Reviving the Roots of Philippine Theatre: a Month-Long Tribute to Zarzuela at Instituto Cervantes and UST

Instituto Cervantes, the Embassy of Spain, and the University of Santo Tomas, present a month-long cultural program highlighting the shared legacy of zarzuela in the Philippines. From August 1 to 28, a cultural celebration featuring weekly zarzuela screenings, an immersive zarzuela workshop, and a Zarzuela recital will take place in the Instituto Cervantes in Intramuros and the University of Santo Tomas.

The Zarzuela, considered to be one of the most treasured forms of art in the Spanish-speaking world, also happens to be the most popular cultural product in the Philippines for decades in history. It is the musical genre that truly left its mark in the history of the Philippine theater, as said in the timeless words of Nick Joaquin, “Certainly, in no other art form, whether in English, Spanish, or Tagalog, has the Filipino shown himself so much at home; and in no other, since then, has he been able to establish such close rapport with the people."

Entitled Zarzuela Viva, this month-long event will feature a weekly screening of zarzuelas throughout August. The series opens on August 1 at 3:00 p.m. with the screening of the documentary Tiempo de Zarzuela by Cristina Otero Roth at the Intramuros branch of Instituto Cervantes. On August 7, also at 3:00 p.m. at the same venue, audiences can enjoy a production by Teatro de la Zarzuela of the classic La del manojo de rosas by Pablo Sorozábal.

The third installment in the series will be a screening of Alfredo Sanzol’s production of El barberillo de Lavapiés by Francisco Asenjo Barbieri, scheduled for August 14. The final screening will feature El sobre verde by Jacinto Guerrero on August 28. These last two screenings will take place at 3:00 p.m. at the Central Laboratory Auditorium of the University of Santo Tomas (UST).

Ramón Grau

Presented as the highlight of Zarzuela Viva, a 4-day Zarzuela Workshop will be conducted by Spanish pianist Ramón Grau from Teatro de La Zarzuela in Madrid. The workshop will be held at the Conservatory of Music of the University of Santo Tomas in Manila (UST) and is addressed to advanced students of music. Those interested in joining the workshop can reserve a spot by submitting their CV to cultmni@cervantes.es.

On August 26, as a result of the Zarzuela workshop led by pianist Ramón Grau, he and the participants will present Zarzuela-Sarswela, a concert featuring a selection of pieces from the classic Spanish zarzuelas El barberillo de Lavapiés and La del manojo de rosas from the screening, alongside works from Philippine sarswelas. The recital will be held at the Education Auditorium (4F Albertus Magnus Building), UST. This event is open to everyone, but attendees and participants are encouraged to register early through this link: https://forms.office.com/e/gqQYWUHzSb

Here is a detailed lineup of the films to be screened:

El barberillo de Lavapiés (2019)

Director/s: Alfredo Sanzol/Jose Miguel Pérez Sierra

El barberillo de Lavapiés is one of the most joyful and iconic pieces in the Spanish lyrical tradition. With music by Francisco Asenjo Barbieri and a libretto by Luis Mariano de Larra, this work has stood the test of time as a symbol of Madrid’s traditional spirit and musical theater. It’s considered a masterpiece of Spanish musical history and a shining example of both Madrilenian character and Hispanic lyrical art.

In this new production, stage director Alfredo Sanzol emphasizes the comic and adventurous aspects of the story, while staying true to its underlying pursuit of beauty. For Sanzol, comedy is a powerful and freeing tool, it allows us to explore life’s conflicts with both depth and lightness. The plot follows the charming and lovable characters Lamparilla and Paloma, whose story intertwines with the romantic entanglements of Marquesita Estrella and Don Luis. All of this unfolds against a political backdrop marked by the transition between the governments of Grimaldi and Floridablanca. The musical direction is led by José Miguel Pérez-Sierra, who brings out the richness of Barbieri’s score, considered one of the high points of the zarzuela genre. The collaboration between Barbieri and Larra resulted in a work that fully captures the essence of Madrid: a story set in 18th-century Madrid, with 19th-century music, and a timeless vitality that still resonates today.

La del Manojo de Rosas (1990)

Directors: Guillermo García Calvo/Emilio Sagi

This production of La del Manojo de Rosas, directed by Emilio Sagi, has become a modern classic of Spanish lyrical theatre. With music by Pablo Sorozábal and a libretto by Anselmo C. Carreño and Francisco Ramos de Castro, this zarzuela is one of the most beloved by audiences, thanks to its lively spirit, humor, and warm portrayal of Madrid in the 1930s.

Since its premiere in 1990, this version has been performed across Spain and even in cities like Rome and Paris, consistently earning praise from both audiences and critics. Sagi’s direction captures the charm and emotional depth of the sainete (a short, comic theatrical piece), giving it a fresh, updated look while staying true to its original character.

Set in a Madrid neighborhood, the story revolves around Ascensión and Clarita, two young, independent and determined women who represent the feminine awakening of a time of change.

Through their voices and their decisions, the play reflects a society in transformation, where Sorozábal's music-full of poetry, grace and emotion- becomes the soul of a close and universal story.

With a new cast and musical direction by Guillermo García Calvo, this production is just as exciting and powerful as it was 30 years ago. La del Manojo de Rosas is not only a tribute to Madrid during the Republican era, but also a celebration of zarzuela as a living art form—one that keeps evolving and continues to touch the hearts of new generations.

El sobre verde (2022)

Directors: Cecilia Bercovich/Nuria Castejón

El sobre verde is a sainete (theatrical humurous skit) in two acts with touches of revue, that is, a musical show set in the popular Madrid of a century ago and in the skyscraper-filled New York of the time. The music is by Francisco Guerrero and the original texts were written by Enrique Paradas and Joaquín Jiménez. In its time it was a huge success, and here we present a revised version of the piece for young audiences (and not-so-young ones). El sobre verde is a festive musical comedy full of songs, dancing, and humor. But in our version, it also offers a brief yet powerful reflection on fortune. In these hyper-connected, highly technological times, mediated by screens, when money governs the fate of the world when having is more important than being, when appearances, the number of ‘likes’, the brand of one’s clothes or the zeros in the bank account seem to matter more than friendship, loyalty or justice, Nicanor's fable, his journey from rags to riches and back again, leaves us with a bittersweet aftertaste and leads us to ask ourselves: what would we do if we found the green envelope?

Tiempo de Zarzuela (2023)

Director: Cristina Otero Roth

Tiempo de Zarzuela is an exciting immersion into the world of the Spanish lyrical genre that has endured for four centuries, becoming an invaluable treasure of the artistic and emotional memory of the Spanish-speaking community. Directed by Cristina Otero Roth and produced by López Li Films in 2023, this film transports us through the history and heritage of zarzuela, revealing its profound impact on Spanish culture and art.

The film delves into the roots of zarzuela, exploring its origins and evolution over the centuries. Through interviews with experts, musicians and actors, Tiempo de Zarzuela offers a unique insight into the importance of this genre in Hispanic culture and and its influence on music and theater both in Spain and beyond.

From the earliest zarzuelas to the most contemporary productions, the film presents a wide range of memorable moments and outstanding performances. It also provides a glimpse into the current landscape of zarzuela, demonstrating that it remains a vibrant and relevant form of artistic expression today. Tiempo de Zarzuela is a tribute to a genre that has touched the hearts of audiences around the world and continues to captivate new generations with its rich tradition and exciting interpretations.

Here is the schedule of screenings:

Instituto Cervantes, Intramuros

August 1, 2025, 3:00 PM 

Tiempo de Zarzuela

August 7, 2025, 3:00 PM

La del Manojo de Rosas

Central Laboratory Auditorium, UST

August 14, 2025, 3:00 PM

El barberillo de Lavapiés

August 28, 2025, 3:00 PM

El sobre verde

Zarzuela Viva is organized by Instituto Cervantes de Manila in collaboration with the Embassy of Spain in the Philippines, AECID, the Conservatory of Music of UST, Teatro de La Zarzuela, and Intramuros Administration.

For more information about Zarzuela Viva, visit Instituto Cervantes' website at www.manila.cervantes.es, or follow it on Facebook at https://www.facebook.com/InstitutoCervantesManila/

RAd's Page Turners: White Noise by Don DeLillo

Back in December last year, I decided to get White Noise by Don DeLillo done and over with as it has been on my to be read pile even before the pandemic began. Because of the holiday distractions that came along with that time of the year, I plowed through it at a glacial pace. I somehow neglected the book altogether as the plot picked up with the black cloud just about to threaten the lives of Jack Gladney, his family and the rest of the college town.

An unfinished book bothers me so here I am, more than half a year later, attempting to read it again. And it's only recently that I learned that the novel has been adapted into a film. Yeah, how can I miss news about it? Directed by Noah Baumbach and starring Adam Driver, Greta Gerwig, and Don Cheadle, the film adaptation of White Noise is available to view over at Netflix. Nothing motivates me more to finish a book than a film adaptation already waiting at the sidelines.

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White Noise by Don DeLillo

https://amzn.to/3U4SxBf

White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultra­modern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. When an industrial accident unleashes an “airborne toxic event,” a lethal black chemical cloud floats over their lives. The menacing cloud is a more urgent and visible version of the “white noise” engulfing the Gladneys—radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings—pulsing with life, yet suggesting something ominous.

"Dois Fabios" headline MSO's Brazilian Guitar & Cello concert

Not just one, but two Fabios are set to bring Brazilian music to the Manila Symphony Orchestra's latest installment of its 2025-2026 season happening on August 9, 2025, 7:30 PM at the Bayanihan Hall, Creative Arts Centre of the British School Manila, BGC in Taguig.

The "dois Fabios" headlining the concert, billed as Brazilian Guitar & Cello, are guitarist Fábio Zanon and cellist Fabio Presgrave. Joining them at this concert is soprano Stefanie Quintin-Avila while MSO's music director and principal conductor Marlon Chen takes to the podium.

Music to be performed includes the Prelúdio (Ponteio) from Bachianas Brasileiras No. 7 and the Ária and Dança from Bachianas Brasileiras No. 4 by Heitor Villa-Lobos, Jeffrey Ching's Concerto da camera, Radamés Gnattali's Concerto No. 4 for Guitar and String Orchestra, and Astor Piazzolla's Le Grand Tango for Cello and String Orchestra.

Fábio Zanon

Guitarist Fábio Zanon earned his master’s from the University of London and rose to prominence by winning major guitar competitions in 1996, including the Francisco Tárrega, GFA, and Alessandria contests; he later received numerous honors, including an honorary doctorate from the Universidad Nacional de Rosario and awards such as the Carlos Gomes Prize and Bravo! Award.

Fabio Presgrave

Born in Rio, cellist Fabio Presgrave earned his degree from The Juilliard School and has performed as soloist with orchestras worldwide, including the Qatar Philharmonic and Orquestra Sinfônica Brasileira, under renowned conductors such as Rafael Payare and Lior Shambadal.

Stefanie Quintin-Avila

Praised for her vocal flexibility and commanding presence, Stefanie Quintin-Avila is a multi-awarded soprano, receiving honors such as the Delphic Lyra Award and the Presidential Award for Culture and the Arts. She holds a Bachelor of Music from the University of the Philippines and a Master’s in Contemporary Music Performance from UC San Diego.

Marlon Chen

Known for his dynamic charisma and versatility, Marlon Chen has led performances across four continents in opera, ballet, and symphonic music. He was appointed Music Director and Principal Conductor of the Manila Symphony Orchestra in 2019 and holds guest conducting roles with leading ensembles worldwide.

Brazilian Guitar & Cello is presented by the Manila Symphony Orchestra Foundation Inc. and Standard Insurance in partnership with the Ministry of Foreign Affairs of Brazil through Guimarães Rosa Institute (IGR) and the Embassy of Brazil in Manila.

CCP's The Met: LIVE in HD screens Mozart's Le nozze de Figaro this July

Dive into a comic opera where the female lead doesn't die as Wolfgang Amadeus Mozart's Le nozze di Figaro hits the big screens on July 1, 2025, 5:30 PM at Glorietta 4 Cinema 1 located at the Ayala Center in Makati.

The screening of Le nozze di Figaro is the sixth installment of the 10th season of CCP's Met: LIVE in HD presented by the Cultural Center of the Philippines in partnership with the Metropolitan Opera of New York, the Filipinas Opera Society Foundation, Inc., and Ayala Malls Cinemas.

This production by Richard Eyre stars Olga Kulchynska and Michael Sumuel as the lovers Susanna and Figaro respectively. They are joined by Fedrica Lombardi as Countess Almaviva, Sun-Ly Pierce as Cherubino, Elizabeth Bishop as Marcellina, Joshua Hopkins as Count Almaviva, and Maurizio Muraro as Dr. Bartolo.

And making her Metropolitan Opera conducting debut is Joanna Mallwitz, chief conductor and artistic director of the Konzerthausorchester Berlin.

Reprinted below is the press release.

CCP’s The Met: LIVE in HD spotlights the melodic genius of Mozart’s “Le Nozze di Figaro” this July

The Cultural Center of the Philippines (CCP) presents Wolfgang Amadeus Mozart’s brilliant arias in “Le Nozze di Figaro” as the sixth installment of CCP’s The Met: LIVE in HD - Season 10 this July 1, 2025, at 5:30 p.m., at Glorietta 4, Cinema 1 in Makati City.

Mozart’s Le Nozze di Figaro (The Marriage of Figaro) centers on servants Figaro and Susanna, who are about to marry. The Count and Countess, each with personal reasons, hope to stop the wedding. While trouble lurks in the shadows, Figaro and Susanna juggle shocking truths with their immense love for each other.

Chasing greater fame and financial security, Mozart based Le Nozze di Figaro on Paisiello’s Il barbiere di Siviglia, which Beaumarchais’s Le Barbier de Séville had influenced. He worked with librettist Lorenzo Da Ponte to finish the opera. The then-emperor had refused permission to stage Beaumarchais’s iteration because of its German translation. As a precaution, Da Ponte omitted political content from Mozart’s work. After it succeeded, the two continued their partnership with Don Giovanni (1787) and Così fan tutte (1790).

The impeccable comedy welcomes the audience with whisper-like melodies that quickly build into a short-breathed little theme. Despite narrating comedic scenes, the piece is quite self-contained. Its overture beautifully sustains a slow middle section with a melancholy oboe solo.

Through scampering violins, flutes, and clarinets, Mozart narrated the Le Nozze di Figaro’s twists and turns in a succession of hectically upbeat figurations. Generally, the opera won over its audience’s affection. Hungarian poet Ferenc Kazinczy and “Father of the Symphony” Joseph Haydn even praised its lively ensemble scenes.

In 2017, BBC News surveyed opera singers for the best opera written. Le Nozze di Figaro easily came out on top of the 20 featured operas.

For this Met Opera’s version, lyric soprano Olga Kulchynska plays the forgiving Susanna while bass-baritone Michael Sumuel is her lover Figaro. Italian soprano Federica Lombardi also breathes life into the Countess. Joanna Mallwitz, chief conductor and artistic director of the Konzerthausorchester Berlin, makes her Metropolitan Opera conducting debut in Mozart’s Le Nozze di Figaro.

Mozart’s Le Nozze di Figaro is laced with themes of love, class, and gender. Catch this classic on the sixth installment of CCP’s The Met: LIVE in HD Season 10 on July 1, at 5:30 p.m., at Glorietta 4’s Cinema 1 in Makati City.

The CCP, in partnership with the Metropolitan Opera of New York, the Filipinas Opera Society Foundation, Inc., and Ayala Malls Cinemas, showcases Mozart’s masterful melodies in excellent Dolby Surround and high-definition video.

While introducing Filipino audiences to world-class artistic experiences through CCP’s The Met: LIVE in HD, CCP keeps true to its commitment to developing the nation’s appreciation for all art forms. Screening The Met’s intricate stagings in Philippine cinemas teases a deep admiration for the beauty of operas.

Regular tickets for CCP’s The Met: LIVE in HD - Season 10 are priced at Php350. Students and young professionals can avail of the special price of Php100 per ticket upon presentation of a valid ID. To purchase tickets, visit the ticket booth at the venue or book online via www.sureseats.com.

Keep track of the latest screenings of CCP’s The Met: LIVE in HD through the official Facebook account of the CCP Film, Broadcast, and New Media or the CCP website (www.culturalcenter.gov.ph). For current and future event updates, follow the CCP’s official social media accounts on Facebook, X, Instagram, and TikTok.

School of Rock Hits Cebu: A Musical for Misfits, Dreamers, and Rock Stars-in-the-Making

This June, 2TinCans Philippines, Inc. invites you to grab your air guitars and unleash your inner rock star as School of Rock storms the stage! Based on the cult-favorite 2003 film, this all-ages musical adventure, powered by Andrew Lloyd Webber’s explosive score, is more than just a show. It’s a rallying cry for anyone who’s ever felt out of place, turned up the volume, and found where they belong.

Directed by 2TinCans Founder and Producing Artistic Director Sarah Mae Enclona-Henderson, the production features the vibrant choreography of Vincent Paul Diez Gaton, and vocal direction by Mikee Amagsila and Mario Alcoriza of 2TinCans Theatre Company.

From L-R: Grant Bacaltos, Zyra Dee, Ciara Baricuatro, and Vince Lopez

Featuring an ensemble cast led by young performers from the 2TinCans Theatre Lab alongside members of the 2TinCans Theatre Company, School of Rock is a joyful collision of professional craft and student passion—showcasing the next generation of Cebuano performers in their loudest, proudest form yet.

“Underneath the amps and attitude, School of Rock is about mentorship, confidence, and how music can build bridges between generations,” said Enclona-Henderson. “It’s a great night out for families because it speaks to everyone: parents will cheer, kids will relate, and together, they’ll leave feeling braver, louder, and more connected.”

The cast of School of Rock

Families looking for a meaningful shared experience will find a lot to love here. The story encourages kids to embrace their individuality and talent, while giving parents a front-row seat to the importance of listening, trusting, and supporting their children’s creative journey. Add infectious songs, laugh-out-loud scenes, and heartfelt lessons, and you’ve got a show the whole family can rock out to, together.

The student cast features Fia Mikaele Cagulada, Arabella Yzarra Carbungco, Amanda Grace Yu, Patricia Grace Crago, Kasofia Loquez, Zaviel Beaux Suralta, Courtney Suzanne Encarnacion, Maria Morgana Gonzalodo, Aleesha Tabar, Sky Clemente, Ciara Baricuatro, Queenie Madonna Paras, Alden Patrick Manansala, Juliene Cardenas, Henrique Kristoffer Ong, and Joaquin Codilla.

Joining them are 2TinCans Theatre Company members Grant Bacaltos, Zyra Dee, Vince Lopez, Dave Feril, Ghyllianne Dave Caballes, Mikee Amagsila, Mario Alcoriza, Sasha Isobel Chiong, Josh Andrino, and Judee Kriselle Rallos.

School of Rock features music by Andrew Lloyd Webber, lyrics by Glenn Slater, and book by Julian Fellowes. It’s based on the screenplay by Mike White and presented through special arrangement with The Really Useful Group Ltd.

Performances are scheduled for June 28 and 29, 2025, at 7:00 PM at the Dr. Ronald R. Duterte Theater, University of Southern Philippines Foundation (USPF), Lahug Campus.

🎸 Tickets available at: https://2tincans-philippines.yapsody.com

📲 Follow us on Facebook and Instagram (@2tincansph) for sneak peeks, cast features, and behind-the-scenes rockstar moments.

Don’t just watch the show—feel the beat, join the band, and rediscover the magic of music with the people who matter most.

Film music galore at Manila Symphony Orchestra's A Night in Hollywood concert on June 28

Film music has made a significant mark in music history ever since sound got integrated in motion pictures. This has resulted in scores that not only provided soundtracks in countless movies but also material for orchestras to perform at concert halls all over the world. Renowned composers whose works have become part of the orchestral repertoire include Erich Korngold, Max Steiner, Dimitri Tiomkin, Miklós Rózsa, André Previn, Aaron Copland, Henry Mancini, Maurice Jarre, John Williams, Ennio Morricone, Alan Menken, Hans Zimmer, Howard Shore, Joe Hisaishi, among many others.

Music composed for movies take centerstage as the curtain rises for the Manila Symphony Orchestra's A Night in Hollywood happening on June 28, 2025, 7:30 PM at the Aliw Theater, CCP Complex in Pasay.

The second installment of the MSO's 2025-2026 concert season sees Hungarian cellist Zoltán Onczay, American conductor Angel Velez, as well as composers and conductors from the Los Angeles Film Conducting Intensive (LAFCI) gracing the event that will have some of the most iconic film scores as well as new music composed for cinema performed.

The evening's program includes David Popper's Hungarian Rhapsody with Onczay as the cello soloist. Seven original compositions by the Los Angeles Film Conducting Intensive (LAFCI) namely Heart of a Warrior by Sophia Bass, Seeming Chrysalis by Julia Sanchez, Theme from Stolen Realm by Jennifer Jolley, Sigh of Spring’s Farewell by Yuxuan Liu, Concert Prelude on "Chan Mali Chan" by Mohamad Rasull, Journey Through the Celestial Gate by Robin Raisch, Mosaic Mambo by Noah N. Zubia-Sanchez, to be conducted by Ricardo Reyna will be performed as well.

The concert also celebrates John Williams' music with performances of Tribute to the Film Composer, Hedwig's Theme from Harry Potter, End Titles from Seven Years in Tibet with Onczay as cello soloist, Adventures on Earth from E.T., Theme from Schindler's List with Alessio Benvenuti as violin soloist, Theme from Superman; his arrangement of Carlos Gardel's Por Una Cabeza with Jeanne Rafaella Marquez as violin soloist, Theme from Jurassic Park, the Olympic Fanfare and Theme.

Below is more information about the guests artists for A Night in Hollywood.

Angel Velez

Angel Velez is one of today's most sought-after conductors for film and television and guest conducting for pop concerts around the world having given world premiere concert performances for hits such as Captain Marvel, Green Book, Tom and Jerry in New York, The Book of Boba Fett and many more. In addition to his work in the studios of Los Angeles and as conductor of the Hollywood Studio Chamber Orchestra, he has served as music director for the Los Angeles Live Score Film Festival, American Society of Cinematographers Awards, Indianapolis Motor Speedway, and Miss World 2022, one of the largest televised events in the world. He has produced concerts such as Silent Films LIVE, Star Wars: Past and Present and HBO's film For Love or Country: The Arturo Sandoval Story LIVE IN CONCERT starring trumpet legend Arturo Sandoval. He has recorded for the Varese Sarabande and Sudwestrundfunk labels and continues to work in the entertainment industry on shows such as Star Wars: The Clone Wars, Star Wars: Rebels, Family Guy, Jane the Virgin, The Mandalorian and many others, including the recently released MGM superhero film Samaritan starring Sylvester Stallone.

Zoltan Onczay

Zoltán Onczay received his diploma at the Liszt Music Academy Budapest in 2004 in the class of László Mező, cellist of the famous Bartók Quartet. Afterwards, Zoltan received his soloist diploma as a Hindemith scholarship student in Berlin at the UDK in 2008, in the class of Wolfgang Boettcher. He received the Yamaha Award from the European Yamaha Music Foundation, one amongst his numerous awards. He also won the Martinu Award during the Semmering Summer Academy and the Wiener-Classic and Kodaly Award. He also received a prize at the international competition of European Music for Youth in Oslo. He considers his mission to be the promotion of Hungarian and contemporary music locally and abroad, as well as to teaching and supporting young talents. In addition to classical music, he is also engaged in electroacoustic and improvisational music.

Los Angeles Film Conducting Intensive (LAFCI)

The Los Angeles Film Conducting Intensive is dedicated to advancing the art of conducting by providing workshops and access to online resources to help media composers succeed on the podium. LAFCI is dedicated to providing exceptional training based on sound pedagogical practices, designed to create an opportunity for media composers to further their skills as conductors and to provide them with resources and training to help them grow as a conductor. They offer workshops with experienced professional faculty that allow for firsthand opportunities to work with some of the top professional musicians in Los Angeles. Programs are geared toward media composers (film/television/video games) to assist and provide free access to their online Resource Center, which includes "An Inside Look", a series of in-depth interviews with professional conductors sharing their personal perspective on the craft of conducting.

Japanese singer-songwriter Ito Kashitaro to perform in PH, headlines Fête de la Musique

Japanese singer-songwriter Ito Kashitaro is set to return to the Philippines following a successful debut visit in 2023, this time with more venues and collaborations.

The masked singer will perform from June 21-25 across different venues in Metro Manila, Los Baños, and Baguio. Notably, he will be performing at the main stage of Fête de la Musique PH on June 21, 2025, held at the Ayala Triangle Gardens in Makati. Please check Fete de la Musique PH’s Official site for more info www.feteph.com

Ito Kashitaro first gained popularity online posting covers on video streaming platforms. In the

years since, he has garnered critical acclaim, releasing multiple studio albums and contributing to various anime soundtracks. After his major debut, he transitioned to creating original compositions and flourished as a singer-songwriter.

Central to Kashitaro’s appeal is his work on anime soundtracks. Filipino fans will recognize his

music in “Vita Philosophica” and “Tsukikage Okuri,” the ending themes of Netflix’s My Happy Marriage. “Kioku no Hakobune” from Deca-Dence. “Shinjuiro no Kakumei” from Deep Insanity:

The Lost Child. “Silent Minority,” the opening theme for Trapped in a Dating Sim: The World of

Otome Games Is Tough for Mobs. “Hinata no Kuni”, “Neko Neko Biyori”, and “Aisazu ni wa Irarenai” for Nights with a Cat.

Ito Kashitaro

As a highlight of the tour, the Japanese singer-songwriter will be performing with Filipino rapper OG Sacred and the Tondo-based rap collective Tondo Tribe. He will also be performing at Philippine High School for the Arts in Los Baños, Laguna and University of Baguio in Baguio City.

Event Dates and Venues:

June 21, 2025 - Fête de la Musique, Ayala Triangle Gardens, Makati

June 22, 2025 - Happyland, Tondo, Manila

June 23, 2025 - Mt. Makiling, Los Baños, Laguna

June 24-25, 2025 - Baguio City

Fête de la Musique is open to all, and the public is highly encouraged to visit and pre-register on their website! Other dates are special sessions; we will share backstage peeks on our social media accounts soon.

Ito Kashitaro Live 2025 – Soul of the Streets is proudly presented by The Japan Foundation, Manila. For the latest announcements and updates, please visit our official website and social media pages:

The Japan Foundation, Manila Official Website - https://jfmo.org.ph/.

Facebook - https://www.facebook.com/jfmanila

Instagram - https://www.instagram.com/jfmanila

Italian Film Festival 2025 brings contemporary Italian cinema to SM Aura

The Italian Film Festival 2025 returns this year with a curated selection of acclaimed films that celebrate the charm, wit, and emotional depth of contemporary Italian cinema. The festival will take place on June 6 and 7, 2025, at Cinema 2, SM Aura.

Presented by the Embassy of Italy in Manila, in partnership with the Philippine-Italian Association, the festival showcases three standout films that have made waves in Italy and beyond:

Enrico Piaggio: Vespa (2019)

Director: Umberto Marino

Cast: Allessio Boni, Violante Placido, Francesco Pannofino, Beatrice Grannò, Roberto Ciufoli

The life of Enrico Piaggio and the story of the most famous scooter in the world “VESPA”

Quasi orfano (2022)

Director: Umberto Carteni

Cast: Riccardo Scamarcio, Vittoria Puccini, Antonio Gerardi, Grazia Schiavo, Chiara Di Benedetto, Nunzia Schiano, Adriana Pappalardo, Bebo Storti, Paolo Sassanelli

Valentino founded a very famous Milanese brand. Valentino, of Apulian origin, has progressively cut ties with his family, to the point of declaring himself an orphan and changing his surname. His colorful and numerous family runs a farm holidays with the lowest rating on TripAdvisor. Nicola, his elder brother, tries to reconnect, hoping for an economic help from Valentino to the disastrous economic activity of the family.

Momenti di trascurabile felicità | Ordinary Happiness (2019)

Director: Daniele Luchetti

Cast: Pierfrancesco Diliberto aka Pif, Renato Carpentieri, Federica Victoria Caiozzo aka Thony, Francesco Giammanco, Angelica Alleruzzo

Paul is granted, after his death, to return to earth for an hour and thirty-two minutes. Ninety-two minutes of final balance. Will he have time to deal with the important things in his life, or will just moments of negligible happiness come back to him?

More than just a series of screenings, the festival aims to strengthen cultural ties between Italy and the Philippines through the universal language of cinema.

“Cinema has the power to provoke thought, to make us laugh, and to inspire reflection in equal measure. With this festival, we want to open a window into Italian culture and invite people in—not only to watch, but to connect.”

“This year’s edition places a special emphasis on comedies in contemporary Italian cinema, celebrating the genre as one of the most honest and revealing forms of storytelling—tackling serious subjects with wit, empathy, and sharp social insight.”

— Ambassador Davide Giglio

As part of the celebration, visitors can also enjoy an Italian cinema-inspired exhibit at SM Aura’s main atrium (upper ground level) from June 6 to 15, 2025. The exhibit will feature:

Iconic Italian imagery, including Vespa scooter displays and photo spots showcasing the country’s breathtaking vistas and charming locales

A curated collection of reimagined film posters by MINT College students, highlighting Italian classics and contemporary movies filmed in Italy

The opening film, Enrico Piaggio: Vespa, will be screened by invitation only. Screenings of Quasi orfano and Momenti di trascurabile felicità are free and open to the public on a first-come, first-served basis.

June 7, 2025

3:00 PM Quasi orfano

6:00 PM Momenti di trascurabile felicità

The Italian Film Festival 2025 is a joint initiative of the Embassy of Italy in Manila, Philippine-Italian Association, Società Dante Alighieri, SM Supermalls, Film Development Council of the Philippines (FDCP), Vespa, and MINT College.

Viva il cinema italiano!

Pianists Mariel Ilusorio, Abelardo Galang to relive the Biedermeier Salon spirit in Laguna concert

IMPORTANT ANNOUNCEMENT: Due to unforeseen circumstances, the Four Hands, One Soul concert has been postponed to July 12, 2025, 4:00 PM

Pianists Mariel Ilusorio and Abelardo Galang bring back the spirit of the Biedermeier Salon in Four Hands One Soul, an intimate performance on June 22, 2025, 4:00 PM at Sta. Rosa Laguna.

The Biedermeier Salon was the stylish living rooms of the middle class in Central Europe during the Biedermeier period (1815-1848). These salons served as the hubs where the middle class gathered to engage in discussions, exchange ideas, and watch performances that included chamber music performances. This was the time when culture flourished among the middle class and became no longer exclusive to the royals and the nobles. Music performances had found its way from the royal courts to the Biedermeier Salon.

A more specific type of the Biedermeier Salon is the Schubertiade where performances of the works of the composer Franz Schubert were the centerpieces. And indeed headlining Ilusorio and Galang's Four Hands One Soul is Franz Schubert's Fantasia in F minor D.940 (Op. posth. 103). Also to be performed this afternoon are works by Astor Piazzolla and Anton Arensky.

Tickets are priced at P2500 with discounted rates for teachers (P600), students (P500) and seniors (P500). One can register and avail of the tickets by scanning the QR code at the poster or via this link.

Unconventional fathers at the Fathers of Circumstances film screenings at UPFI Film Center

What makes a father? Is it blood, presence, choice—or circumstance?

This June, Fathers of Circumstances brings together five deeply moving films from Japan and the Philippines that challenge conventional ideas of fatherhood. The screenings will take place on June 20-21, 2025 at Cine Adarna, UPFI Film Center. curated by Eunice Helera, a film programmer and festival coordinator. The program is part of the Professional Development and Networking Initiative for ASEAN-Japan Film Programmers and Curators, organized by the Japan Foundation in partnership with the Tokyo International Film Festival (TIFF).

The lineup features Like Father, Like Son (2013) by Hirokazu Kore-eda, Dear Etranger (2017) by Yukiko Mishima, Close-Knit (2017) by Naoko Ogigami, Kinakausap ni Celso ang Diyos (2024) by Gilb Baldoza, and Ang Tatay Kong Nanay (1978) by Lino Brocka.

These films span across class, gender, and kinship—offering a spectrum of what it means to care, provide, and stay. Kore-eda’s exploration of fatherhood from both affluent and working-class perspectives finds resonance in Baldoza’s Filipino fathers, who may lack money but never intention. In Mishima’s Dear Etranger, the longing to be accepted as a stepfather is quiet and piercing. In Close-Knit and Ang Tatay Kong Nanay, it is a transgender woman and a gay man who step into the role of parent—not through biology, but through pure will and love.

Eunice Helera, 

“This program is deeply personal,” Helera shares. “I never got to fully experience the love of my biological father, who passed three years ago. What I’ve carried since is grief, longing, and the imagination of what could have been. But I was raised by other father figures—my stepdad, who silently cheered me on since grade school. My grandfather, who filled in whenever no one else could. Two uncles, one of whom became a mentor who shaped the path I’m now walking. And a queer aunt who showed up with fierce loyalty and care.”

Screenings will be followed by talkbacks, including guest appearances and a Q&A with some of the film directors. Free admission but pre-registration is required. Walk-ins are subject to availability.

Dear Etranger | 幼な子われらに生まれ (2017)

Director: Yukiko Mishima

Cast: Tadanobu Asano, Rena Tanaka, Kankuro Kudo, Shinobu Terajima

Makoto Tanaka is 40-years-old and has remarried. His wife is Nanae and they care for 2 daughters from Nanae’s prior marriage. Makoto tries to have an ordinary family. Nanae then becomes pregnant. Afterwards, things begin to change among the family members.

Close-Knit | 彼らが本気で編むときは、 (2017)

Director: Naoko Ogigami

Cast: Toma Ikuta, Rinka Kakihara, Kenta Kiritani, Mimura, Eiko Koike, Mugi Kadowaki

After being neglected by her mother, a little girl is taken in by her uncle and his transgender girlfriend, who create a loving home for her.

Kinakausap ni Celso ang Diyos (2024)

Director: Gilb Baldoza

Cast: Bullet Dumas, Hazel Orencio, Joshua Cabiladas, Luis Mateo Abo-abo

Celso, a factory worker, accidentally injures his hand on the job and receives compensation under his insurance. However, when he returns to work and gets hurt again, his employers become suspicious. As he faces pressure to secure his job, Celso uncovers a shocking clause in his insurance: a substantial payout to his family in case of his death.

Like Father, Like Son | そして父になる (2013)

Director: Hirokazu Kore-eda

Cast: Machiko Ono, Yôko Maki, Masaharu Fukuyama, Lily Franky, Kirin Kiki, Jun Fubuki, Jun Kunimura, Shôgen Hwang, Keita Ninomiya

Ryota Nonomiya is a successful businessman driven by money. He learns that his biological son was switched with another child after birth. He must make a life-changing decision and choose his true son or the boy he raised as his own.

Ang Tatay Kong Nanay (1978)

Director: Lino Brocka

Cast: Dolphy, Niño Muhlach, Phillip Salvador, Marissa Delgado, Lorli Villanueva, Soxy Topacio, Orlando Nadres, Larry Leviste, Joey Galvez, Renee Salud, Inday Badiday

Coring, a gay beautician, is left with a baby by his former ward, Dennis. The baby grows up thinking that Coring is his real father. Everything seems to be smooth until the kid’s mother suddenly shows up to claim her son.

Here is the screening schedule of Fathers of Circumstances.

June 20, 2025

12:20 PM Close-Knit (with Panel Discussion)

4:00 PM Ang Tatay Kong Nanay

June 21, 2025

12:00 PM Dear Etranger (with Director's Q&A via Zoom)

3:20 PM Kinakausap ni Celso ang Diyos (Double Bill Screening with Filmmakers Q&A)

3:40 PM Like Father, Like Son (Double Bill Screening with Filmmakers Q&A)

Fathers of Circumstances is organized by Elevated Frames in partnership with Japan Foundation and the UP Film Institute and is supported by Laya Coffee Diliman, UP Diliman Gender Office, Babaylanes, Inc, J Travel Finds, Tienda Wabas, Libro Barato, and Terminal Six Post. Media partners are AGIMAT.Net, SINEGANG.PH, TEAM PCHENG, MAGANDA BA MOVIE, CineGeeks Podcast, and Butingthings.

For full program and updates, follow @japanfoundationmanila, @elevatedframesph, and @upfifilmcenter on Facebook.

French culinary festival ready to serve in Makati

Craving for something French ? Maybe a sip of chilled rosé under the trees with your favorite crêpe? The French culinary festival Goût de France is back at the Makati Street Meet along Paseo de Roxas Avenue on the weekend of May 24 to 25, of course, brought to you by Ayala Land, Taste of France and Embassy of France to the Philippines and Micronesia with the special participation of Enderun Colleges École Ducasse and Le Cordon Bleu Ateneo de Manila.

French chefs, restaurateurs, distributors and retailers gather to bring French wines and delicacies to the street for everyone to enjoy. You may be wanting to spend the summer museum-hopping in Paris, or watching movie stars in Cannes, jumping on the next Manila - Paris direct flight ?

Go over the French market and let the food and ambiance take you to France. Learn to cook a few dishes from the best French chefs in town, discover new favorites, uncork a bottle or two and chill with loved ones, friends and family. Join us on Saturday, May 24, for a free cooking demo by Chef Marc Chalopin of Enderun Colleges, followed by an electrifying set from our guest DJ JB Bolaños. An evening of culinary artistry and vibrant beats awaits!

At 3 PM on Sunday the 25th, witness the Course des garçons de café or Waiter’s Race, a French tradition of café servers competing on who is fastest to bring you an unspilled bottle of cold Evian water ! The weekend market will give you a taste of France, and will make you want for more. Picture yourself in a French market—accordion music in the air, flavors from every corner tempting your taste buds.

The following week, pay a visit to French bistros and restaurants in the country who will offer special French menu to satisfy your craving. Endless thanks to the French restaurants bringing bold, diverse flavors to the Philippines' international dining scene. Discover the full list of participating restaurants by following the Facebook page of the Embassy of France to the Philippines and Micronesia.

Relive your madeleine moment through the magic of French cuisine—only at the Goût de France market, May 24–25.

Bon appétit!

VLFXX: Hinog presents new narratives ripe for the picking this June 11 to 29

Celebrating two decades of nurturing emerging and established playwrights, directors, actors, and designers, the Virgin Labfest (VLF) continues to foster its garden of brave narratives with 12 new scripts ripe for the picking. The country’s theater festival of untried, untested, and unstaged one-act plays returns from June 11 to June 29, 2025, at the Tanghalang Ignacio Gimenez (CCP Black Box Theater).

NEW SCRIPTS, NEW CONVERSATIONS

Featuring 12 new scripts by 8 virgin male and female playwrights and 4 returning playwrights in its milestone year, VLFXX: HINOG blooms into a passionate community of unheard voices and untold stories, bringing people closer through truthful and compelling storytelling.

A group of friends makes the most of their summer vacation with a mystery game in YOJ’s TBT: TAKBO, BATANG TONDO. Albin, the policeman in their little world, is baffled when the real “suspect” isn’t punished.

Liane Carlo Suelan’s ANG BATA KAG ANG ILAGA is set in St. Jerome’s Home for Children. One of the orphans, Isaac, misses his chance to take a baby rat in when it goes missing.

POLAR COORDINATES by Ade Valenzona centers on Igo’s frustration toward polar coordinates. With the looming dilemma of repeating the 10th grade, he prepares for the final exams amid a family conflict.

Former con artist Mariah repents by joining the annual Lenten Exhibit in Eljay Castro Deldoc’s MINATING NI MARIAH ANG MANTO NG MOMMY NI MAMA MARY. However, things turn when Mariah is accused of stealing the antique veil of St. Mary Magdalene.

Ivan Villacorta Gentolizo’s UNANG ARAW has four strangers accomplishing a job for the mayor. As they drive into a remote forest in Mindanao, clashing political ideals and hidden motives are revealed.

Senator Zaragoza, author of a landmark bill, is accused of money laundering during the senate hearing in Siege Malvar’s PRESIDENTIAL SUITE #2.

In Chris Joseph Junio’s MGA MAGINDARA SA SIYUDAD, entertainers Maureen and Maylene struggle to keep their shows afloat on their makeshift stage of plywood, bamboo, and iron scraps.

ANG PROBLEMA SA TROLLEY by Imuthis (Harvey Rebaya Sallador) unveils on Pandacan’s rails. An attempt to jump into the river comes with a damning secret, leaving the trolley driver and passenger wondering what to push next.

Ex-spouses Boyet and Raquel face the tragedy of nostalgia and letting go in Rolin Migyuel Obina’s THE LATE MR. REAL. Separated by COVID-19 isolation rooms, the two discuss the future of their only child, Carl.

ANNIVERSARY, written by Nelsito Gomez, follows Rob to the cemetery on his wife’s death anniversary. An older woman approaches him, sparking a conversation on regrets, grief, and deep-seated beliefs.

Jobert Grey Landeza’s MOMMY G introduces a new family member on her 65th birthday, testing her bond with her children.

A daughter finally pursues her dreams in Ryan Machado’s DON’T MEOW FOR ME, CATRIONA. While waiting for the bus with her mother, she reflects on the complex familial love that binds and breaks families.

VLFXX: HINOG will also revisit three (3) plays from last year’s edition, retelling diverse narratives that have graced the festival.

Jhudiel Clare Sosa’s IDENTITE navigates the complicated relationship between a traditional mother and her now liberated daughter.

In Joshua Lim So’s PAGKAPIT SA HANGIN, a patient’s relative catches the scheme of a doctor and his nurses. This play narrates the tough decisions made in public hospitals during the COVID-19 delta wave in 2021.

Religion and sexuality intersect in Elise Santos’ SA BABAENG LAHAT as it centers on the lives of three girls in a Catholic school.

BEHIND THE CURTAINS OF THE VLF STAGE

Apart from celebrating budding and veteran playwrights, VLFXX: HINOG prides itself on planting seeds of wisdom through its educational components: Staged Readings, Theater Talks, Playwrights’ Fair, Dramaturgy Fellowship Exhibit, and Writing Fellowship Program and Showcase.

Staged Readings presents stripped-down reading performances of selected script submissions from VLFXX: HINOG. In this edition, Andy Abellar’s WALA GINAKAMATISAN ANG ITLOG, PATAY NA SI RIZAL by Matt Ordoñez, M.E. Mejaro’s ISANG MALAKING TIPAK NG BATO SA GITNA NG ILOG, and Rex Sandro Nepomuceno’s GANIMIDE take the VLF stage.

The forum series, Theater Talks, highlights the creative and production processes behind performances. Meanwhile, Playwrights’ Fair will host conversations with renowned playwrights, as curated by veteran writer and VLF founder Rody Vera.

Delve into the science of VLFXX: HINOG’s theater-making under the mentorship of Jonas Gabriel Garcia with the Dramaturgy Fellowship Exhibit. The VLF Writing Fellowship Program and Showcase, on the other hand, is the culmination of a two-week mentorship program under the guidance of award-winning playwright Glenn Sevilla Mas. CCP Vice President and Artistic Director Dennis Marasigan will direct.

Presenting new tales of diversity and challenging perspectives, VLFXX: HINOG shows are scheduled at 2 p.m. matinee and 8 p.m. gala, while the educational components are at 5 p.m.

For more information on the festival schedule and ticket prices, visit the official social media accounts of VLF, CCP, Tanghalang Pilipino, and Writers’ Bloc on Facebook, X, Instagram, and TikTok.