervantes, the Embassy of Spain, the University of Santo Tomas (UST), and Teatro de la Zarzuela will present Zarzuela-Sarswela, a concert featuring a selection of pieces from classic Spanish zarzuelas alongside works from Philippine sarswelas. The recital, the culmination of the zarzuela workshop led by Spanish pianist Ramón Grau, will take place at the Education Auditorium (4F Albertus Magnus Building), UST. Admission is free, and early registration is encouraged at https://forms.office.com/e/gqQYWUHzSb.

This concert marks the grand finale of Zarzuela Viva, a month-long celebration of the shared cultural heritage between Spain and the Philippines, featuring weekly zarzuela screenings, an immersive workshop, and this closing recital.

The zarzuela, one of the most treasured art forms in the Spanish-speaking world, was also among the most popular cultural expressions in the Philippines for decades. As Alexandra Chua, Dean of the UST Conservatory of Music, observes: “In the Philippine context, the sarswela is not merely a borrowed tradition, but a powerful symbol of Filipino transcultural identity and creativity. Embedded within it are distinctly Filipino stories and narratives that reflect local experiences, struggles, and aspirations. Through the reimagining of inherited forms, the sarswela becomes a dynamic expression of Filipino agency and cultural voice.”

The festival opened on August 1 at Instituto Cervantes with Tiempo de Zarzuela by Cristina Otero Roth. On August 7, audiences enjoyed La del manojo de rosas by Pablo Sorozábal, staged by Teatro de la Zarzuela. Upcoming screenings include El barberillo de Lavapiés by Francisco Asenjo Barbieri (August 14) and El sobre verde by Jacinto Guerrero (August 28), both at 3:00 p.m. in the Central Laboratory Auditorium, UST.

Zarzuela Workshop

Ramón Grau

From August 18 to 22, Ramón Grau—principal pianist at Madrid’s Teatro de la Zarzuela since 2016—will lead an intensive workshop at the UST Conservatory of Music for advanced music students. Grau has composed for films such as El Fantasma de la Sauna and Calcinación, and for the Orquesta Filarmónica de Málaga, which will premiere his piano concerto Estigio in December 2025.

Grand Finale Concert

On August 26, Ramón Grau and the workshop participants will perform Zarzuela-Sarswela, featuring selections from El barberillo de Lavapiés and La del manojo de rosas, alongside iconic pieces from the Filipino sarswela tradition.

This concert brings to a close a cultural program that highlights the enduring legacy of the zarzuela—a genre that has left an indelible mark on the history of Philippine theater. In the words of writer Nick Joaquin: “Certainly, in no other art form, whether in English, Spanish, or Tagalog, has the Filipino shown himself so much at home; and in no other, since then, has he been able to establish such close rapport with the people.”

Zarzuela Viva is organized by Instituto Cervantes de Manila in collaboration with the Embassy of Spain in the Philippines, AECID, the Conservatory of Music of UST, Teatro de la Zarzuela, and the Intramuros Administration.

For more information about Zarzuela Viva, visit www.manila.cervantes.es or follow Instituto Cervantes on Facebook at https://www.facebook.com/InstitutoCervantesManila/

Embassy of Brazil in Manila and DFA present “Strings of Brazil” at Ayala Museum

The Embassy of Brazil in Manila, in collaboration with the Department of Foreign Affairs (DFA), presents Strings of Brazil – A Duet of Harmony with Fabio Presgrave and Fabio Zanon on August 12, 2025, 6:00 PM at the Ayala Museum. This special cultural diplomacy event brings together two of Brazil’s most celebrated classical musicians for an evening that highlights the enduring friendship between Brazil and the Philippines.

This event is made possible through the partnership between the Embassy of Brazil in Manila - via the Instituto Guimarães Rosa of the Ministry of Foreign Affairs of Brazil - and the DFA, especially its Offices of Cultural Diplomacy and American Affairs. The venue was generously sponsored by the Bistro Group, which will open its new restaurant “Fogo de Chão” - a renowned Brazilian steakhouse - on August 18 at Glorietta 4, Makati. The world-renowned Filipino composer Jeffrey Ching also played a decisive role in making the recital possible.

The concert follows the Fabios’ successful performance with the Manila Symphony Orchestra last Saturday and will feature a repertoire of both Brazilian and Philippine compositions, showcasing the shared warmth and cultural richness of the two nations.

Speaking about the evening’s repertoire, Ambassador Gilberto Moura emphasized:

“The Philippines has a rich and sophisticated classical music tradition, shaped by centuries of diverse influences. Brazilian classical music, likewise, is born of a cultural mosaic — European heritage, African rhythms, and indigenous traditions. When these traditions meet, they find a natural harmony, much like the friendship between our two nations.”

The performance of guitar and cello pieces serves as a symbolic dialogue between cultures, with the Ambassador noting that “music transcends borders, dissolves distances, and, in these challenging times, offers the world joy, affection, and hope.”

The recital also marks the beginning of the countdown to the 80th anniversary of diplomatic relations between Brazil and the Philippines in 2026. The Embassy will host more cultural activities in the lead-up to this milestone celebration.

About the Performers

Fabio Zanon is one of Brazil’s most acclaimed guitarists, internationally recognized for his performances and recordings. Fabio Presgrave is a celebrated cellist known for his versatility and collaborations with major orchestras worldwide.

CCP's The Met: LIVE in HD presents Richard Strauss' Salome

The Cultural Center of the Philippines presents Richard Strauss' Salome, the latest installment of CCP's The Met: LIVE in HD screening on August 12, 2025, 5:30 PM at Glorietta 4, Cinema 1 at the Ayala Center in Makati.

This new production by Claus Guth, set during the Victorian era, stars soprano Elza van den Heever in the titular role, baritone Peter Mattei as Jochanaan, tenor Gerhard Siegel as King Herod, mezzo-soprano Michelle DeYoung as Herodias, and tenor Piotr Buszewski as Narraboth. Met Orchestra's Music Director Yannick Nézet-Séguin conducts.

An advance warning though as this production of Salome contains adult themes and disturbing imagery.

Here is the press release for CCP's The Met: LIVE in HD screening of Strauss' Salome

Salome’s dangerous obsession in CCP’s The Met: LIVE in HD

The biblical tale of the wicked Salome takes center stage in the seventh installment of CCP (Cultural Center of the Philippines)’s The Met: LIVE in HD, screening on August 12, 2025, 5:30 pm, at Glorietta 4, Cinema 1 in Makati City.

Composed by Richard Strauss, Salome intertwines the life of the young girl with her stepfather, King Herod, and the prophet Jochanaan. Enthralled by Jochanaan, Salome makes advances. He then rejects her and advises her to seek Christ instead. Blinded by anger, the girl seduces King Herod to get the prophet for herself.

Due to its scandalous tale of eroticism and indecency, Strauss’ Salome was banned in London until 1908. Its provocative number, Dance of the Seven Veils, paints the once innocent girl in a new light. The spoiled princess displays her sexual awakening as a terrifying force, enough to commit murder in the name of her desires. Highlighting Salome’s dangerous obsession with Jochanaan, the opera narrates her inevitable descent into madness and corruption.

Originally a French play by Oscar Wilde, Salome was translated into German by Strauss following Hedwig Lachmann’s libretto. Its unsettling dissonances and turbulent rhythms deny the audiences a gentle introduction, reeling them in with psychological precision. Meanwhile, the use of string, wind, and brass instruments perfectly balances the tale’s eerie atmosphere with the powerful vocals of each singer.

After two decades, the Metropolitan Opera brings Strauss’ Salome back with mezzo-soprano Elza van den Heever brilliantly portraying the unhinged heroine. Tenor Gerhard Siegel joins her as the corrupt King Herod, while celebrated baritone Peter Mattei is Jochanaan. The regality and dark themes of Salome shine with the orchestral performance under the baton of the Met Opera’s music conductor, Yannick Nézet-Séguin.

Witness Salome’s tragedy on screen on August 12, 5:30 p.m., at Glorietta 4’s Cinema 1 in Makati City as the seventh installment of the CCP’s The Met: LIVE in HD. The CCP, in partnership with the Metropolitan Opera of New York, the Filipinas Opera Society Foundation, Inc., and Ayala Malls Cinemas, showcases the beauty of operas in excellent Dolby Surround and High-Definition video.

While inspiring a deeper appreciation of all art forms, the country’s leading art institution keeps true to its commitment to providing world-class artistic experiences to Filipinos through The Met: LIVE in HD program. Aside from the performance itself, the opera program gives a glimpse into the nitty-gritty of mounting operas with exclusive interviews and footage.

Regular tickets for CCP’s The Met: LIVE in HD - Season 10 screenings are priced at Php350. Students and young professionals can avail of the discounted price of Php100 upon presentation of a valid ID. You may purchase directly from the ticket booth at the venue or book tickets online via www.sureseats.com.

Get updates on CCP’s The Met: LIVE in HD through the official Facebook pages of CCP and CCP Film, Broadcast, and New Media. For upcoming CCP shows and events, follow the CCP’s official social media accounts on Facebook, X, Instagram, and TikTok. You may also check on the CCP website (www.culturalcenter.gov.ph) for more information.

Reviving the Roots of Philippine Theatre: a Month-Long Tribute to Zarzuela at Instituto Cervantes and UST

Instituto Cervantes, the Embassy of Spain, and the University of Santo Tomas, present a month-long cultural program highlighting the shared legacy of zarzuela in the Philippines. From August 1 to 28, a cultural celebration featuring weekly zarzuela screenings, an immersive zarzuela workshop, and a Zarzuela recital will take place in the Instituto Cervantes in Intramuros and the University of Santo Tomas.

The Zarzuela, considered to be one of the most treasured forms of art in the Spanish-speaking world, also happens to be the most popular cultural product in the Philippines for decades in history. It is the musical genre that truly left its mark in the history of the Philippine theater, as said in the timeless words of Nick Joaquin, “Certainly, in no other art form, whether in English, Spanish, or Tagalog, has the Filipino shown himself so much at home; and in no other, since then, has he been able to establish such close rapport with the people."

Entitled Zarzuela Viva, this month-long event will feature a weekly screening of zarzuelas throughout August. The series opens on August 1 at 3:00 p.m. with the screening of the documentary Tiempo de Zarzuela by Cristina Otero Roth at the Intramuros branch of Instituto Cervantes. On August 7, also at 3:00 p.m. at the same venue, audiences can enjoy a production by Teatro de la Zarzuela of the classic La del manojo de rosas by Pablo Sorozábal.

The third installment in the series will be a screening of Alfredo Sanzol’s production of El barberillo de Lavapiés by Francisco Asenjo Barbieri, scheduled for August 14. The final screening will feature El sobre verde by Jacinto Guerrero on August 28. These last two screenings will take place at 3:00 p.m. at the Central Laboratory Auditorium of the University of Santo Tomas (UST).

Ramón Grau

Presented as the highlight of Zarzuela Viva, a 4-day Zarzuela Workshop will be conducted by Spanish pianist Ramón Grau from Teatro de La Zarzuela in Madrid. The workshop will be held at the Conservatory of Music of the University of Santo Tomas in Manila (UST) and is addressed to advanced students of music. Those interested in joining the workshop can reserve a spot by submitting their CV to cultmni@cervantes.es.

On August 26, as a result of the Zarzuela workshop led by pianist Ramón Grau, he and the participants will present Zarzuela-Sarswela, a concert featuring a selection of pieces from the classic Spanish zarzuelas El barberillo de Lavapiés and La del manojo de rosas from the screening, alongside works from Philippine sarswelas. The recital will be held at the Education Auditorium (4F Albertus Magnus Building), UST. This event is open to everyone, but attendees and participants are encouraged to register early through this link: https://forms.office.com/e/gqQYWUHzSb

Here is a detailed lineup of the films to be screened:

El barberillo de Lavapiés (2019)

Director/s: Alfredo Sanzol/Jose Miguel Pérez Sierra

El barberillo de Lavapiés is one of the most joyful and iconic pieces in the Spanish lyrical tradition. With music by Francisco Asenjo Barbieri and a libretto by Luis Mariano de Larra, this work has stood the test of time as a symbol of Madrid’s traditional spirit and musical theater. It’s considered a masterpiece of Spanish musical history and a shining example of both Madrilenian character and Hispanic lyrical art.

In this new production, stage director Alfredo Sanzol emphasizes the comic and adventurous aspects of the story, while staying true to its underlying pursuit of beauty. For Sanzol, comedy is a powerful and freeing tool, it allows us to explore life’s conflicts with both depth and lightness. The plot follows the charming and lovable characters Lamparilla and Paloma, whose story intertwines with the romantic entanglements of Marquesita Estrella and Don Luis. All of this unfolds against a political backdrop marked by the transition between the governments of Grimaldi and Floridablanca. The musical direction is led by José Miguel Pérez-Sierra, who brings out the richness of Barbieri’s score, considered one of the high points of the zarzuela genre. The collaboration between Barbieri and Larra resulted in a work that fully captures the essence of Madrid: a story set in 18th-century Madrid, with 19th-century music, and a timeless vitality that still resonates today.

La del Manojo de Rosas (1990)

Directors: Guillermo García Calvo/Emilio Sagi

This production of La del Manojo de Rosas, directed by Emilio Sagi, has become a modern classic of Spanish lyrical theatre. With music by Pablo Sorozábal and a libretto by Anselmo C. Carreño and Francisco Ramos de Castro, this zarzuela is one of the most beloved by audiences, thanks to its lively spirit, humor, and warm portrayal of Madrid in the 1930s.

Since its premiere in 1990, this version has been performed across Spain and even in cities like Rome and Paris, consistently earning praise from both audiences and critics. Sagi’s direction captures the charm and emotional depth of the sainete (a short, comic theatrical piece), giving it a fresh, updated look while staying true to its original character.

Set in a Madrid neighborhood, the story revolves around Ascensión and Clarita, two young, independent and determined women who represent the feminine awakening of a time of change.

Through their voices and their decisions, the play reflects a society in transformation, where Sorozábal's music-full of poetry, grace and emotion- becomes the soul of a close and universal story.

With a new cast and musical direction by Guillermo García Calvo, this production is just as exciting and powerful as it was 30 years ago. La del Manojo de Rosas is not only a tribute to Madrid during the Republican era, but also a celebration of zarzuela as a living art form—one that keeps evolving and continues to touch the hearts of new generations.

El sobre verde (2022)

Directors: Cecilia Bercovich/Nuria Castejón

El sobre verde is a sainete (theatrical humurous skit) in two acts with touches of revue, that is, a musical show set in the popular Madrid of a century ago and in the skyscraper-filled New York of the time. The music is by Francisco Guerrero and the original texts were written by Enrique Paradas and Joaquín Jiménez. In its time it was a huge success, and here we present a revised version of the piece for young audiences (and not-so-young ones). El sobre verde is a festive musical comedy full of songs, dancing, and humor. But in our version, it also offers a brief yet powerful reflection on fortune. In these hyper-connected, highly technological times, mediated by screens, when money governs the fate of the world when having is more important than being, when appearances, the number of ‘likes’, the brand of one’s clothes or the zeros in the bank account seem to matter more than friendship, loyalty or justice, Nicanor's fable, his journey from rags to riches and back again, leaves us with a bittersweet aftertaste and leads us to ask ourselves: what would we do if we found the green envelope?

Tiempo de Zarzuela (2023)

Director: Cristina Otero Roth

Tiempo de Zarzuela is an exciting immersion into the world of the Spanish lyrical genre that has endured for four centuries, becoming an invaluable treasure of the artistic and emotional memory of the Spanish-speaking community. Directed by Cristina Otero Roth and produced by López Li Films in 2023, this film transports us through the history and heritage of zarzuela, revealing its profound impact on Spanish culture and art.

The film delves into the roots of zarzuela, exploring its origins and evolution over the centuries. Through interviews with experts, musicians and actors, Tiempo de Zarzuela offers a unique insight into the importance of this genre in Hispanic culture and and its influence on music and theater both in Spain and beyond.

From the earliest zarzuelas to the most contemporary productions, the film presents a wide range of memorable moments and outstanding performances. It also provides a glimpse into the current landscape of zarzuela, demonstrating that it remains a vibrant and relevant form of artistic expression today. Tiempo de Zarzuela is a tribute to a genre that has touched the hearts of audiences around the world and continues to captivate new generations with its rich tradition and exciting interpretations.

Here is the schedule of screenings:

Instituto Cervantes, Intramuros

August 1, 2025, 3:00 PM 

Tiempo de Zarzuela

August 7, 2025, 3:00 PM

La del Manojo de Rosas

Central Laboratory Auditorium, UST

August 14, 2025, 3:00 PM

El barberillo de Lavapiés

August 28, 2025, 3:00 PM

El sobre verde

Zarzuela Viva is organized by Instituto Cervantes de Manila in collaboration with the Embassy of Spain in the Philippines, AECID, the Conservatory of Music of UST, Teatro de La Zarzuela, and Intramuros Administration.

For more information about Zarzuela Viva, visit Instituto Cervantes' website at www.manila.cervantes.es, or follow it on Facebook at https://www.facebook.com/InstitutoCervantesManila/

RAd's Page Turners: White Noise by Don DeLillo

Back in December last year, I decided to get White Noise by Don DeLillo done and over with as it has been on my to be read pile even before the pandemic began. Because of the holiday distractions that came along with that time of the year, I plowed through it at a glacial pace. I somehow neglected the book altogether as the plot picked up with the black cloud just about to threaten the lives of Jack Gladney, his family and the rest of the college town.

An unfinished book bothers me so here I am, more than half a year later, attempting to read it again. And it's only recently that I learned that the novel has been adapted into a film. Yeah, how can I miss news about it? Directed by Noah Baumbach and starring Adam Driver, Greta Gerwig, and Don Cheadle, the film adaptation of White Noise is available to view over at Netflix. Nothing motivates me more to finish a book than a film adaptation already waiting at the sidelines.

Affiliate Disclosure: As an Amazon Associate, this post contains affiliate links. A small commission is earned when purchasing through these links with no additional cost to the consumer.

White Noise by Don DeLillo

https://amzn.to/3U4SxBf

White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultra­modern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. When an industrial accident unleashes an “airborne toxic event,” a lethal black chemical cloud floats over their lives. The menacing cloud is a more urgent and visible version of the “white noise” engulfing the Gladneys—radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings—pulsing with life, yet suggesting something ominous.

"Dois Fabios" headline MSO's Brazilian Guitar & Cello concert

Not just one, but two Fabios are set to bring Brazilian music to the Manila Symphony Orchestra's latest installment of its 2025-2026 season happening on August 9, 2025, 7:30 PM at the Bayanihan Hall, Creative Arts Centre of the British School Manila, BGC in Taguig.

The "dois Fabios" headlining the concert, billed as Brazilian Guitar & Cello, are guitarist Fábio Zanon and cellist Fabio Presgrave. Joining them at this concert is soprano Stefanie Quintin-Avila while MSO's music director and principal conductor Marlon Chen takes to the podium.

Music to be performed includes the Prelúdio (Ponteio) from Bachianas Brasileiras No. 7 and the Ária and Dança from Bachianas Brasileiras No. 4 by Heitor Villa-Lobos, Jeffrey Ching's Concerto da camera, Radamés Gnattali's Concerto No. 4 for Guitar and String Orchestra, and Astor Piazzolla's Le Grand Tango for Cello and String Orchestra.

Fábio Zanon

Guitarist Fábio Zanon earned his master’s from the University of London and rose to prominence by winning major guitar competitions in 1996, including the Francisco Tárrega, GFA, and Alessandria contests; he later received numerous honors, including an honorary doctorate from the Universidad Nacional de Rosario and awards such as the Carlos Gomes Prize and Bravo! Award.

Fabio Presgrave

Born in Rio, cellist Fabio Presgrave earned his degree from The Juilliard School and has performed as soloist with orchestras worldwide, including the Qatar Philharmonic and Orquestra Sinfônica Brasileira, under renowned conductors such as Rafael Payare and Lior Shambadal.

Stefanie Quintin-Avila

Praised for her vocal flexibility and commanding presence, Stefanie Quintin-Avila is a multi-awarded soprano, receiving honors such as the Delphic Lyra Award and the Presidential Award for Culture and the Arts. She holds a Bachelor of Music from the University of the Philippines and a Master’s in Contemporary Music Performance from UC San Diego.

Marlon Chen

Known for his dynamic charisma and versatility, Marlon Chen has led performances across four continents in opera, ballet, and symphonic music. He was appointed Music Director and Principal Conductor of the Manila Symphony Orchestra in 2019 and holds guest conducting roles with leading ensembles worldwide.

Brazilian Guitar & Cello is presented by the Manila Symphony Orchestra Foundation Inc. and Standard Insurance in partnership with the Ministry of Foreign Affairs of Brazil through Guimarães Rosa Institute (IGR) and the Embassy of Brazil in Manila.

CCP's The Met: LIVE in HD screens Mozart's Le nozze de Figaro this July

Dive into a comic opera where the female lead doesn't die as Wolfgang Amadeus Mozart's Le nozze di Figaro hits the big screens on July 1, 2025, 5:30 PM at Glorietta 4 Cinema 1 located at the Ayala Center in Makati.

The screening of Le nozze di Figaro is the sixth installment of the 10th season of CCP's Met: LIVE in HD presented by the Cultural Center of the Philippines in partnership with the Metropolitan Opera of New York, the Filipinas Opera Society Foundation, Inc., and Ayala Malls Cinemas.

This production by Richard Eyre stars Olga Kulchynska and Michael Sumuel as the lovers Susanna and Figaro respectively. They are joined by Fedrica Lombardi as Countess Almaviva, Sun-Ly Pierce as Cherubino, Elizabeth Bishop as Marcellina, Joshua Hopkins as Count Almaviva, and Maurizio Muraro as Dr. Bartolo.

And making her Metropolitan Opera conducting debut is Joanna Mallwitz, chief conductor and artistic director of the Konzerthausorchester Berlin.

Reprinted below is the press release.

CCP’s The Met: LIVE in HD spotlights the melodic genius of Mozart’s “Le Nozze di Figaro” this July

The Cultural Center of the Philippines (CCP) presents Wolfgang Amadeus Mozart’s brilliant arias in “Le Nozze di Figaro” as the sixth installment of CCP’s The Met: LIVE in HD - Season 10 this July 1, 2025, at 5:30 p.m., at Glorietta 4, Cinema 1 in Makati City.

Mozart’s Le Nozze di Figaro (The Marriage of Figaro) centers on servants Figaro and Susanna, who are about to marry. The Count and Countess, each with personal reasons, hope to stop the wedding. While trouble lurks in the shadows, Figaro and Susanna juggle shocking truths with their immense love for each other.

Chasing greater fame and financial security, Mozart based Le Nozze di Figaro on Paisiello’s Il barbiere di Siviglia, which Beaumarchais’s Le Barbier de Séville had influenced. He worked with librettist Lorenzo Da Ponte to finish the opera. The then-emperor had refused permission to stage Beaumarchais’s iteration because of its German translation. As a precaution, Da Ponte omitted political content from Mozart’s work. After it succeeded, the two continued their partnership with Don Giovanni (1787) and Così fan tutte (1790).

The impeccable comedy welcomes the audience with whisper-like melodies that quickly build into a short-breathed little theme. Despite narrating comedic scenes, the piece is quite self-contained. Its overture beautifully sustains a slow middle section with a melancholy oboe solo.

Through scampering violins, flutes, and clarinets, Mozart narrated the Le Nozze di Figaro’s twists and turns in a succession of hectically upbeat figurations. Generally, the opera won over its audience’s affection. Hungarian poet Ferenc Kazinczy and “Father of the Symphony” Joseph Haydn even praised its lively ensemble scenes.

In 2017, BBC News surveyed opera singers for the best opera written. Le Nozze di Figaro easily came out on top of the 20 featured operas.

For this Met Opera’s version, lyric soprano Olga Kulchynska plays the forgiving Susanna while bass-baritone Michael Sumuel is her lover Figaro. Italian soprano Federica Lombardi also breathes life into the Countess. Joanna Mallwitz, chief conductor and artistic director of the Konzerthausorchester Berlin, makes her Metropolitan Opera conducting debut in Mozart’s Le Nozze di Figaro.

Mozart’s Le Nozze di Figaro is laced with themes of love, class, and gender. Catch this classic on the sixth installment of CCP’s The Met: LIVE in HD Season 10 on July 1, at 5:30 p.m., at Glorietta 4’s Cinema 1 in Makati City.

The CCP, in partnership with the Metropolitan Opera of New York, the Filipinas Opera Society Foundation, Inc., and Ayala Malls Cinemas, showcases Mozart’s masterful melodies in excellent Dolby Surround and high-definition video.

While introducing Filipino audiences to world-class artistic experiences through CCP’s The Met: LIVE in HD, CCP keeps true to its commitment to developing the nation’s appreciation for all art forms. Screening The Met’s intricate stagings in Philippine cinemas teases a deep admiration for the beauty of operas.

Regular tickets for CCP’s The Met: LIVE in HD - Season 10 are priced at Php350. Students and young professionals can avail of the special price of Php100 per ticket upon presentation of a valid ID. To purchase tickets, visit the ticket booth at the venue or book online via www.sureseats.com.

Keep track of the latest screenings of CCP’s The Met: LIVE in HD through the official Facebook account of the CCP Film, Broadcast, and New Media or the CCP website (www.culturalcenter.gov.ph). For current and future event updates, follow the CCP’s official social media accounts on Facebook, X, Instagram, and TikTok.

School of Rock Hits Cebu: A Musical for Misfits, Dreamers, and Rock Stars-in-the-Making

This June, 2TinCans Philippines, Inc. invites you to grab your air guitars and unleash your inner rock star as School of Rock storms the stage! Based on the cult-favorite 2003 film, this all-ages musical adventure, powered by Andrew Lloyd Webber’s explosive score, is more than just a show. It’s a rallying cry for anyone who’s ever felt out of place, turned up the volume, and found where they belong.

Directed by 2TinCans Founder and Producing Artistic Director Sarah Mae Enclona-Henderson, the production features the vibrant choreography of Vincent Paul Diez Gaton, and vocal direction by Mikee Amagsila and Mario Alcoriza of 2TinCans Theatre Company.

From L-R: Grant Bacaltos, Zyra Dee, Ciara Baricuatro, and Vince Lopez

Featuring an ensemble cast led by young performers from the 2TinCans Theatre Lab alongside members of the 2TinCans Theatre Company, School of Rock is a joyful collision of professional craft and student passion—showcasing the next generation of Cebuano performers in their loudest, proudest form yet.

“Underneath the amps and attitude, School of Rock is about mentorship, confidence, and how music can build bridges between generations,” said Enclona-Henderson. “It’s a great night out for families because it speaks to everyone: parents will cheer, kids will relate, and together, they’ll leave feeling braver, louder, and more connected.”

The cast of School of Rock

Families looking for a meaningful shared experience will find a lot to love here. The story encourages kids to embrace their individuality and talent, while giving parents a front-row seat to the importance of listening, trusting, and supporting their children’s creative journey. Add infectious songs, laugh-out-loud scenes, and heartfelt lessons, and you’ve got a show the whole family can rock out to, together.

The student cast features Fia Mikaele Cagulada, Arabella Yzarra Carbungco, Amanda Grace Yu, Patricia Grace Crago, Kasofia Loquez, Zaviel Beaux Suralta, Courtney Suzanne Encarnacion, Maria Morgana Gonzalodo, Aleesha Tabar, Sky Clemente, Ciara Baricuatro, Queenie Madonna Paras, Alden Patrick Manansala, Juliene Cardenas, Henrique Kristoffer Ong, and Joaquin Codilla.

Joining them are 2TinCans Theatre Company members Grant Bacaltos, Zyra Dee, Vince Lopez, Dave Feril, Ghyllianne Dave Caballes, Mikee Amagsila, Mario Alcoriza, Sasha Isobel Chiong, Josh Andrino, and Judee Kriselle Rallos.

School of Rock features music by Andrew Lloyd Webber, lyrics by Glenn Slater, and book by Julian Fellowes. It’s based on the screenplay by Mike White and presented through special arrangement with The Really Useful Group Ltd.

Performances are scheduled for June 28 and 29, 2025, at 7:00 PM at the Dr. Ronald R. Duterte Theater, University of Southern Philippines Foundation (USPF), Lahug Campus.

🎸 Tickets available at: https://2tincans-philippines.yapsody.com

📲 Follow us on Facebook and Instagram (@2tincansph) for sneak peeks, cast features, and behind-the-scenes rockstar moments.

Don’t just watch the show—feel the beat, join the band, and rediscover the magic of music with the people who matter most.

Film music galore at Manila Symphony Orchestra's A Night in Hollywood concert on June 28

Film music has made a significant mark in music history ever since sound got integrated in motion pictures. This has resulted in scores that not only provided soundtracks in countless movies but also material for orchestras to perform at concert halls all over the world. Renowned composers whose works have become part of the orchestral repertoire include Erich Korngold, Max Steiner, Dimitri Tiomkin, Miklós Rózsa, André Previn, Aaron Copland, Henry Mancini, Maurice Jarre, John Williams, Ennio Morricone, Alan Menken, Hans Zimmer, Howard Shore, Joe Hisaishi, among many others.

Music composed for movies take centerstage as the curtain rises for the Manila Symphony Orchestra's A Night in Hollywood happening on June 28, 2025, 7:30 PM at the Aliw Theater, CCP Complex in Pasay.

The second installment of the MSO's 2025-2026 concert season sees Hungarian cellist Zoltán Onczay, American conductor Angel Velez, as well as composers and conductors from the Los Angeles Film Conducting Intensive (LAFCI) gracing the event that will have some of the most iconic film scores as well as new music composed for cinema performed.

The evening's program includes David Popper's Hungarian Rhapsody with Onczay as the cello soloist. Seven original compositions by the Los Angeles Film Conducting Intensive (LAFCI) namely Heart of a Warrior by Sophia Bass, Seeming Chrysalis by Julia Sanchez, Theme from Stolen Realm by Jennifer Jolley, Sigh of Spring’s Farewell by Yuxuan Liu, Concert Prelude on "Chan Mali Chan" by Mohamad Rasull, Journey Through the Celestial Gate by Robin Raisch, Mosaic Mambo by Noah N. Zubia-Sanchez, to be conducted by Ricardo Reyna will be performed as well.

The concert also celebrates John Williams' music with performances of Tribute to the Film Composer, Hedwig's Theme from Harry Potter, End Titles from Seven Years in Tibet with Onczay as cello soloist, Adventures on Earth from E.T., Theme from Schindler's List with Alessio Benvenuti as violin soloist, Theme from Superman; his arrangement of Carlos Gardel's Por Una Cabeza with Jeanne Rafaella Marquez as violin soloist, Theme from Jurassic Park, the Olympic Fanfare and Theme.

Below is more information about the guests artists for A Night in Hollywood.

Angel Velez

Angel Velez is one of today's most sought-after conductors for film and television and guest conducting for pop concerts around the world having given world premiere concert performances for hits such as Captain Marvel, Green Book, Tom and Jerry in New York, The Book of Boba Fett and many more. In addition to his work in the studios of Los Angeles and as conductor of the Hollywood Studio Chamber Orchestra, he has served as music director for the Los Angeles Live Score Film Festival, American Society of Cinematographers Awards, Indianapolis Motor Speedway, and Miss World 2022, one of the largest televised events in the world. He has produced concerts such as Silent Films LIVE, Star Wars: Past and Present and HBO's film For Love or Country: The Arturo Sandoval Story LIVE IN CONCERT starring trumpet legend Arturo Sandoval. He has recorded for the Varese Sarabande and Sudwestrundfunk labels and continues to work in the entertainment industry on shows such as Star Wars: The Clone Wars, Star Wars: Rebels, Family Guy, Jane the Virgin, The Mandalorian and many others, including the recently released MGM superhero film Samaritan starring Sylvester Stallone.

Zoltan Onczay

Zoltán Onczay received his diploma at the Liszt Music Academy Budapest in 2004 in the class of László Mező, cellist of the famous Bartók Quartet. Afterwards, Zoltan received his soloist diploma as a Hindemith scholarship student in Berlin at the UDK in 2008, in the class of Wolfgang Boettcher. He received the Yamaha Award from the European Yamaha Music Foundation, one amongst his numerous awards. He also won the Martinu Award during the Semmering Summer Academy and the Wiener-Classic and Kodaly Award. He also received a prize at the international competition of European Music for Youth in Oslo. He considers his mission to be the promotion of Hungarian and contemporary music locally and abroad, as well as to teaching and supporting young talents. In addition to classical music, he is also engaged in electroacoustic and improvisational music.

Los Angeles Film Conducting Intensive (LAFCI)

The Los Angeles Film Conducting Intensive is dedicated to advancing the art of conducting by providing workshops and access to online resources to help media composers succeed on the podium. LAFCI is dedicated to providing exceptional training based on sound pedagogical practices, designed to create an opportunity for media composers to further their skills as conductors and to provide them with resources and training to help them grow as a conductor. They offer workshops with experienced professional faculty that allow for firsthand opportunities to work with some of the top professional musicians in Los Angeles. Programs are geared toward media composers (film/television/video games) to assist and provide free access to their online Resource Center, which includes "An Inside Look", a series of in-depth interviews with professional conductors sharing their personal perspective on the craft of conducting.

Japanese singer-songwriter Ito Kashitaro to perform in PH, headlines Fête de la Musique

Japanese singer-songwriter Ito Kashitaro is set to return to the Philippines following a successful debut visit in 2023, this time with more venues and collaborations.

The masked singer will perform from June 21-25 across different venues in Metro Manila, Los Baños, and Baguio. Notably, he will be performing at the main stage of Fête de la Musique PH on June 21, 2025, held at the Ayala Triangle Gardens in Makati. Please check Fete de la Musique PH’s Official site for more info www.feteph.com

Ito Kashitaro first gained popularity online posting covers on video streaming platforms. In the

years since, he has garnered critical acclaim, releasing multiple studio albums and contributing to various anime soundtracks. After his major debut, he transitioned to creating original compositions and flourished as a singer-songwriter.

Central to Kashitaro’s appeal is his work on anime soundtracks. Filipino fans will recognize his

music in “Vita Philosophica” and “Tsukikage Okuri,” the ending themes of Netflix’s My Happy Marriage. “Kioku no Hakobune” from Deca-Dence. “Shinjuiro no Kakumei” from Deep Insanity:

The Lost Child. “Silent Minority,” the opening theme for Trapped in a Dating Sim: The World of

Otome Games Is Tough for Mobs. “Hinata no Kuni”, “Neko Neko Biyori”, and “Aisazu ni wa Irarenai” for Nights with a Cat.

Ito Kashitaro

As a highlight of the tour, the Japanese singer-songwriter will be performing with Filipino rapper OG Sacred and the Tondo-based rap collective Tondo Tribe. He will also be performing at Philippine High School for the Arts in Los Baños, Laguna and University of Baguio in Baguio City.

Event Dates and Venues:

June 21, 2025 - Fête de la Musique, Ayala Triangle Gardens, Makati

June 22, 2025 - Happyland, Tondo, Manila

June 23, 2025 - Mt. Makiling, Los Baños, Laguna

June 24-25, 2025 - Baguio City

Fête de la Musique is open to all, and the public is highly encouraged to visit and pre-register on their website! Other dates are special sessions; we will share backstage peeks on our social media accounts soon.

Ito Kashitaro Live 2025 – Soul of the Streets is proudly presented by The Japan Foundation, Manila. For the latest announcements and updates, please visit our official website and social media pages:

The Japan Foundation, Manila Official Website - https://jfmo.org.ph/.

Facebook - https://www.facebook.com/jfmanila

Instagram - https://www.instagram.com/jfmanila

Italian Film Festival 2025 brings contemporary Italian cinema to SM Aura

The Italian Film Festival 2025 returns this year with a curated selection of acclaimed films that celebrate the charm, wit, and emotional depth of contemporary Italian cinema. The festival will take place on June 6 and 7, 2025, at Cinema 2, SM Aura.

Presented by the Embassy of Italy in Manila, in partnership with the Philippine-Italian Association, the festival showcases three standout films that have made waves in Italy and beyond:

Enrico Piaggio: Vespa (2019)

Director: Umberto Marino

Cast: Allessio Boni, Violante Placido, Francesco Pannofino, Beatrice Grannò, Roberto Ciufoli

The life of Enrico Piaggio and the story of the most famous scooter in the world “VESPA”

Quasi orfano (2022)

Director: Umberto Carteni

Cast: Riccardo Scamarcio, Vittoria Puccini, Antonio Gerardi, Grazia Schiavo, Chiara Di Benedetto, Nunzia Schiano, Adriana Pappalardo, Bebo Storti, Paolo Sassanelli

Valentino founded a very famous Milanese brand. Valentino, of Apulian origin, has progressively cut ties with his family, to the point of declaring himself an orphan and changing his surname. His colorful and numerous family runs a farm holidays with the lowest rating on TripAdvisor. Nicola, his elder brother, tries to reconnect, hoping for an economic help from Valentino to the disastrous economic activity of the family.

Momenti di trascurabile felicità | Ordinary Happiness (2019)

Director: Daniele Luchetti

Cast: Pierfrancesco Diliberto aka Pif, Renato Carpentieri, Federica Victoria Caiozzo aka Thony, Francesco Giammanco, Angelica Alleruzzo

Paul is granted, after his death, to return to earth for an hour and thirty-two minutes. Ninety-two minutes of final balance. Will he have time to deal with the important things in his life, or will just moments of negligible happiness come back to him?

More than just a series of screenings, the festival aims to strengthen cultural ties between Italy and the Philippines through the universal language of cinema.

“Cinema has the power to provoke thought, to make us laugh, and to inspire reflection in equal measure. With this festival, we want to open a window into Italian culture and invite people in—not only to watch, but to connect.”

“This year’s edition places a special emphasis on comedies in contemporary Italian cinema, celebrating the genre as one of the most honest and revealing forms of storytelling—tackling serious subjects with wit, empathy, and sharp social insight.”

— Ambassador Davide Giglio

As part of the celebration, visitors can also enjoy an Italian cinema-inspired exhibit at SM Aura’s main atrium (upper ground level) from June 6 to 15, 2025. The exhibit will feature:

Iconic Italian imagery, including Vespa scooter displays and photo spots showcasing the country’s breathtaking vistas and charming locales

A curated collection of reimagined film posters by MINT College students, highlighting Italian classics and contemporary movies filmed in Italy

The opening film, Enrico Piaggio: Vespa, will be screened by invitation only. Screenings of Quasi orfano and Momenti di trascurabile felicità are free and open to the public on a first-come, first-served basis.

June 7, 2025

3:00 PM Quasi orfano

6:00 PM Momenti di trascurabile felicità

The Italian Film Festival 2025 is a joint initiative of the Embassy of Italy in Manila, Philippine-Italian Association, Società Dante Alighieri, SM Supermalls, Film Development Council of the Philippines (FDCP), Vespa, and MINT College.

Viva il cinema italiano!

Pianists Mariel Ilusorio, Abelardo Galang to relive the Biedermeier Salon spirit in Laguna concert

IMPORTANT ANNOUNCEMENT: Due to unforeseen circumstances, the Four Hands, One Soul concert has been postponed to July 12, 2025, 4:00 PM

Pianists Mariel Ilusorio and Abelardo Galang bring back the spirit of the Biedermeier Salon in Four Hands One Soul, an intimate performance on June 22, 2025, 4:00 PM at Sta. Rosa Laguna.

The Biedermeier Salon was the stylish living rooms of the middle class in Central Europe during the Biedermeier period (1815-1848). These salons served as the hubs where the middle class gathered to engage in discussions, exchange ideas, and watch performances that included chamber music performances. This was the time when culture flourished among the middle class and became no longer exclusive to the royals and the nobles. Music performances had found its way from the royal courts to the Biedermeier Salon.

A more specific type of the Biedermeier Salon is the Schubertiade where performances of the works of the composer Franz Schubert were the centerpieces. And indeed headlining Ilusorio and Galang's Four Hands One Soul is Franz Schubert's Fantasia in F minor D.940 (Op. posth. 103). Also to be performed this afternoon are works by Astor Piazzolla and Anton Arensky.

Tickets are priced at P2500 with discounted rates for teachers (P600), students (P500) and seniors (P500). One can register and avail of the tickets by scanning the QR code at the poster or via this link.