Showing posts with label Darius Milhaud. Show all posts
Showing posts with label Darius Milhaud. Show all posts

Wednesday, October 24, 2018

An introduction to the saxophone on one French, cultural Thursday

Pianist Mariel Ilusorio and saxophonist Adam Campbell

An intimate concert by South African saxophonist Adam Campbell and Filipina pianist MarieI Ilusorio that highlighted the French influence in the saxophone’s repertoire was the main course at the premiere edition of Les Jeudis culturels presented by the Cultural Section of the Embassy of France to the Philippines and the Alliance Française de Manille.


South African saxophonist Adam Campbell talking to the audience

Campbell and Ilusorio showed a different side of the saxophone that night through music by French composers like André Jolivet’s Fantaisie Impromptu, Paule Maurice’s Tableaux de Provence, Jules Demersseman’s Fantaisie, Darius Milhaud’s Scaramouche, Eugène Bozza’s Aria, and Jean Matitia’s Devil’s Rag. The composers may have been French but some of the influences came from across the Atlantic in the case of the bouncy Brazilian rhythms of Scaramouche and the delightful left hand syncopation inherent in the American ragtime of Devil’s Rag. A taste of non-French music were heard with the encores: Czárdás by the Spanish Pedro Iturralde and Oblivion by the Argentinean Astor Piazzolla.


Filipina pianist Mariel Ilusorio sharing info about the music

Scaramouche is always a pleasure to hear and it was my first time to experience live the saxophone and piano version of it. The two piano version of the piece is among my favorites. I positioned myself near the back of the venue so as not to distract other people as I swayed my head from side to side in time with the beat during the reprise of the third movement Brazileira for the duo's third and last encore.

I also have to say my apologies to Campbell since my focus was solely on Ilusorio during the Devil’s Rag. Never did I imagine seeing her play ragtime music, so this was special.


Mariel Ilusorio and Adam Campbell

The concert was also filled with information as both Campbell and Ilusorio annotated in between pieces. Audience members learned that the saxophone was invented by the Belgian Adolphe Sax in the early 1840’s. But the instrument started to flourish in the 20th century as evidenced by the wealth of music that was composed during that time, some of which were performed at the concert. And despite looking like a brass instrument, the saxophone actually belongs to the woodwind family. So it's safe to bet that those who initially expected a jazz filled night were nonetheless swayed in the end by the gems of the "classical" saxophone repertoire.



Le Jeudis culturels (Cultural Thursdays) is a monthly event (happening on a Thursday) presented by the Cultural Section of the Embassy of France to the Philippines and the Alliance Française de Manille that will showcase different aspects of French culture form like music, theater, dance poetry, gastronomy, etc. in each edition.

Thursday, November 21, 2013

PPO II: Mostly Filipino

Alfredo Buenaventura and Herminigildo Ranera

Featuring:
Philippine Philharmonic Orchestra
Herminigildo Ranera, conductor

Programme:
Angel Peña Philippine Festival Overture
Alfredo Buenaventura Manik Buangsi and Tuan Putli Symphonic Poem
Lucio San Pedro Ang Buwan sa Kabundukan
Felipe de Leon Manila Sketches
Darius Milhaud La création du monde, Op. 81a
Antonín Dvořák Slavonic Dances, Op. 46

The Philippine Philharmonic Orchestra had a Mostly Filipino themed concert last month which was not a surprise for me once I realized that leading the orchestra on that night was the orchestra’s Associate Conductor, Herminigildo Ranera. Equally expected as well was the strong folk music influence in most of the pieces chosen for that night which is typical whenever Ranera takes to the podium. Despite the threat of a typhoon, I took a risk and went to the Cultural Center of the Philippines and hoped for the best that it would not be difficult for me going home.

The opening piece was Angel Peña’s Philippine Festival Overture which I think is a good introduction to Filipino orchestral music. The music, composed back in 1993, is accessible and pleasant to hear featuring a perfect mash up of Western influence with distinctly Filipino touches. The next piece, Alfredo Buenaventura’s Manik Buangsi and Tuan Putli Symphonic Poem continued my current struggles in grasping the symphonic poem as a music form. Programmatic and usually containing a narrative thread, a symphonic poem can be greatly appreciated once one gets acquainted with the actual source material. Unfortunately, I have no idea what Manik Buangsi and Tuan Putli is all about so I wasn’t able to get a clear picture of what the music was supposed to mean. Right after this piece, Ranera acknowledged Buenaventura who was seated on the front row and the audience was generous in appreciation of the composer’s work. I’ve had no such trouble in picturing the rural scenes with Lucio San Pedro’s Ang Buwan sa Kabundukan which came next. Interestingly enough, this marked the third time that an orchestra played this piece this year. After taking a musical trip to the countryside, the PPO took the audience to the heart of Manila with Felipe de Leon's Manila Sketches. It was an amusing and enjoyable piece that most of the locals could relate to for the music brought forth the hustle and bustle of the infamous Metro Manila traffic and a leisurely trip to Chinatown.

The second half of the concert was made up of non-Filipino compositions like Darius Milhaud’s La création du monde, Op. 81a and Antonín Dvořák’s Slavonic Dances, Op. 46. And these two pieces were a huge contrast to what the audience heard during the first half. In the jazzy Milhaud piece, there was a chamber orchestra set up which added some visual interest. It somehow made it a lot easier for the audience to focus on the instruments especially the saxophone that figured prominently in the piece. Lastly, the music by Dvořák gave the evening a very pleasant finish as the dances in this piece featured regular rhythms and huge folk influence. One need not know any backstory to fully appreciate this compared to that of the Buenaventura and Milhaud pieces.

Ranera took the audience back to the Philippines when he led the orchestra for an unusual encore which was Freddie Aguilar’s Anak. Again, I think that this was chosen to be in line with the Mostly Filipino title of the concert. This, along with the rest of the pieces in the programme made up for a very diverse listening experience for the night which was very much in keeping with the current season’s theme of Classic Blends. It remains to be seen what surprising blends that the PPO has in store for the rest of their 2013-2014 season.

Wednesday, October 23, 2013

Marimbist Aimee Mina-dela Cruz performs at the CCP

Percussionist/marimbist Aimee Mina-Dela Cruz

November 12, 2013, 7:30 PM Performance
Tanghalang Aurelio Tolentino (CCP Little Theater)
November 15, 2013, 9:00 AM & 2:00 PM Workshop
CCP Main Theater Lobby
CCP Complex
Pasay, Metro Manila

Featuring:
Aimee Mina-dela Cruz, marimba
Fe Marsha V. Nicolas, piano
Mikaela Natasha Janelle Ley, marimba
Leodivino Roque, percussion
Gomer Giron, percussion
Joy Allan dela Cruz, viola

Programme:
Pablo de Sarasate Carmen
Johann Sebastian Bach Concerto for Two Violins in D minor BWV 1043, I. Vivace
Darius Milhaud Concerto for Percussion, Op. 109
Nebojsa Zivkovic Trio per Uno, I. Meccanico
Eugene Levitas Concerto for Percussion
Willy Cruz Sana’y Maghintay ang Walang Hanggan
Eric Ewazen Concerto for Marimba

The Philippine Philharmonic Orchestra’s percussionist and marimbist, Aimee Mina-dela Cruz, continues the Special Concert Series via a performance this November 12, 2013, 7:30 PM at the Cultural Center of the Philippines’ Tanghalang Aurelio Tolentino (CCP Little Theater).

Aimee, an active member of the Philippine Band Association (PhilBanda, Inc) will be joined in this concert by guest artists like young marimbist Mikaela Natasha Janelle Ley, percussionists Leodivino Roque and Gomer Giron, and violist Joy Allan dela Cruz.  Pianist Fe Marsha V. Nicolas will be her accompanying her this evening. The concert lineup includes Pablo de Sarasate’s Carmen, Johann Sebastian Bach’s Concerto for Two Violins in D minor, BWV 1043 (Vivace), Darius Milhaud’s Concerto for Percussion, the Nebojsa Zivkovic’s Trio per Uno (Meccanico), Eugene Levitas’ Concerto for Percussion, Willy Cruz’ Sana’y Maghintay ang Walang Hanggan, and Eric Ewazen’s Concerto for Marimba.

A few days after her concert, Aimee will also hold a workshop for symphonic band and orchestra percussionists on November 15, 2012 from 9:00 AM to 12:00 PM and from 2:00 PM to 5:00 PM at the CCP Main Theater Lobby.

Ticket prices:
P800 Orchestra Center
P600 Orchestra Side
-50% student discount
-20% senior citizen discount

For performance inquiries:
CCP Box Office 832-3704
TicketWorld 891-9999

For workshop inquiries:
CCP Artist Training Division 832-1125 local 1604/1605, ccp.artist.training@gmail.com

Tuesday, October 08, 2013

Philippine Philharmonic Orchestra highlights Filipino music in October concert


October 11, 2013, 8:00 PM
Tanghalang Nicanor Abelardo (CCP Main Theater)
CCP Complex
Pasay, Metro Manila

Featuring:
Philippine Philharmonic Orchestra
Herminigildo Ranera, conductor

Programme:
Angel Peña Philippine Festival Overture
Alfredo Buenaventura Manik Buangsi and Tuan Putli Symphonic Poem
Lucio San Pedro Ang Buwan sa Kabundukan
Felipe de Leon Manila Sketches
Darius Milhaud La création du monde, Op. 81a
Antonín Dvořák Slavonic Dances, Op. 46

The Philippine Philharmonic Orchestra goes Mostly Filipino when PPO Associate Conductor Herminigildo Ranera wields the baton on October 11, 2013, 8:00 PM at the Cultural Center of the Philippines’ Tanghalang Nicanor Abelardo (CCP Main Theater) for the latest performance of the orchestra’s Classic Blend 2013-2014 Concert Season.

Filipino composers will be at the forefront as the orchestra performs Angel Peña’s Philippine Festival Overture, Alfredo Buenaventura’s Manik Buangsi and Tuan Putli Symphonic Poem, Lucio San Pedro’s Ang Buwan sa Kabundukan and Felipe Padilla de Leon’s Manila Sketches. Also included in the lineup are Darius Milhaud’s La création du monde, Op. 81a and Antonín Dvořák Slavonic Dances, Op. 46.

The Philippine Philharmonic Orchestra

According to the press release, PPO Associate Conductor Herminigildo Ranera is hailed for his authoritative, articulate and soulful conducting. He possesses a rare musical combination as a conductor, composer, arranger, performer and educator. He obtained his Bachelor of Music Degree, majoring in the fields of Trombone and Theory, from the University of Santo Tomas, Master of Music Degree in Conducting from the University of Northern Colorado (with the Dean’s Citation for Graduate Excellence and National Graduate Award) and Doctor of Philosophy major in Educational Management from Cagayan State University. Regular PPO concertgoers will recognize Herminigildo Ranera for his pre-concert lectures at the lobby an hour before the performance.

Conductor Herminigildo Ranera

Ticket prices:
P1500 Orchestra Center
P1200 Orchestra Side
P800 Extreme Orchestra Side
P500 Balcony I Center
P400 Balcony I Side
P300 Balcony II
-50% student discount
-20% senior citizen discount

For inquiries:
CCP Marketing Department 832-1125 local 1806
CCP Box Office 832-3704
TicketWorld 891-9999