Tuesday, August 21, 2012

Jazz trio Baihana holds concert at the Music Museum


August 24, 2012, 7:30 PM
Music Museum
Greenhills Shopping Center
San Juan

Featuring:
Baihana
     Anna Achacoso
     Krina Cayabyab
     Mel Torre

Baihana, the vocal trio composed of Anna Achacoso, Krina Cayabyab and Mel Torre are regularly seen and heard as back up singers of Sarah Geronimo on the television program Sarah G, Live! This coming August 24, 2012 at 7:30 PM at The Music Museum, these three talented women will grab the spotlight as they showcase their exquisite harmonies in a concert entitled Love, Baihana.

Mel Torre, Krina Cayabyab and Anna Achacoso

I first saw Baihana perform live during my first visit over at Radio Republic and I immediately became a fan when I first heard their first chord. The trio specializes in jazz and bebop repertoire (which means complicated chords with lots of bent notes) and whenever they take on songs from other genres and make them their own, I am always left mesmerized. They’ve also mesmerized the judges at the recent Katindig Jazzfest eventually winning the Best Jazz Band award which gave them the chance to represent the country in the International Jazzfest in Malaysia.

Baihana performing

Several bloggers were invited to catch a preview of Love, Baihana over at The Music School of Ryan Cayabyab. Krina, by the way is the daughter of Ryan Cayabyab. Since I was already familiar with the kind of music that these ladies can make, I got more excited for the others who were there especially those who have never heard them before. The trio performed a handful of songs that included Sunday Morning by Maroon 5, an a cappella version of Zia Quizon’s Ako Na Lang and Krina’s own composition and entry to the Katindig Jazzfest Talk to Me among others. As expected, the trio demonstrated strong vocals with each member capable of singing the lead. But what really captivates me was how they harmonized with such ease although they do those complex jazz chords.

Banjo, Pael and Enzo do a vocal improv

Also in the preview were three young guys Banjo, Pael and Enzo who will be special guests at the concert. The trio does vocal improv based on a single word given by the audience. During the preview, they did vocal improvs from the words serenity and marshmallow. Immediately after the guys finished with marshmallow, Mel couldn’t resist and led Krina and Anna to do a vocal marshmallow improv of their own.

Since this was just a preview, what they showed to us was just a portion of what people should expect from them this coming August 24, 2012. Aside from a bit of dancing that they did during the preview (although very limited since the microphones they used were wired), Mel teased that there will also be a bit of theater/acting at the concert. Beyond that, she and the other two refused to give out spoilers. I guess that one has to find out what the other surprises will be by going over to the Music Museum and see Mel, Krina and Anna strut their stuff in Love, Baihana.


For inquiries:
The Music School of Ryan Cayabyab 637-9840, 914-5055, (0917) 909-6484

Monday, August 20, 2012

Walang Sugat

Walang Sugat cast members

Last week, horrible weather led to the cancellation of classes, suspension of work and the flooding of the whole metro and its nearby areas. The opening night of Tanghalang Pilipino’s Walang Sugat was just one of the many cultural events that got cancelled. The weather eventually improved and although pushed back a week later, the curtains rose at the Cultural Center of the Philippines’ Tanghalang Aurelio Tolentino (CCP Little Theater) and Walang Sugat finally had its opening night. Notable in this sarswela is Carlos Siguion-Reyna’s first foray into directing live theater and also the return of Noemi Manikan-Gomez to the stage after a long hiatus. What interested me most about this production was to see if this work penned by Severino Reyes, current and timely when it premiered 110 years ago, would still hold up in these modern times.

Walang Sugat tells the story of childhood sweethearts Julia (Cris Villonco) and Tenyong (Noel Rayos aletrnating with Antonio Ferrer), and their secret love affair amidst the final salvo of the Philippines’ revolution against Spain. This love is put to the test when Tenyong enlists to join the Philippine forces after his father’s abduction and eventual death while being a prisoner of the Spanish. While Julia waits patiently for her sweetheart’s return from battle, her mother Juana (Noemi Manikan-Gomez) is eager to have her married to Miguel (Nar Cabico), the son of the wealthy Tadeo (Red Nuestro). When news arrive that Tenyong got wounded in battle, Julia resorts to marrying Miguel albeit reluctantly. And on the day of the wedding itself, a wounded Tenyong arrives and asks to be married to Julia as his final wish. What happens next needs to be seen and I am glad that I didn’t read the detailed synopsis since the twist in the end did catch me by surprise.

There were strong performances from all the cast members during the opening night. Cris Villonco did a commendable job in making Julia distinct from Maria Clara from Noli Me Tangere which was the opening show for last season. Cris infused a lot more stubbornness and naughtiness in Julia which wasn’t present at all in Maria Clara. Noel Rayos on the other hand sounded very much like a crooner heard from old vinyl records. I got tempted to close my eyes and just listen to him sing and all the while expecting to hear crackles and pops. I pointed this out to him afterwards and he said that he did aim for that old sound evoking a bygone era. Antonio Ferrer, a classically trained vocalist, plays Tenyong in other performances and I do hope that I will be able to watch him soon to see how he portrays the role.

There were a couple of flirting scenes with corresponding song numbers that made me want to verify if Walang Sugat was indeed written back in the day when people were supposed to be more reserved. The first flirting scene was with Monica, played by the always vocally strong Jenny Villegas, and Lucas, played by the ever dependable Jonathan Tadioan. I had to raise my eyebrows when it was implied what happened after their delightful number. The next flirting scene was the unexpected duet between Juana and Tadeo. While the number was also a delight and the moment for Noemi Manikan-Gomez to show off her vocals, I had to shake my head in disbelief that future in-laws even entertained the notion of hooking up after marrying off their children. I tried my best to imagine how audiences back then reacted to this scene.

Noel Rayos

I admit that Act One was hard to get myself settled into, not just because of the language used which required a lot of effort for me to grasp and understand, but also because the cast looked like they haven’t settled into the performance as well. It felt rough with too many noticeable kinks particularly with the microphones that distracted me a lot throughout the performance. But Act Two ran more smoothly and things got a lot tighter and stronger as the show went on. I also noticed that the music track sounded shallow, muffled at times and lacking in clarity and crispness. This was very evident even during the overture when I focused on the music more, trying to catch themes and leitmotifs that might be heard later. Many times when the chorus was singing exceptionally I found myself thinking if only the backing track was up to par. I found out after the show that the production still used analog tapes from the earlier production of Walang Sugat back in the 90’s. It’s sad to know that a digitally remastered backing track for this doesn’t exist at all which could have brought out the beauty of the music more. Looking at the program, I noticed a trio of composers who contributed songs to this sarswela namely Mike Velarde Jr., Fulgencio Tolentino and Constancio de Guzman. Their contribution came years after the show premiered which I think is an interesting topic in itself: the history of the piece and the revisions made in the material.

Tanghalang Pilipino's Walang Sugat is not much of a visual spectacle if one expects grandiose sets and a production laden with numerous special effects. The minimalist set required the audience to rely heavily on their imagination. Walang Sugat’s main draw is still the material penned by Severino Reyes. It’s remarkable that a piece of work for the theater written more than a century ago still resonated with such relevance in these modern times. The courtship may seem dated, but the struggle to gain freedom and to achieve desires still ring true. And Bayan Ko, a recurring song that was used to end each act, never failed to send shivers down my spine even if I've heard it over and over again.

Walang Sugat has now become a very limited two weekend run due to the unavoidable circumstances that led to the cancellation of its first week. Catch it on its last week this August 24-26, 2012 at the Tanghalang Aurelio Tolentino (CCP Little Theater). I was told that Tanghalang Pilipino has added morning performances to accommodate more people. Call TicketWorld at 891-9999 or text 0917-7500107 for more info.

Saturday, August 18, 2012

USA debuts in the 6th International Silent Film Festival


August 24-27, 2012
Shang Cineplex (Cinema 2), Shangri-La Plaza
Mandaluyong

August 24, 2012
7:00 PM Metropolis feat. Rubber Inc. (Germany)

August 25, 2012
3:00 PM La Casa de la Troya feat. Sinosikat? and Ignacio Plaza (Spain)
7:00 PM I was Born, but… feat. Tropical Depression (Japan)

August 26, 2012
4:00 PM La Signora delle Camelie feat. Garlic (Italy)
7:00 PM The Heritage of Silent Cinema feat. Max Tesllier & Raymond Red (Art Talk)
7:30 PM Eternity and Pelikula feat. Diwa de Leon (Philippines)

August 27, 2012
7:00 PM Safety Last feat. Radioactive Sago Project (USA)

The International Silent Film Festival, the only silent film festival in Asia continues to grow in its 6th year as it welcomes the participation of the USA through the film Safety Last. This film, along with seven other silent films from the participating countries Germany, Spain, Japan, Italy and the Philippines will be screened at the Shang Cineplex this August 24-27, 2012. As expected and definitely one of the main draws of the festival, music acts will provide live accompaniment to the film screenings. I was very fortunate to experience last year’s edition although I only managed to catch just one day of screening at that time. This year though, I vow to watch all the films considering that the music acts tapped to accompany the films are first rate.

The festival starts with Germany’s Metropolis which will be shown on August 24, 2012 at 7:00 PM. The film was already shown in here before but this will be the first time that the film will be screened along with the additional 20 minute footage that was found in Argentina recently. Accompanying the film will be Rubber, Inc. composed of Malek Lopez and Noel de Brackinghe who will also be supported by the returning Stephan von Bothmer.

Two films will be screened on the next day, August 25, 2012 with Spain’s La Casa de la Troya showing at 3:00 PM. The live music for this film will be provided by Sinosikat? led by the soulful Kat Agarrado along with Spanish live-scorer Ignacio Plaza. The second film, I was Born, but… from Japan will be shown at 7:00 PM featuring the top reggae band Tropical Depression.

On August 26, 2012 at 3:00 PM, Italy’s La Signora delle Camelie along with Garlic composed of Louie Talan, Francis Reyes and Zach Lucero will hope to make the members of the audience cry with this diva movie. At 7:00 PM, an Art Talk about the The Heritage of Silent Cinema takes place featuring French film critic and historian Max Tessier and Filipino filmmaker Raymond Red. Immediately right after, Red’s two silent films, Eternity (Ang Mapagkailanman) and Pelikula will be shown featuring Diwa de Leon who will showcase the hegalong in his live music.

Alan Holst, Cultural Affairs Officer of the US Embassy discusses Safety Last 

On the last day of the festival, August 27, 2012 at 7:00 PM, the USA presents a comedy film Safety Last. Lourd de Veyra and the rest of Radioactive Sago Project are the featured musicians in this screening.

It’s very remarkable that most of the musicians performing this year are very familiar to me. I often see Garlic’s Zach Lucero whenever I drop by over at Radio Republic. In fact Garlic, Kat Agarrado, and Lourd de Veyra were all recent guests at the station. Junji Lerma, guitarist of Radioactive Sago Project was a fellow adjudicator during the first round the Philippine Popular Music Festival. I just find it amazing that I am now experiencing a crossover between OPM acts and a project by embassies and cultural institutions usually associated with classical music acts.

Organizers and musicians for the 6th International Silent Film Festival 


For tickets:
Tickets for the screenings will be distributed by the respective embassies and cultural agencies

Metropolis
Eternity and Pelikula
Hannes 817-0978, kultur.programm@manila.goethe.org

La Casa de la Troya
Nicole 526-1482 loc. 115, cultx2mni@cervantes.es

I was Born, But…
811-6155 to 58, email@jfmo.org.ph

La Signora delle Camelie
892-4531 loc. 143, stage.manila@esteri.it

Safety Last
Reysa 301-2556/2553, Alenzuelarc@state.gov

For other inquiries:
370-2500
www.shangrila-plaza.com

Friday, August 17, 2012

Bryan Termulo Bloggers’ Conference

Bryan Termulo

A friend once told me that he wanted to sing Dadalhin, the Bryan Termulo version. At that time, while I remember that I’ve heard the song before, I still had no idea who Bryan Termulo was and couldn’t connect the name with a face. Some time later, I finally saw Bryan when he performed during the 2012 Tambayan OPM Awards. My first impression was that he had some very loud fans who didn’t mind losing their voices as they screamed their lungs out for their idol. Less than two months later, I’ve had the opportunity to meet Bryan Termulo in person during a Bloggers’ Conference held at Moomba Bar & Restaurant.

During the time in between the Tambayan OPM Awards and the Bloggers’ Conference, I managed to catch and take note of Bryan whenever he performed at the Sunday noontime variety show ASAP 2012 with his group Boys are Boys that also include JM de Guzman, Markki Stroem and Alex Castro. But while he currently enjoys regular exposure over at the ABS-CBN, he had his start over at rival station GMA via the talent competition Pinoy Pop Superstar Year 3 where he ended up as the runner up. And things have been on the upswing since he started from there.

He released his debut album, Begin, under BWB Records and Music Production Inc. that included the tracks Bihag and Paano Nangyari. Both of these tracks were featured in the series 100 Days to Heaven which served as the precursor for him to become the Prince of Teleserye Theme Songs. This album eventually won the 2011 Awit Awards Best Album Packaging. Other achievements for Bryan was winning two silver medals in rock and original works, and one bronze in the R&B when he competed at the World Championships of Performing Arts (WCOPA) back in 2010. Recently, he was also nominated as New Male Recording Artist of the Year at the Philippine Movie Press Club (PMPC) Star Awards for Music in 2012.


And now, Bryan has released his sophomore album entitled Hanggang Ngayon, also released by BWB Records and distributed by Star Records. BWB Records president Raul Leynes is optimistic that this album will surpass the success of Bryan’s debut effort. This album has eight songs: six new, original songs and two previously released cover songs as bonus tracks. Minus one versions of all the songs are also included in the album which will satisfy those who want to fashion themselves as the next Bryan Termulo.

When asked during the bloggers’ conference if Bryan had any hand in choosing the songs for the album, he admitted that he didn’t have any choice. He then quickly pointed out rather playfully that he managed to have his personal touch on the album through the printed lyrics in the accompanying postcards that were done in his handwriting. But he stressed in a more serious way that whenever he is handed out songs to sing, he makes sure that he studies it, then he pours his emotions into it as he draws from past experiences, and therefore stamping his own mark into the tracks hopefully affecting those who would listen to them. He also stressed that it was a conscious decision to have all the songs in Filipino so that it will be unique and will be able to connect more to the Filipino listeners. He does entertain the possibility of being able to penetrate the overseas market. But for now, he wants to firmly establish himself in the Philippine market.


After the arriving at home from the event, I immediately put his album for a few spins to hear from myself the rest of the tracks without any distractions. Bryan did sing a few tracks from the album during the conference but some people there were swooning over him which distracted me a bit from his performance. I noticed that Bryan sticks to the classic ballads, the type that speaks of heartbreak that curiously elicit screams from adoring fans during performances. While he possesses a wide vocal range for a male singer which the songs take full advantage of, he doesn’t resort to vocal gymnastics or overdo passages with unnecessary turns which have been sadly equated with good singing by most of the people here nowadays. But I do feel that he needs to have more texture and variety not just in his vocals but in the tracks as well to avoid sounding monotonous. It would be very interesting to hear him record a mid-tempo track someday. Overall, the material contained in this album doesn’t really push the genre forward but instead delivers the tried and tested ballads, relying on emotional hooks and eventually on the likeability and charisma of Bryan. I think that this has worked to his advantage based on his very passionate and loud fans whom I was told do faithfully follow their idol whenever he does his mall tours.

Speaking of mall tours, I can safely bet that Bryan’s fans have already made plans to support him as he promotes his album during these dates and venues:

August 25, 2012 SM Rosario
August 25, 2012 SM Novaliches
August 26, 2012 SM Bacoor
September 2, 2012 SM Center Las Pinas
September 8, 2012 SM Fairveiw
September 9, 2012 SM Sucat
September 15, 2012 SM Olongapo
September 16, 2012 SM Baliwag
September 22, 2012 SM Naga
September 29, 2012 SM Tarlac

I was pleasantly surprised by the aggressive marketing and promotional push employed by BWB Records in regards to Bryan’s second album. The label, which also manages him, is really pushing him into the spotlight since there is no other new male balladeer out there and the likes of Erik Santos, Christian Bautista, Mark Bautista and their contemporaries are now approaching their tenth year in the industry. And while Bryan, now an endorser of Cetaphil as well, has also delved into acting via his previous stints on All My Life, Wansapanatym and Budoy and also the upcoming series Against All Odds, he is still promoted as a singer first. And while he owes his rise in popularity through his cover of Dadalhin, the song will forever be associated with Regine Velasquez more. So the current heavy promotion of his latest single Hanggang Ngayon serves Bryan very well since it is his own song and will forever be associated with him. This single and album does establish Bryan as an artist who also contributes to the resurgence of original works in the local music industry.

The Bryan Termulo Bloggers’ Conference was presented by BWB Records and Music Production, Inc. in cooperation with LionhearTV, Pinoy Magazine, Cetaphil, BND Hair Gallery by Bing Nogara-Dio, Lifeline and Erase Placenta.


Hanggang Ngayon

Tracks:
1. Lagay ng Puso
2. Nasan Ka Na
3. Kung Maibabalik
4. Nagtatanong Lang
5. Aanhin Pa
6. Hanggang Ngayon
7. Dadalhin
8. Pagdating ng Panahon
9. Lagay ng Puso (Minus One)
10. Nasan Ka Na (Minus One)
11. Kung Maibabalik (Minus One)
12. Nagtatanong Lang (Minus One)
13. Aanhin Pa (Minus One)
14. Hanggang Ngayon (Minus One)
15. Dadalhin (Minus One)
16. Pagdating ng Panahon (Minus One)