Showing posts with label Thanos Adamopoulos. Show all posts
Showing posts with label Thanos Adamopoulos. Show all posts

Thursday, July 18, 2013

MSO II: The Trumpet Calls

Trumpeter Manu Mellaerts and the Manila Symphony Orchestra

Featuring:
Manu Mellaerts, trumpet
Manila Symphony Orchestra
Thanos Adamopoulos, conductor

Programme:
Wolfgang Amadeus Mozart Symphony No. 35 in D major, K. 385 Haffner
Johann Nepomuk Hummel Trumpet Concerto in E flat major, S. 49
Franz Schubert Symphony No. 9 in C major D. 944 Great

The Color Your World 2013-2014 Concert Season of the Manila Symphony Orchestra resumed with the orchestra’s second performance, The Trumpet Calls at the Santiago Francisco Hall. Along with guest conductor Thanos Adamopoulos and trumpeter Manu Mellaerts, the orchestra presented a programme featuring pieces by Mozart, Hummel and Schubert that called to mind the era when royalty and nobility still were a moving force at the old world.

The concert started regally with Wolfgang Amadeus Mozart’s Symphony No. 35 in D major, K. 385. This work is also known as the Haffner Symphony since Mozart was commissioned to write it by the Haffners, when Sigmund Haffner was ennobled. In true classical Mozart fashion, the music was energetic, bold but still retaining that crisp and light quality characteristic of the Classical era. The same could be said with the following piece which was Johann Nepomuk Hummel’s Trumpet Concerto in E flat major, S. 49 featuring Manu Mellaerts. This piece was composed by Hummel for Anton Weidinger, court trumpeter to Prince Anton Esterhazy which is in keeping with the royal/noble theme of this concert. Mellaerts delivered a performance fit for a royal court, showcasing the capabilities of the trumpet going from loud and robust to gentle and eloquent with such ease. But I’d like to say that the tempo and character of the trumpet concerto and the previous symphony was almost basically the same. And for someone who isn’t well versed with the Classical period (or not too keen with it, like me), it’s hard to distinguish whether a piece was by Mozart or Hummel or Haydn for that matter even though it’s easy to recognize music from that era.

Thanos Adamopoulos and the Manila Symphony Orchestra

And it’s because of my somewhat indifference with the Classical era that got me thrilled with Franz Schubert’s Symphony No. 9 in C major D. 944 also known as the Great to distinguish it with the shorter sixth symphony which is also in C major. This lengthy, noble and serious piece of work from the Romantic period was published and performed some years after Schubert died and only through the efforts of Robert Schumann. Sadly, at that time, this symphony was slow to gain acceptance and acclaim. But now, it is regarded as Schubert’s finest orchestral work. Knowing the story behind the music made me appreciate the MSO’s performance a lot better. Thanos Adamopoulos wielded his baton and brought out from the orchestra not just the energy and vitality of the music but also the greatness that Schumann heard in this piece as well. Despite its length, I enjoyed the Great a lot more than the Haffner. But then again, I prefer Romantic pieces compared to Classical ones.

Sadly, it was during this concert when I started to lament the unavailability of the Philam Life Auditorium which was the MSO’s regular performance venue for the past few years. The acoustics of the Santiago Francisco Hall leaves a lot to be desired and the MSO didn’t sound as brilliant compared to their last performance at the Cultural Center of the Philippines. It’s such a pity that the MSO will have to bear with this venue for the rest of its season since they deserve a much better sounding venue that can give justice to their sound.

This concert by the Manila Symphony Orchestra was presented in cooperation with the Embassy of Belgium. And present during this night was Belgian Ambassador Christian Meerschman and Mrs. Greta Meerschman.

The Color Your World 2013-2014 Concert Season continues with Spectacle featuring violinist Diomedes Saraza Jr. happening this August 10, 2013 at the Santiago Francisco Hall at the BDO Complex.

Monday, June 24, 2013

Belgian artists Manu Mellaerts and Thanos Adamopoulos guest at Manila Symphony Orchestra concert


July 6, 2013, 8:00 PM
Francisco Santiago Hall
South Tower, BDO Corporate Center
Makati

Featuring:
Manu Mellaerts, trumpet
Manila Symphony Orchestra
Thanos Adamopoulos, conductor

Programme:
Wolfgang Amadeus Mozart Symphony No. 35 in D major, K. 385 Haffner
Johann Nepomuk Hummel Trumpet Concerto in E flat major, S. 49
Franz Schubert Symphony No. 9 in C major D. 944 Great

The Manila Symphony Orchestra, in cooperation with the Embassy of Belgium, welcomes two Belgian guest artists for the second concert of their Color Your World 2013-2014 Concert Season on July 6, 2013, 8:00 PM at the Santiago Francisco Hall of the BDO Corporate Center in Makati. This concert, billed as The Trumpet Calls, will feature trumpeter Manu Mellaerts and guest conductor Thanos Adamopoulos.

The pieces to be performed this evening include Wolfgang Amadeus Mozart’s Symphony No. 35 in D major, K. 385 Haffner, Johann Nepomuk Hummel’s Trumpet Concerto in E flat major, S. 49 with Mellaerts as the soloist and Franz Schubert’s Symphony No. 9 in C major D. 944 also known as the Great Symphony.

Trumpeter Manu Mellaerts

Trumpeter Manu Mellaerts, based in Brussels, is the artistic director of the brass ensemble Belgian Brass and solo trumpet player of La Monnaie Opera House. Mellaerts was in the Philippines last year participating at the International Bamboo Organ Festival and giving a workshop to MSO brass members.

Conductor Thanos Adamopoulos

Guest conductor Thanos Adamopoulos is currently the Music Director and Conductor of the Brussels Philharmonic Orchestra. He has served as the concertmaster of the Monnaie Symphony Orchestra in Brussels and as guest coach of the Asian Youth Orchestra. He was the guest conductor/soloist during the MSO’s concert entitled The Artistry of Thanos Adamopoulos back in July 2011.

The Manila Symphony Orchestra

Ticket prices:
P1200 Orchestra
P600 Balcony
-50% student discount
-20% senior citizen discount

For inquiries:
523-5712, (0916) 408-7549, info@manilasymphony.com

Wednesday, July 13, 2011

MSO II: The Artistry of Thanos Adamopoulos


Featuring:
Thanos Adamopoulos, violin/conductor
Manila Symphony Orchestra

Programme:
Wolfgang Amadeus Mozart Overture from The Marriage of Figaro, K. 492
Ludwig van Beethoven Violin Concerto in D major, Op. 61
Pyotr Ilyich Tchaikovsky Symphony No. 5 in E minor, Op. 64

Wow, I didn’t have to wait that long to see the Manila Symphony Orchestra perform once again since I only had to let nine days pass since the last time I saw them perform which was during the concert of pianist Lorenzo Medel. While it only took a short while for some people to see the MSO once again, it took about a year instead for them to see guest conductor/violin soloist Prof. Thanos Adamopoulos perform since he had to cancel last year due to medical reasons. Thankfully this year, his good health meant that he was able to come to Manila. And despite the heavy rains, people responded by coming in droves at the Philam Life Auditorium to see the MSO’s second concert for their 2011 Season entitled The Artistry of Thanos Adamopoulos.

They had a very accessible programme consisting of popular and perennial favorites. The starting piece was Wolfgang Amadeus Mozart’s Overture to The Marriage of Figaro, K.492 which was played delightfully despite the horns’ hiccups. And right from the start, all eyes were on Adamopoulos and he truly had a very interesting conducting style: no baton and an occasional wiggling of his fingers.

The next piece was a rare treat since Adamopolous was not just the conductor but also the soloist for Ludwig van Beethoven’s Violin Concerto in D major, Op. 61 with the cadenza by Fritz Kreisler. This meant that concertmaster Gina Medina had more responsibilities during this piece which she handled brilliantly. But I felt that Adamopoulos played too politely and I waited for him to add some vulgarity in some passages. But instead of being put off by this inoffensive way of playing, his demeanor, mastery and presence made me accept that the piece could indeed be played politely whatever that may mean to others. After this piece, people applauded persistently so that he would do an encore with the violin before the intermission started which he did when he played the Fritz Kreisler transcription of Melodie of the Dance of the Blessed Spirits from Orfeo ed Euridice by Christoph Willibald Ritter von Gluck.

Prof. Thanos Adamopoulos and the Manila Symphony Orchestra

I almost had the same feeling during the last piece which was Pyotr Ilyich Tchaikovsky’s Symphony No. 5 in E Minor, Op. 64 which made up the second half of the concert. Adamopoulos conducted it in a way that the resulting performance was so different from what I am used to and actually prefer. For example, the second movement felt a bit too fast for me. But it felt odd that I didn’t have the urge to just walk out and scoff at the performance simply because they didn’t play it the way that I wanted to. Instead, I was able to see and hear the piece from a different perspective, realizing that it could be played that way.

Prof. Thanos Adamopoulos with RAd and the Pinoy Violinists

I would’ve loved to have the opportunity to ask him about his decisions on why he played and conducted the way he did but he was mobbed by the audience right after the concert. Even having a photo with him along with my friends from the Pinoy Violinist group proved to be a test of patience. Overall, this was truly a very interesting concert for me. The pieces as I’ve said before are very familiar to me and to hear them performed so differently and making me accept these interpretations not just as valid and but still oddly appealing and moving is truly a testament to the artistry of Thanos Adamopoulos.

Text by RAd
Photos by Yuuko-san

Thursday, June 30, 2011

Belgian violinist/conductor Thanos Adamopoulos to conduct the Manila Symphony Orchestra


July 9, 2011, 8:00 PM
Philam Life Auditorium
UN Avenue, Manila

Featuring:
Thanos Adamopoulos, violin/conductor
Manila Symphony Orchestra

Programme:
Wolfgang Amadeus Mozart Overture from The Marriage of Figaro, K. 492
Ludwig van Beethoven Violin Concerto in D major, Op. 61
Pyotr Ilyich Tchaikovsky Symphony No. 5 in E minor, Op. 64

Time seems to be on a standstill amidst all these recent events with none really devoted to orchestral music. And yet when I got reminded that the next Manila Symphony Orchestra season concert is just less than two weeks away, it now seems that time has moved so fast. I can’t believe that it’s been that long since their successful Gustav Mahler performance at the Cultural Center of the Philippines even though it was just less than a month ago. But instead of pondering on the passage of time (is it too fast or too slow?) and losing my hair in the process, I think that it’s better for me to psyche myself up with the MSO’s second concert for their 2011 season entitled The Artistry of Thanos Adamopoulos happening this July 9, 2011, 8:00 PM at the Philam Life Auditorium. And as the title suggests, this concert will feature guest conductor and violin soloist Thanos Adamopoulos, a renowned Belgian violinist, conductor and pedagogue.

The Manila Symphony Orchestra

Well, it didn’t take me that long to get psyched up once I learned of what the programme for this concert would be: popular pieces by Wolfgang Amadeus Mozart, Pyotr Ilyich Tchaikovsky and Ludwig van Beethoven. I’ve said before that the Overture to The Marriage of Figaro, K.492 by Mozart is a sentimental favorite. I know that I’ve heard Tchaikovsky’s Symphony No. 5 in E Minor, Op. 64 performed some months ago but I don’t mind hearing it, especially the exquisite second movement, once again.

Thanos Adamopoulos

Music lovers had to put up with a delay of almost a year to see Adamopoulos conduct and play with the MSO. He was supposed to be here during the MSO's July concert last year but he was unable to come that time. Fortunately, it looks like nothing is stopping him from coming this time. He also will be the featured violinist in Beethoven’s Violin Concerto in D major, Op. 61 which I like better than what he was supposed to play last year.

I’m grateful that I’ve had the opportunity to be at an overwhelming number of cultural events for the past month or so but it’s very nice finally to go back to my comfort zone and watch a concert like this.

Ticket prices:
P1000 Orchestra Center
P800 Orchestra Side
P500 Loge
50% student discount
20% senior citizen discount

For inquiries:
MSO Secretariat 523-5712, (0917) 958-3297