Showing posts with label Bamboo. Show all posts
Showing posts with label Bamboo. Show all posts

Saturday, May 04, 2013

Bamboo’s Carousel Launch and Other Things that Happened along the Way

Bamboo

Bamboo Mañalac, one of the Philippines’ most popular and most charismatic recording artists, has released a brand new single entitled Carousel. This new track is included in the repackaged edition of Bamboo’s latest album, the Gold selling No Water, No Moon, released by Polyeast Records.

A press conference was held at Cerchio Restaurant and Lounge in line with the release of Carousel. Before I head towards this event, I’d like to recall the instances wherein I've seen or met Bamboo after I saw him at Radio Republic's Live at 2299 show.

The 25th Awit Awards


During the 25th Awit Awards held last November at the new Glorietta Activity Center, Bamboo was one of the major winners bagging the Best Performance by a Male Recording Artist award for the song Questions. He also served as the closing act at the awards ceremonies bringing the house down with a rocking performance of In This Life. I didn’t have the chance to meet him before or after the awards ceremonies but I didn’t fret that much since I knew that I would be seeing him a few days after that.

Rock-A-Ballad at the Metro Concert Bar


In early December, Bamboo gave his fans an early Christmas treat as he headlined in Rock-A-Ballad, his first ever concert of note since becoming a solo artist. Held at the Metro Concert Bar, he performed a mix of old songs from his Rivermaya and Bamboo the band days along with some covers like Wonderwall by Oasis. Tucked in the middle of it all were a section devoted solely to his new material from No Water, No Moon. As expected, he sang a handful of encores in which The Christmas Song was among them in keeping with the Christmas season.

Bamboo was backed up by his regular band led by Ria Osorio (keyboard) and Kakoy Legaspi (lead guitar). Ardie De Guzman guitars (rhythm guitar), Simon Tan (bass), Junjun Regalado (drums) and Anjo Inacay (cello) completed his band for that night. I was able to sneak backstage after the concert and briefly met Bamboo although he had to leave right away since he was being mobbed by a lot of people.

Radio Republic’s Java Jam


Ria Osorio was the Master Jammer during the whole month of March in Radio Republic’s Java Jam, a weekly show hosted by Zach Lucero wherein two artists collaborate and jam together. As the Master Jammer, Ria would have a different guest per show and incidentally, Bamboo was her first. I knew that I couldn't miss the opportunity to see Bamboo once again knowing that the last time was cut short. I dropped by the station and was able to meet him and witness yet another live performance from him as well. Bamboo noted that this was the first time ever that he, Ria and Kakoy (who came in as a late and yet very welcome addition on that show) performed as a trio. He mentioned that the three of them form the core of No Water, No Moon.

Aside from the songs that they performed, the discussion also turned out to be a very entertaining one. The three discussed how they work together, how they throw ideas at one another and quite interestingly, how they spend their down time while on tour. And it was during this time when Ria presented me a music sheet of the piano part for Morning Rose, one of tracks from the new album. Of course, I had Bamboo sign it.

Carousel Press Conference


And now we go back to Carousel and the launch/press conference. He introduced Carousel to the members of the press present there as he performed it to start a short set composed exclusively of No Water, No Moon tracks (Morning Rose, In Shadow, Ikot ng Mundo, Questions and In This Life). As usual, Ria, Kakoy, Ardie, Simon and Junjun formed his band for the occasion.

I’ve said before that No Water, No Moon featured lush orchestrations, colors and textures which directly contrasted the monochromatic and predominantly black album package. The tracks are more subdued, introspective, personal and philosophical. Carousel, found at the very end of the repackaged album, offers a change of pace as it is the most uptempo of all the tracks and one with the most pronounced drum beat. Also not heard in this track are the strings and brass sections leaving just the band to rock things out. But the presence of the children’s choir still managed to tie this up with the rest of the older tracks in the album like Please and All Hail the Fool.

Bamboo mentioned that he was asked by Polyeast Records to come up with a new song as the label geared on re-releasing his latest album. A new single along with a high profile stint as one of the judges/mentors in the upcoming The Voice of the Philippines, and being the newest brand ambassador of Globe Telecom's Tattoo@Home, Bamboo is poised to have the spotlight on him once again (as if he ever left it).


Since I can never get enough of Bamboo, I still made an effort to drop by Greenbelt a few days after to see him at a mini-concert that was organized by Alveo Land. Bamboo performed a set that was almost identical to what he did during Rock-A-Ballad. Too bad that I wasn’t able to meet him after the concert but I was able to have a few beers with Ria, Kakoy, Simon and a few others afterwards.

The repackaged edition of No Water, No Moon released by Polyeast Records is now available in record stores nationwide. Carousel and the rest of the tracks are also available as digital downloads at MyMusicStore Philippines and in iTunes.


No Water, No Moon (Repackaged Edition)

Tracks:
1. In Shadow
2. Please
3. Morning Rose
4. Back on My Feet
5. Questions
6. Spin
7. In This Life
8. Down the Line
9. All Hail the Fool
10. The Only Way
11. Just Go
Bonus:
12. Ikot ng Mundo
13. Carousel

Text by RAd
Photos by RAd and JR Bustamante

Monday, November 19, 2012

Metro Concert Bar presents Bamboo in Rock-A-Ballad


December 1, 2012, 9:00 PM
Metro Concert Bar
47 West Avenue, Quezon City

Since becoming a solo artist, Bamboo’s live appearances have been rare and really sought after. I consider myself as one of the fortunate ones since I was able to witness one very intimate live session when he was a guest at Radio Republic’s Live at 2299 program. And having him perform tracks from his latest album No Water, No Moon only made that appearance more special. Since that was just an hour program, it felt a bit short and I wanted more. Now, there’s a chance for me and the rest of Bamboo’s fans to see and hear more of him as he performs in Rock-A-Ballad this December 1, 2012, 9:00 PM at the Metro Concert Bar in West Avenue.

If I am not mistaken, this will be his first concert of this nature since becoming a solo artist. Most of his gigs had either been promotional tours in support of his album or private/corporate performances. So Bamboo fans who’ve been waiting for a long time for this opportunity are in for an early Christmas treat. Rock-A-Ballad also features singer/songwriter Kristofferson. Kristofferson a.k.a. Krist Melecio wrote the song Piso which was a finalist during the inaugural edition of the Philippine Popular Music Festival (PhilPOP). It will also be very interesting to see him perform live on stage as well. Other guests for this concert will be stand up comedians Arnel La, Chikka and Jayo.

Ticket price:
P600

For inquiries:
Heyz De la Cruz (0917) 352-2499, (0946) 869-7960

Tuesday, September 18, 2012

Bamboo at Radio Republic’s Live at 2299

Bamboo

I’ve been a fan of Bamboo Mañalac even since he was the frontman of Rivermaya back in the 1990’s. Despite all the things that has happened since then (Bamboo leaving Rivermaya, forming Bamboo, the band and then going solo), I’ve always remained a fan and responded positively with his music. One major turning point for me was when I heard Ryan Cayabyab’s arrangement of Hallelujah for orchestra and chorale and it changed the way I looked at Bamboo’s music again. And it truly made me a happy camper when he opted for a more organic and orchestral sound for No Water, No Moon, his first album as a solo artist which is released by Polyeast Records. One can just imagine what my reaction was when I heard the strings, the brass, the children’s choir, the harmonica and the lush orchestration throughout the album.

I wanted to see Bamboo perform live ever since the album’s release back in November, but the chances have all passed me by. He also had an album signing before and I was just in the same building but didn’t have the chance to attend the signing. I saw him perform one number during the Icons at the Mall of Asia Arena: Masters of OPM concert and again, the Ryan Cayabyab arrangement of Noypi proved that Bamboo’s stuff really translates well with an orchestra. I was very thrilled when I was able to have a quick photo with him after the concert. But that wasn’t enough and I hoped for more.


Thankfully, Radio Republic, the online video streaming station that plays 100% Filipino music came along. I do remember asking them when Bamboo will drop by the station and they told me that it was just a matter of time. That time eventually came when Bamboo became the guest for Radio Republic’s Live at 2299 show and not even a sudden heavy downpour prevented me from getting there. Being drenched was just a small price to pay for something that I’ve waited for a long, long time.


So focused was I on Bamboo that I forgot that he would have his band along with him. I shouldn’t have been surprised seeing Ria Osorio once again considering that she’s the keyboardist and also one of the arrangers of the album. Her fellow arranger Kakoy Legaspi came armed with an acoustic guitar, steel guitar and a rare mandolin. Along with the two were guitarist Chico Gonzales and cellist Anjo Inacay. The band was pared down compared to the usual setup but it worked pretty well with the show. Bamboo performed a one hour set, singing songs from No Water, No Moon like In Shadow, In This Life, Questions and Ikot ng Mundo. After a couple of songs, Bamboo also answered questions that were sent by viewers via twitter. This Bamboo gig for Radio Republic’s Live at 2299 turned out to be an intimate affair which for me is much preferred over concerts at huge arenas (or worse, open grounds) complete with a screaming and possibly unruly crowd. After the performance, I had Bamboo sign a copy of the CD (at long last), have a brief conversation with him and have another photo taken with him without any security people telling me to make it quick.

Bamboo at Live at 2299

Lastly, I took the opportunity to let Bamboo have the honor in being the first one to scribble at my little notebook that I brought that night. This little notebook has been with me for some months now and I had no idea what to do with it. One day, I just slapped a Radio Republic sticker on the cover since it was just plain and that’s when it dawned on me. I decided to have local recording artists (OPM artists) write a brief and positive message in its pages. The message could either relate to local music or life in general. So that whenever I feel like I’m losing hope or getting depressed, I just have to read what has been written in the pages to snap me out of my slump. And I think that it’s also a great reminder for me that OPM is truly alive and not dead.

"sunshine in darker times..."

It’s been more than a week since this Bamboo encounter and I’m still grinning from ear to ear whenever I think of it. And this wasn’t even the end of it as Kakoy Legapi’s mandolin also sparked the beginning of something else which I think is very cool indeed. It’s such a great feeling when something that I’ve waited for such a long time eventually happens. And this wouldn’t happen if not for Radio Republic which I think is possibly the most happening place for OPM right now. Many thanks also to Polyeast Records especially to Ethel Cachapero, Tricia Pablo and Mel Katigbak.


No Water, No Moon

Tracks:
1. In Shadow
2. Please
3. Morning Rose
4. Back on My Feet
5. Questions
6. Spin
7. In This Life
8. Down the Line
9. All Hail the Fool
10. The Only Way
11. Just Go
Bonus:
12. Ikot ng Mundo