Celebrate ASEAN Month 2026: Public Invited to Experience Southeast Asia Through Music, Dance, Arts, and Culture

The National Commission for Culture and the Arts (NCCA), together with its ASEAN 2026 Philippines partners, invites the public to join the month-long celebration of ASEAN Month 2026, featuring a vibrant lineup of cultural showcases, performances, workshops, and community events that highlight the rich heritage and shared identity of Southeast Asia.

Following the successful momentum of the SULONG SEAPop Music and Culture Caravan, the celebration continues this August under the ASEAN Chairmanship theme, “Navigating Our Future, Together.” As ASEAN commemorates its 59th founding anniversary, Filipinos and visitors alike are encouraged to discover the traditions, creativity, and cultural diversity that unite the region’s eleven Member States.

As part of the celebration, participants who joined previous SULONG SEAPop Music and Culture Caravan events are encouraged to bring their SULONG SEAPop Passport to continue collecting stamps through the Stamp Rally at participating ASEAN Month activities. Those who complete the required stamps will have the chance to receive exclusive prizes, with winners to be announced during the culmination of the campaign in November 2026.

Throughout August, attendees can participate in a variety of free and accessible events across Manila, including:

August 6, 2026

ASEAN Corner at the Philippine High School for the Arts, featuring cultural exhibits alongside the Best of ASEAN Performing Arts (BOAPA).

August 7, 2026

Viet Nam Cultural Days in Manila at Centro de Turismo, Intramuros, with traditional water puppet performances, an interactive puppet workshop, ASEAN lectures, and cultural exhibits celebrating 50 years of Philippines–Viet Nam diplomatic relations.

August 8, 2026

59th ASEAN Day Anniversary and Viet Nam Cultural Days Public Cultural Showcase at Fort Santiago, featuring the Bayanihan National Dance Company and the Viet Nam National Puppetry Theatre in a free public performance.

August 9, 2026

The Inauguration of the ASEAN Cultural Center in Manila at the Metropolitan Theater, followed by the Best of ASEAN Performing Arts (BOAPA) showcase.

August 20, 2026

Interagency ASEAN Month Celebration, bringing together government agencies in a grand showcase of regional cooperation, culture, and shared heritage.

The celebration reflects ASEAN’s enduring vision of “One Vision, One Identity, One Community,” encouraging people of all ages to deepen their appreciation of Southeast Asia’s cultural connections while strengthening regional friendship and understanding. Whether through captivating performances, immersive workshops, educational talks, or cultural exhibitions, ASEAN Month 2026 offers meaningful experiences that celebrate the stories, traditions, and artistic excellence of the region.

Admission to events above is free. The public is encouraged to register in advance for workshops with limited slots and to follow the official ASEAN 2026 Philippines and NCCA channels for schedules, registration details, and event updates.

Philippines Welcomes ASEAN Young Artists for BOAPA 2026

Delegates to perform with Alice Reyes Dance Philippines on August 9

Sharing the vision of the Association of Southeast Asian Nations (ASEAN) in fostering a region that values peace, inclusivity, and mutual understanding, the Philippines will host the Best of ASEAN Performing Arts (BOAPA) 2026: Navigating Cultural Currents from August 5 to 9, 2026, in Manila and Los Baños, Laguna.

Organized by the Philippines’ ASEAN National Committee on Culture and Information - Sub Committee on Culture (COCI-SCC PH) through the Cultural Center of the Philippines (CCP) in cooperation with the National Commission for Culture and the Arts (NCCA), BOAPA has been one of ASEAN's flagship cultural initiatives, bringing together emerging and young artists from across Southeast Asia annually to celebrate the region’s shared heritage while highlighting the unique culture of each of the ASEAN member states.

True to the vision of “One Vision, One Identity, One Community,” BOAPA has become a platform where young artists forge lasting friendships, exchange creative practices, and deepen their understanding of various cultures that make ASEAN a vibrant and interconnected community through the years.

From August 5 to 7, young performers from the 11 ASEAN member-states will gather at the National Arts Center in Los Baños, Laguna where they will participate in cultural exchange sessions, artistic workshops, collaborative rehearsals, cultural immersion activities, and interactions with the students of the Philippine High School for the Arts (PHSA).

Their cultural journey culminates on August 9 at 6:00 PM with a performance at the historic Metropolitan Theater in Manila that will be open to the public. Delegates from each of the ASEAN member-states will showcase their unique cultural traditions, and then join the Alice Reyes Dance Philippines in performing excerpts from Rama, Hari, directed and choreographed by National Artist for Dance, Alice Reyes with music by National Artist for Music, Ryan Cayabyab and libretto by National Artist for Literature, Bienvenido Lumbera.

“The Ramayana is part of the common heritage among the countries of Southeast Asia. The participation of the delegates in a production of the Rama, Hari, as well as their country presentations will showcase ASEAN’s rich culture and evolving heritage while providing opportunities for interaction among the region’s young artists,” said CCP Vice President and Artistic Director, Dennis N. Marasigan.

The delegates will also be guests at the inauguration of the ASEAN Cultural Center in Manila earlier that day, also at the Metropolitan Theater.

As the Philippines continues with its ASEAN Chairship in 2026, hosting BOAPA reflects the country’s longstanding commitment to strengthening regional cooperation through culture.

In bringing together the region’s next generation of cultural bearers, BOAPA 2026 affirms that the peoples of the ASEAN remain connected by stories and artistic expressions that enable them to navigate the cultural currents of a shared cultural community.

MSO brings back Carmen in Tagalog, commemorates Conching Rosals birth centennial

With its centennial season still in full force, the Manila Symphony Orchestra commemorates more milestones with Opera at Kundiman: The Legacy of Maestra Conching Rosal concert happening on August 29, 2026 7:00 PM at the FEU Auditorium.

Conching Rosal

The concert puts spotlight on soprano Conching Rosal who, like the MSO, is celebrating centennial anniversary of her birth this year.

Manila Symphony Ochestra

Back in August 29, 1956 at the FEU Audiorium, Rosal portrayed the title role of Carmen at the premiere staging of the Tagalog version by Manuel Carballo Santiago and Vicente Liwag of Georges Bizet's opera.

Rachelle Gerodias-Park

The 1956 staging was directed by dancer/choreographer Trudl Dubsky-Zipper, the wife of Herbert Zipper who succeeded founder Alexander Lippay as the MSO's music director. This all the more makes MSO's upcoming concert the 70th anniversary celebration of this historic opera moment right at the equally historic venue where it all happened.

Michelle Mariposa

Headlining the concert that will feature selections from Carmen in Tagalog along with well-loved kundimans by Nicanor Abelardo, Francisco Santiago, Leopoldo Silos, Constancio de Guzman, and Manuel Velez are a quartet of the country's most heralded opera artists namely soprano Rachelle Gerodias-Park, mezzo soprano Michelle Mariposa, tenor Arthur Espiritu, and baritone Byeong-In Park. They are joined by the FEU Chorale and the FEU Dance Company. MSO Music Director Marlon Chen conducts.

Arthur Espiritu

Born in San Jose, Batangas in 1926, Conching Rosal discovered her love for singing in her parish church before pursuing formal studies at the University of Santo Tomas Conservatory of Music. She established herself as one of the Philippines' leading sopranos through acclaimed performances in productions such as Madama Butterfly, Aida, and Ang Kiri becoming one of the defining voices of 

Philippine opera from the 1950s through the 1970s.

Byeong-In Park

While Rosal earned acclaim on the operatic stage, she was equally devoted to kundiman. Through her concerts and recordings, she helped preserve and popularize many of the country's best-loved art songs, introducing generations of Filipinos to this treasured musical tradition.

Marlon Chen

The Far Eastern University (FEU) Auditorium served as the MSO's home throughout much of the 1950s. Celebrating its 98th anniversary this year, FEU remains one of the country's foremost educational and cultural institutions. Its auditorium, inaugurated in 1949, is a celebrated Art Deco masterpiece designed by National Artist for Architecture Pablo Antonio Sr.

FEU Chorale

Tickets are available at TicketWorld. Enter code CONCHINGEB20 for a 20% early bird discount valid until August 14, 2026, 11:59 PM. Standard discounts for students (50%); seniors, PWDs, and diplomats (20%) apply.

FEU Dance Company

The Manila Symphony Orchestra's Opera at Kundiman: The Legacy of Maestra Conching Rosal is presented by the Manila Symphony Orchestra Foundation, Inc. and Standard Insurance, co-presented by EastWest Bank, ACMobility, and BYD, in partnership with Far Eastern University.

PBT revives, celebrates 30 years of Gener Caringal's Andres Bonifacio KKK

Hoping to cultivate nationalism, empower the common man, and awaken the spirit of what it means to be a nation, the Philippine Ballet Theatre brings back Andres KKK this August 22-23, 2026 at the Proscenium Theater in Rockwell, Makati.

Matthew Davo

Choreographed by Gener Caringal, this ballet about Andres Bonifacio had its premiere back in 1996 in commemoration of the centennial of the Philippine Revolution. One of PBT's most widely toured productions, Andres KKK boasts a libretto by Lilia Quindoza Santiago and an original score by Jesse Lucas.

Jessa Tangalin

Dancing the lead role of Bonifacio are Matthew Davo and Dominador Delmo while Jessa Tangalin and Sophie Tiangco portray his wife Gregoria "Oryang" de Jesus.

Matthew Davo & Jessa Tangalin

PBT's Artistic Director Ronilo Jaynario, who originated the role of Bonifacio during the 1996 premiere, says that the ballet has stoot the test of time because "PBT's version of history is not just pages of history in dance. It is a touching tribute to the struggles of the Filipino."

Sophie Tiangco

Jaynario still remembers how Caringal framed the hero: instead of portraying Bonifacio as an untouchable icon or an invincible warrior, Caringal reveals the man behind the monument. His Bonifacio struggles, questions, sacrifices, and perseveres. He is not defined by superhuman strength but by an unwavering belief in his people and their shared dream of freedom.

Dominador Delmo & Sophie Tiangco

Gener Caringal explains his Andres Bonifacio as a product of poverty, suffering, and love for his country. A hero was born because Bonifacio cared deeply for this land and its people. Moreover, in Caringal's vision, Bonifacio's greatest power does not come from standing above the people—it comes from standing among them. They were all heroes of their time, with Bonifacio serving as the symbol of their resolve.

Matthew Davo & Philippine Ballet Theatre

In revisiting Bonifacio's story, Philippine Ballet Theatre invites audiences to reflect on a question that remains as urgent today as it was more than a century ago: What kind of hero does our nation need—and what kind of people must we become to stand behind one? What would it take to make heroes of all of us?

PBT's Andres KKK will have a limited one weekend run on August 22-23, 2026 at the Proscenium Theater in Rockwell Makati. Tickets are available through TicketWorld. For ticket inquiries, call 0968-870-8887.