Showing posts with label Philippine Opera Company. Show all posts
Showing posts with label Philippine Opera Company. Show all posts

Thursday, May 31, 2018

CCP gives tribute to Huseng Batute, the first king of the Balagtasan

The performers of Pagbabalik-Tanaw sa Unang Hari ng Balagtasan

The poetry, lyrics, and verses of Jose Corazon de Jesus, aka Huseng Batute were celebrated in Pagbabalik-Tanaw sa Unang Hari ng Balagtasan, a fitting tribute by the Cultural Center of the Philippines at the building’s intimate 220 seater black box theater named after the renowned writer and poet.


Batute championed the Filipino language through his daily columns in written in the local language in verse published in newspapers that were in still Spanish and then eventually in English. Prolific that he was, his works numbered in the thousands and a select handful of his poems and songs that he wrote the lyrics for were recited and performed during the tribute that was hosted by Vim Nadera and Louise Lopez.


Daloy Dance Company

The poem Pakpak that served as an invocation was given life through a fusion of the spoken word, theater, and contemporary dance via the Daloy Dance Company.

Lou Veloso, Anthony Falcon and POC's Nazer Salcedo

Lou Veloso with Anthony Falcon showed the relevance of Aking Bayan across generations with Nazer Salcedo of the Philippine Opera Company (POC) echoing these sentiments with the song Madaling Araw.

Ronnie Lazaro

Ronnie Lazaro championed the laborer with his impassioned take on Manggagawa.

Ony Carcamo with Nonoy

Isang Punong Kahoy, the last poem that Batute wrote, was delivered by ventriloquist Ony Carcamo with Nonoy. I think that this poem which is a reflection on mortality wasn’t a good match with the humor infused ventriloquist act.

POC's Kevin Guiman

The era when the kundiman reigned supreme was relived with the Philippine Opera Company’s Kevin Guiman singing of Pakiusap.

A re-enactment of Bulaklak ng Lahing Kalinis-linisan

A well-received portion of the tribute was the bridging of the traditional and the modern with mambabalagtas from Bulacan namely Jerryco Tanig and Melandro Pascual, rappers Beware and Negatibo, Karl Ivan Dan Orit, and POC’s Cris Go re-enacting portions of Bulaklak ng Lahing Kalinis-linisan, which is actually the first ever Balagtasan held back in April 6, 1924 between Jose Corazon de Jesus and Florentino Collantes.

The Makatas' Lester Abueg and Jose delos Reyes in an 'impromptu' balagtasan

The Makatas’ Lester Abueg and Jose delos Reyes showed how the balagtasan can work with millennial sensibilities when the two dueled with words whether one should cling to a former flame or find a spark with someone new.

Karla Gutierrez and John Arcilla

Huseng Batute’s love for his mother and for his motherland was made evident with his Ang Pamana, tearfully recited by John Arcilla that segued into Bayan Ko sang by the POC’s Karla Gutierrez, Cris Go, Kevin Guiman, Rein Pineda, and Nazer Salcedo before being joined by the rest of the performers. When Arcilla sang the verse that was a late addition to the song, it made me realize that it had been ages since I last heard him sing live. It is high time that people get reminded that there is a lot more to John Arcilla than just his expletive laden performance in Heneral Luna.

POC's Kevin Guiman, Rein Pineda, Cris Go, and Nazer Salcedo

A delightful Arimunding-munding and Dalagang Pilipina was the finale performed by the Philippine Opera Company’s Cris Go, Kevin Guiman, Rein Pineda, and Nazer Salcedo.

In between the performances, some esteemed personalities gave anecdotes, trivia, insights, messages and tributes to Batute including CCP President Arsenio “Nick” J. Lizaso, who is actually Batute’s nephew, Dr. Eliseo dela Cruz who represented Bulacan Governor Wilhelmino Sy-Alvarado, educator Dr. Benilda Santos, and Pastor Ruel Garcia who represented Presidential Spokesperson Harry Roque.

Huseng Batute's photos and memorabilia

I couldn’t remember a time when the Tanghalang Huseng Batute was filled with the words of the man whom the space was named after. I admit that literary Filipino is not that easy to listen to as some words and phrases may need to be heard for a second time or more to fully understand the meaning. But there’s an undeniable sense of musicality in the words and the deft crafting of the verses makes the senses tingle once they’re heard.

Huseng Batute's typewriter

Too bad that despite the sheer number of his output during his short life, Batute’s works remain out of print. I wish that the audience were handed copies of the poems that were performed. I could’ve savored the words and study the works in detail even long after the tribute has wrapped up.

Sunday, June 24, 2012

Ang Bagong Harana

Marvin Gayramon, Al Gatmaitan, Janine Santos and Charley Magalit

The Philippine Opera Company’s Ang Bagong Harana was the little show that could. This show that was directed by Floy Quintos pinned its hopes on the songs that embody the soul and essence of the Filipinos at a time when the same Filipinos seem to be hooked more on songs from foreign lands. Ang Bagong Harana did manage reignite the fire and passion in the soul of the Filipinos as its original staging was one of the cultural success stories of 2011. This success led to a recent limited re-run engagement at the Carlos P. Romulo Auditorium over at the RCBC Plaza which I was very fortunate to see.

Ang Bagong Harana is a musical revue that featured songs from traditional folk tunes up to OPM classics that were performed by ten, up and coming classically trained singers namely Jack Salud, Karla Gutierrez, Nazer Salcedo, Charley Magalit, Janine Santos, Lawrence Jatayna, Al Gatmaitan, Aizel Prietos, Marian Santiago and Marvin Gayramon. These songs were grouped thematically in suites that were interspersed with dance numbers by the Ramon Obusan Folkloric Group.


The show started going back to the time of innocence with traditional songs that were part of the older generation’s childhood. After that, traditional music from the northern and southern Philippines was given the spotlight. The mood turn to celebrating as the show highlighted the merry making during a town fiesta. The atmosphere then turned darker as the first act ended with the Philippine Revolution in the late 19th century with the romantic kundiman serving as the soundtrack.

The show resumed with a feel good show stopper that served as homage to Sylvia La Torre, during her heyday. Familiar music by George Canseco, Willy Cruz and Ryan Cayabyab were given poignant interpretations by the singers when they performed a medley of these composers’ greatest hits. The show ended with iconic and patriotic songs like Anak and Ako ay Pilipino and went back full circle as the show returned to the time innocence that came with childhood.


In about a couple of hours, the audience went through a musical journey that explored the soul and essence of the Filipino. Most Filipinos in the audience were moved and gave a standing ovation during the curtain call. I also heard that some foreigners who were able to see the show responded positively to Ang Bagong Harana proving that Filipino music in its original and purest form do transcend language and cultural barriers.

My only wish for this show was that the vocal arrangement gave the group more harmonies to work with. There were moments that the harmonies were exquisite but they were too few and far in between for my liking. I just hoped that there could’ve been more complex and intricate harmonies considering that the cast are competent and talented vocalists.


There might be more room for improving the harmonies in the future since this repeat engagement turned out to be a huge success as well. And because of this, Ang Bagong Harana is slated to return once more for another run. The Philippine Opera Company’s artistic director, Karla Gutierrez feels that the show is a musical journey that every Filipino should take. And with another run coming up, they are getting closer to that goal which is not bad for a project that started out as the little show that could.