Showing posts with label Zarzuela. Show all posts
Showing posts with label Zarzuela. Show all posts

Wednesday, August 13, 2025

Zarzuela > Sarswela, A Musical Bridge Between Spain and the Philippines


On August 26, Instituto Cervantes, the Embassy of Spain, the University of Santo Tomas (UST), and Teatro de la Zarzuela will present Zarzuela-Sarswela, a concert featuring a selection of pieces from classic Spanish zarzuelas alongside works from Philippine sarswelas. The recital, the culmination of the zarzuela workshop led by Spanish pianist Ramón Grau, will take place at the Education Auditorium (4F Albertus Magnus Building), UST. Admission is free, and early registration is encouraged at https://forms.office.com/e/gqQYWUHzSb.

This concert marks the grand finale of Zarzuela Viva, a month-long celebration of the shared cultural heritage between Spain and the Philippines, featuring weekly zarzuela screenings, an immersive workshop, and this closing recital.

The zarzuela, one of the most treasured art forms in the Spanish-speaking world, was also among the most popular cultural expressions in the Philippines for decades. As Alexandra Chua, Dean of the UST Conservatory of Music, observes: “In the Philippine context, the sarswela is not merely a borrowed tradition, but a powerful symbol of Filipino transcultural identity and creativity. Embedded within it are distinctly Filipino stories and narratives that reflect local experiences, struggles, and aspirations. Through the reimagining of inherited forms, the sarswela becomes a dynamic expression of Filipino agency and cultural voice.”

The festival opened on August 1 at Instituto Cervantes with Tiempo de Zarzuela by Cristina Otero Roth. On August 7, audiences enjoyed La del manojo de rosas by Pablo Sorozábal, staged by Teatro de la Zarzuela. Upcoming screenings include El barberillo de Lavapiés by Francisco Asenjo Barbieri (August 14) and El sobre verde by Jacinto Guerrero (August 28), both at 3:00 p.m. in the Central Laboratory Auditorium, UST.

Zarzuela Workshop

Ramón Grau

From August 18 to 22, Ramón Grau—principal pianist at Madrid’s Teatro de la Zarzuela since 2016—will lead an intensive workshop at the UST Conservatory of Music for advanced music students. Grau has composed for films such as El Fantasma de la Sauna and Calcinación, and for the Orquesta Filarmónica de Málaga, which will premiere his piano concerto Estigio in December 2025.

Grand Finale Concert

On August 26, Ramón Grau and the workshop participants will perform Zarzuela-Sarswela, featuring selections from El barberillo de Lavapiés and La del manojo de rosas, alongside iconic pieces from the Filipino sarswela tradition.

This concert brings to a close a cultural program that highlights the enduring legacy of the zarzuela—a genre that has left an indelible mark on the history of Philippine theater. In the words of writer Nick Joaquin: “Certainly, in no other art form, whether in English, Spanish, or Tagalog, has the Filipino shown himself so much at home; and in no other, since then, has he been able to establish such close rapport with the people.”

Zarzuela Viva is organized by Instituto Cervantes de Manila in collaboration with the Embassy of Spain in the Philippines, AECID, the Conservatory of Music of UST, Teatro de la Zarzuela, and the Intramuros Administration.

For more information about Zarzuela Viva, visit www.manila.cervantes.es or follow Instituto Cervantes on Facebook at https://www.facebook.com/InstitutoCervantesManila/

Friday, August 01, 2025

Reviving the Roots of Philippine Theatre: a Month-Long Tribute to Zarzuela at Instituto Cervantes and UST


Instituto Cervantes, the Embassy of Spain, and the University of Santo Tomas, present a month-long cultural program highlighting the shared legacy of zarzuela in the Philippines. From August 1 to 28, a cultural celebration featuring weekly zarzuela screenings, an immersive zarzuela workshop, and a Zarzuela recital will take place in the Instituto Cervantes in Intramuros and the University of Santo Tomas.

The Zarzuela, considered to be one of the most treasured forms of art in the Spanish-speaking world, also happens to be the most popular cultural product in the Philippines for decades in history. It is the musical genre that truly left its mark in the history of the Philippine theater, as said in the timeless words of Nick Joaquin, “Certainly, in no other art form, whether in English, Spanish, or Tagalog, has the Filipino shown himself so much at home; and in no other, since then, has he been able to establish such close rapport with the people."

Entitled Zarzuela Viva, this month-long event will feature a weekly screening of zarzuelas throughout August. The series opens on August 1 at 3:00 p.m. with the screening of the documentary Tiempo de Zarzuela by Cristina Otero Roth at the Intramuros branch of Instituto Cervantes. On August 7, also at 3:00 p.m. at the same venue, audiences can enjoy a production by Teatro de la Zarzuela of the classic La del manojo de rosas by Pablo Sorozábal.

The third installment in the series will be a screening of Alfredo Sanzol’s production of El barberillo de Lavapiés by Francisco Asenjo Barbieri, scheduled for August 14. The final screening will feature El sobre verde by Jacinto Guerrero on August 28. These last two screenings will take place at 3:00 p.m. at the Central Laboratory Auditorium of the University of Santo Tomas (UST).

Ramón Grau

Presented as the highlight of Zarzuela Viva, a 4-day Zarzuela Workshop will be conducted by Spanish pianist Ramón Grau from Teatro de La Zarzuela in Madrid. The workshop will be held at the Conservatory of Music of the University of Santo Tomas in Manila (UST) and is addressed to advanced students of music. Those interested in joining the workshop can reserve a spot by submitting their CV to cultmni@cervantes.es.

On August 26, as a result of the Zarzuela workshop led by pianist Ramón Grau, he and the participants will present Zarzuela-Sarswela, a concert featuring a selection of pieces from the classic Spanish zarzuelas El barberillo de Lavapiés and La del manojo de rosas from the screening, alongside works from Philippine sarswelas. The recital will be held at the Education Auditorium (4F Albertus Magnus Building), UST. This event is open to everyone, but attendees and participants are encouraged to register early through this link: https://forms.office.com/e/gqQYWUHzSb

Here is a detailed lineup of the films to be screened:

El barberillo de Lavapiés (2019)


Director/s: Alfredo Sanzol/Jose Miguel Pérez Sierra

El barberillo de Lavapiés is one of the most joyful and iconic pieces in the Spanish lyrical tradition. With music by Francisco Asenjo Barbieri and a libretto by Luis Mariano de Larra, this work has stood the test of time as a symbol of Madrid’s traditional spirit and musical theater. It’s considered a masterpiece of Spanish musical history and a shining example of both Madrilenian character and Hispanic lyrical art.

In this new production, stage director Alfredo Sanzol emphasizes the comic and adventurous aspects of the story, while staying true to its underlying pursuit of beauty. For Sanzol, comedy is a powerful and freeing tool, it allows us to explore life’s conflicts with both depth and lightness. The plot follows the charming and lovable characters Lamparilla and Paloma, whose story intertwines with the romantic entanglements of Marquesita Estrella and Don Luis. All of this unfolds against a political backdrop marked by the transition between the governments of Grimaldi and Floridablanca. The musical direction is led by José Miguel Pérez-Sierra, who brings out the richness of Barbieri’s score, considered one of the high points of the zarzuela genre. The collaboration between Barbieri and Larra resulted in a work that fully captures the essence of Madrid: a story set in 18th-century Madrid, with 19th-century music, and a timeless vitality that still resonates today.

La del Manojo de Rosas (1990)


Directors: Guillermo García Calvo/Emilio Sagi

This production of La del Manojo de Rosas, directed by Emilio Sagi, has become a modern classic of Spanish lyrical theatre. With music by Pablo Sorozábal and a libretto by Anselmo C. Carreño and Francisco Ramos de Castro, this zarzuela is one of the most beloved by audiences, thanks to its lively spirit, humor, and warm portrayal of Madrid in the 1930s.

Since its premiere in 1990, this version has been performed across Spain and even in cities like Rome and Paris, consistently earning praise from both audiences and critics. Sagi’s direction captures the charm and emotional depth of the sainete (a short, comic theatrical piece), giving it a fresh, updated look while staying true to its original character.

Set in a Madrid neighborhood, the story revolves around Ascensión and Clarita, two young, independent and determined women who represent the feminine awakening of a time of change.

Through their voices and their decisions, the play reflects a society in transformation, where Sorozábal's music-full of poetry, grace and emotion- becomes the soul of a close and universal story.

With a new cast and musical direction by Guillermo García Calvo, this production is just as exciting and powerful as it was 30 years ago. La del Manojo de Rosas is not only a tribute to Madrid during the Republican era, but also a celebration of zarzuela as a living art form—one that keeps evolving and continues to touch the hearts of new generations.

El sobre verde (2022)


Directors: Cecilia Bercovich/Nuria Castejón

El sobre verde is a sainete (theatrical humurous skit) in two acts with touches of revue, that is, a musical show set in the popular Madrid of a century ago and in the skyscraper-filled New York of the time. The music is by Francisco Guerrero and the original texts were written by Enrique Paradas and Joaquín Jiménez. In its time it was a huge success, and here we present a revised version of the piece for young audiences (and not-so-young ones). El sobre verde is a festive musical comedy full of songs, dancing, and humor. But in our version, it also offers a brief yet powerful reflection on fortune. In these hyper-connected, highly technological times, mediated by screens, when money governs the fate of the world when having is more important than being, when appearances, the number of ‘likes’, the brand of one’s clothes or the zeros in the bank account seem to matter more than friendship, loyalty or justice, Nicanor's fable, his journey from rags to riches and back again, leaves us with a bittersweet aftertaste and leads us to ask ourselves: what would we do if we found the green envelope?

Tiempo de Zarzuela (2023)


Director: Cristina Otero Roth

Tiempo de Zarzuela is an exciting immersion into the world of the Spanish lyrical genre that has endured for four centuries, becoming an invaluable treasure of the artistic and emotional memory of the Spanish-speaking community. Directed by Cristina Otero Roth and produced by López Li Films in 2023, this film transports us through the history and heritage of zarzuela, revealing its profound impact on Spanish culture and art.

The film delves into the roots of zarzuela, exploring its origins and evolution over the centuries. Through interviews with experts, musicians and actors, Tiempo de Zarzuela offers a unique insight into the importance of this genre in Hispanic culture and and its influence on music and theater both in Spain and beyond.

From the earliest zarzuelas to the most contemporary productions, the film presents a wide range of memorable moments and outstanding performances. It also provides a glimpse into the current landscape of zarzuela, demonstrating that it remains a vibrant and relevant form of artistic expression today. Tiempo de Zarzuela is a tribute to a genre that has touched the hearts of audiences around the world and continues to captivate new generations with its rich tradition and exciting interpretations.

Here is the schedule of screenings:

Instituto Cervantes, Intramuros
August 1, 2025, 3:00 PM 
Tiempo de Zarzuela
August 7, 2025, 3:00 PM
La del Manojo de Rosas

Central Laboratory Auditorium, UST
August 14, 2025, 3:00 PM
El barberillo de Lavapiés
August 28, 2025, 3:00 PM
El sobre verde

Zarzuela Viva is organized by Instituto Cervantes de Manila in collaboration with the Embassy of Spain in the Philippines, AECID, the Conservatory of Music of UST, Teatro de La Zarzuela, and Intramuros Administration.

For more information about Zarzuela Viva, visit Instituto Cervantes' website at www.manila.cervantes.es, or follow it on Facebook at https://www.facebook.com/InstitutoCervantesManila/

Friday, June 21, 2013

Romantico Enrique Viana (The Undending Passion of the Zarzuela)

Daniel Oyarzabal and Enrique Viana

Featuring:
Enrique Viana, tenor
Daniel Oyarzabal, piano

It was a trip down musical memory lane as the Sonidos de España, Spanish Festival at the CCP started with a concert featuring Zarzuela music at the Cultural Center of the Philippines’ Tanghalang Aurelio Tolentino (CCP Little Theater). The concert, entitled Romantico Enrique Viana (The Undending Passion of the Zarzuela), featured tenor Enrique Viana who was accompanied by pianist Daniel Oyarzabal.

All I know about the Zarzuela before was that it’s a form of live entertainment (a cross between an opera and musical theater that alternates spoken and sung scenes along with dance) originating in Spain. The Zarzuela never took off beyond Spain’s borders except in its colonies. And one such colony is the Philippines which took the Zarzuela and transformed it into the Sarswela.

During the concert, Enrique Viana not only performed songs taken from various Zarzuelas but he also gave a lot of background information regarding the pieces prior to singing making the audience appreciate the music a bit better. From his lecture, I learned that the Zarzuela dealt mostly about daily Spanish life and reflected current events at that time but sprinkled with a generous dose of the craziness and absurdity that I’ve learned to expect from such forms of live entertainment. I initially thought that Zarzuelas were set in Spain but there was one featured in the concert, Katiuska by Pablo Sorozábal, that was actually set in Russia during the time of the revolution.

Aside from Katiuska, Viana also performed excerpts from Zarzuelas such as Luisa Fernanda by Federico Moreno Torroba, Don Gil de Alcalá by Manuel Penella, Alma de Dios by José Serrano, La Tabernera del Puerto by Sorozábal, La Chulapona by Torroba and Doña Francisquita by Amadeo Vives.

I find the songs that Viana performed extremely lyrical with sweeping melodies and wide leaps challenging his tenor vocal range. I wondered how the other songs in Zarzuelas intended for other vocal ranges sounded like. It is also interesting to note that while most Zarzuela music are in the usual Spanish folk tradition like the jota and seguidilla, it also took in dances from other lands like the habanera and the mazurka. During breaks by Viana, pianist Daniel Oyarzabal performed solo pieces which I think were also picked from the Zarzuelas that were featured in the concert. For an encore, Viana sang Dahil sa Iyo by Mike Velarde, Jr. that was highly appreciated by the audience even though some were foreigners.

The show made me curious as to how an actual Zarzuela was staged. And I also wondered how different and similar the Zarzuela is to an opera and a contemporary musical. Alas, the Zarzuela has fallen out of fashion and I don’t think that any of the old works are still being staged nowadays. Seeing an actual Zarzuela is a remote possibility now, but thanks to Enrique Viana, I was still able to see a glimpse and hear a snippet of this art form.

Romantico Enrique Viana (The Undending Passion of the Zarzuela) was presented by the Cultural Center of the Philippines, the Embassy of Spain, Instituto Cervantes de Manila and Bench.

Friday, May 17, 2013

Zarzuela recital opens Spanish Festival at the CCP

Tenor Enrique Viana

June 11, 2013, 8:00 PM
Tanghalang Aurelio Tolentino (CCP Little Theater)
CCP Complex
Pasay, Metro Manila

Featuring:
Enrique Viana, tenor
Daniel Oyarzabal, piano

The Cultural Center of the Philippines, the Embassy of Spain and Instituto Cervantes de Manila open Sonidos de España, Spanish Festival at the CCP with an evening of music via Romantico Enrique Viana (The Unending Passion of the Zarzuela) this June 11, 2013, 8:00 PM at the Tanghalang Aurelio Tolentino (CCP Little Theater).

This one night music event featuring tenor Enrique Viana and pianist Daniel Oyarzabal will highlight the Zarzuela, a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular song, as well as dance. The zarzuela is yet another Spanish art form that was adapted locally and turned into what is known as the sarswela. The sarswela had its heyday during the early 20th century before the onset of World War II. This recital will be a good opportunity for audiences to see and hear for themselves the Zaruela.

Pianist Daniel Oyarzabal

According to the press release, tenor Enrique Viana studied singing at the Royal Conservatory of Music before taking extensive studies in Barcelona, Milan, Siena, Rome and Paris. Aside from the Zarzuela, Enrique has also portrayed the traditional operatic roles such as the Duke in Rigoletto, Alfredo in La Traviata, Fenton in Falstaff, Basilio in The Marriage of Figaro, Ernesto in Don Pasqual and Tonio in La fille du regiment, Count Almaviva in The Barber of Seville, and Ramiro in La Cenerentola among other roles. Viana will be accompanied at the concert by pianist Daniel Oyarzabal.


Romantico Enrique Viana (The Unending Passion of the Zarzuela), a part of the Sonidos de España Spanish Festival at the CCP is free admission and open to the public. The other event of the festival is the De Dolores flamenco concert featuring Eduardo Guerrero happening on June 14-15, 2013, 8:00 PM at the CCP Little Theater.

Ticket price:
Free admission with prior reservation

For inquiries:
Instituto Cervantes 526-1485
Cultural Center of the Philippines 832-1125 local 1601