Wednesday, November 10, 2021

Literary webinar to discuss a pair of women writers from Italy and the Philippines


On the occasion of the 150th birth anniversary of Grazia Deledda, the Embassy of Italy in the Philippines, the Philippine Italian Association (PIA), the National Library of the Philippines (NLP), the Ateneo de Manila University, and the Italian Chamber of Commerce in the Philippines present Women Writing on the Margins, a literary webinar happening on November 22, 2021, 3:30 PM.

This online conference focuses on two women writers, Grazia Deledda from Sardinia, Italy and Magdalena Jalandoni from Iloilo, Philippines, and will discuss their lives, works, and their identification with their respective home-islands.

Hosted by the National Library of the Philippines, the webinar features two speakers, Dr. Stefania Lucamente from Italy and Dr. Alice Gonzalez from the Philippines who will discuss both Deledda and Jalandoni with a particular attention to the peculiar topics of their respective works: a sense of self and country, identity and traditions, women and society, language and history.

Dr. Stefania Lucamante, Professor of Italian Contemporary Literature at the University of Cagliari (Italy) and long time researcher in the representation of history and memory in Women’s contemporary literature and the role of passion in literature, will discuss From Marianna Sirca to Cosima: Transformation within Tradition in the Novelistic and Short-Story Works of Sardinian Writer and Nobel Prize Winner Grazia Deledda.

Dr. Alice Gonzalez, award-winning fictionist and faculty member of the University of the Philippine Visayas, will discuss three of Magdalena Jalandoni’s novels to show the processes by which women carve out their identities within and against the gender codes of a society in her paper Magdalena Jalandoni: Negotiating the Woman’s Subject-Position in Fiction and in Life.

An open forum moderated by the Ateneo Institute of Literary Arts and Practices will follow the presentations.

Interested participants can register through this link: https://bit.ly/NLPPIAWWM

Women Writing on the Margins is the second symposium on Italian literature in the Philippines hosted by the National Library of the Philippines. This follows the well-received conference Dante in the Philippines. Teaching and Translating Dante Today webinar held back in March 2021. This project is supported financially by the Embassy of Italy as part of its program for the XXI Week of the Italian Language 2021.

Monday, November 08, 2021

Kuya Noy, documentary on ASIN founder opens the 16th Israeli Film Festival


An exclusive online screening of Kuya Noy by Daniel Binsted kicked off the 16th Israeli Film Festival, presented by the Embassy of Israel in Manila in partnership with the Film Development Council of the Philippines.

The documentary centers on Mike "Kuya Noy" Pillora Jr., one of the founders of the legendary folk band ASIN, who has since migrated to Israel around 15 years ago.

Mike "Kuya Noy" Pillora

The years Noy has had living in Israel have not been easy for him. The toll the move had on him caused the break up of his family and he ends up living in the slums of Tel-Aviv giving massages in order to get by. But things begin to turn around for Noy when he embarks on a music comeback trail in Israel and then sets out for a bigger mission, to go back to the Philippines and reunite ASIN back on stage.

The documentary sees a more mellow, vulnerable, and sometimes defeated, older Noy which is a great contrast to the confident, defiant, and stubborn youth during ASIN's heyday as shown through archived footage and photographs. It also strived to give some answers to the lingering questions about ASIN's break up with Pendong Aban providing his version on Noy's expulsion from the group.

Aside from his musical endeavors, the documentary also sheds light on Noy trying to forge a stronger bond with his daughter who is also at a crossroads on whether to enlist in the military or to delay it to pursue dance. Noy candidly admits that he is a flop as a father which is just one of the frank admissions he has in the documentary.

He also confesses that he has never considered Israel as his home and that he has been through a rough patch since moving to Israel. This resonated with filmmaker Daniel Binsted who mentioned during an online conference that this mirrored the experience of his father who also migrated to Israel and yet didn't fully assimilated to the society.

Director Daniel Binsted

Binsted also recalled that he came to know about Noy through the grapevine, when a friend of a friend told him about this mysterious foreigner in his class. Curiosity beckoned and Noy became a subject of their inquiries. This eventually led Binsted to discover Noy's remarkable musical past. To give a glimpse of the Filipino community in Israel through the story of Noy is what compelled Binsted to make the documentary.

The online conference also gave Noy the opportunity to voice his views regarding the upcoming 2022 elections. He mentions the needs to strengthen education and if having certain guidelines in choosing leaders. He further stressed that it is leaders that the country needs and not rulers which was applicable only during medieval times. He also reiterated that a leader should be a moral person, echoing his views that Asin was a moral group rather than a radical one that most people perceived the group to be. Noy was blunt in saying that nothing has changed, everything is still the same which is why Asin songs are still relevant.

Israel Embassy's MASHAV Officer Gladys Baniqued, Daniel Binsted and Noy Pillora

Here are the films of the 16th Israeli Film Festival happening this November 2021. Check out the social media pages of the Embassy of Israel in Manila for instructions on how to view these films.

Kuya Noy (2019)


Director: Daniel Binsted

Kuya Noy is the story of Noy, a Filipino rock legend who found himself living in the slums of Tel-Aviv, barely scraping by, father to an Israeli daughter who is about to begin her military service. During the late 70's, under martial law, Noy founded ASIN, a music band that symbolized liberalism. Now, at the age of 61 and for the first time in many years, he will pick up his old guitar and dare to dream of a new future.

And Then She Arrived (2017)


Director: Roee Florentin
Cast: Michael Aloni, Chen Amsalem, Shmulik Vilogni, Miki Kam, Gidi Gov, Orna Banai

Dan Freilich (age 30), is a handsome but very easy-going nerd who is quite sure his future is organized for the next 50 years. The plan is that soon he will marry Tamar, his high school sweetheart. That’s all you need, isn’t it? Apparently not.

Dan meets Meirav Levi (age 27), a waitress from Jerusalem, and discovers that feeling of butterflies fluttering in your stomach. From here on in, the plot thickens. Dan and Tamar break up but not everything goes smoothly with Meirav. Then Dan decides not to give up and fights to win Meirav’s love.

Ben-Gurion, Epilogue (2016)


Director: Yariv Mozer

Based on a rare interview with David Ben-Gurion in 1968, this fascinating documentary offers a glimpse into the private life of one of the most important statesmen of the 20th century. Conducted five years after he resigned from public life, Ben-Gurion looks back at his youth and time in office, contemplates the future of Israel following the 1967 War and explains why he believes peace is more important than land. Ben-Gurion, Epilogue looks beyond the iconic tufts of hair to reveal a thoughtful, modest and loving man.

The Unorthodox (2018)


Director: Eliran Malka
Cast: Shuli Rand, Yakov Cohen, Yoav Levi, Tzachi Grad, Yigal Naor

When Yakov Cohen’s daughter is expelled from school because of her ethnicity, the widowed father decides to fight back. Despite having no political experience, he forms Shas, a new party whose aim is to cater for the needs of the disenfranchised Sephardi ultra-Orthodox community in Israel. It’s 1983, the Ashkenazi establishment rules everything and Cohen’s efforts seem quixotic. But he perseveres, and by doing so, changes the political landscape in Israel forever. Inspired by real events, The Unorthodox is a highly entertaining – and enlightening – tale about the beginnings of a political revolution.

The 16th Israeli Film Festival is presented by the Embassy of Israel in Manila in partnership with the Film Development Council of the Philippines.

Friday, November 05, 2021

Japanese Film Festival favorites return for encore run


From 20 countries during its inaugural online edition last year, the Japan Foundation's Japanese Film Festival (JFF) expands its reach to 25 countries when the festival returns online for its second edition on February 14-27, 2022.

But for those who can’t wait until February or for those who missed the previous edition, a pre-event stream featuring five films from last year's festival will be screened this November 15-21, 2021 via the Japanese Film Festival website.

The five films to be screened at the Japanese Film Festival 2022 pre-event streaming are as follows.

Little Nights, Little Love/アイネクライネナハトムジーク (2019)

©2019 "Little Nights, Little Love" Film Partners

Director: Imaizumi Rikiya
Cast: Miura Haruma, Tabe Mikako, Harada Taizo

Sato is an employee conducting a survey in front of Sendai Station. Saki takes the survey and the two ultimately become a couple. 10 years later, Sato proposes to Saki on the occasion of their 10th anniversary.

Dance with Me/ダンスウィズミー (2019)

©2019 "Dance with Me" Film Partners

Director: Yaguchi Shinobu
Cast: Miyoshi Ayaka, Yashiro Yu, Chay

Shizuka works at a big Tokyo trading company and harbors a secret crush on her dashing boss. One weekend she takes her niece to visit a carnival hypnotist to inspire her for an upcoming school musical. But it is Shizuka who falls under the spell and she is soon breaking uncontrollably into song and dance whenever she hears music. Shizuka must embark on a cross country hunt for the hypnotist to break the spell, singing and dancing all the way!

The Great Passage/舟を編む (2013)

©2013 "The Great Passage" Film Partners

Director: Ishii Yuya
Cast: Matsuda Ryuhei, Miyazaki Aoi, Odagiri Joe

Drama about the passion of an editor who struggles to create a dictionary, as depicted over a fifteen-year period.
Publishing house salesman Majime has an earnestness about him that sets him apart from his peers. But he has a discerning sensibility when it comes to language, which lands him in the dictionary editorial department. He ends up editing “The Great Passage,” a huge dictionary with 240,000 entries.

Gon, the Little Fox/八代健志ストップモーションアニメーション:ごん (2019)

©TAIYO KIKAKU Co., Ltd/EXPLORERES JAPAN Ltd.
All Rights Reserved.

Director: YashiroTakeshi

When Gon, a playful orphaned fox, finds that young Hyoju has lost his mother, he tries to comfort him and make amends for his own earlier mischiefs by secretly bringing small gifts to the boy every day. But Hyoju doesn’t realize who is behind the anonymous gifts, and the two are headed for a heartbreaking climax.

Tora-san in Goto/五島のトラさん (2016)

©Television Nagasaki Co., Ltd. All rights reserved.

Director: Masaru Oura
Cast: Torao Inuzuka

A documentary shot from 1993 and over 22 years chronicled a large family who make their living as udon noodle makers on the Goto Archipelago in Nagasaki Prefecture. It was awarded the Magnolia Award for Best Documentary at the 22nd Shanghai TV Festival. Inuzuka Torao, known as “Tora of Goto” runs an udon noodle making business on the Goto Archipelago. Every day, his seven children wake up at 5 AM, help with the business for an hour, then head for school. Over the 22 years the documentary follows them, the children all grow up.

Just like before, one just have to register at the Japanese Film Festival website and log in to be able to view the films once they are available for screening.

The previous edition encountered problems with mobile devices that were unable to screen the films despite meeting the technical requirements. It is with great hope that this issue has been settled already and that those who failed to see any of the films last year can somehow make up with what they've missed with this pre-event stream.

The Japanese Film Festival Online 2022 scheduled for February 14-27, 2022 will announce the lineup of around 20 films in mid-January 2022. In addition to the movies, the festival will also produce a variety of Japanese cinema related content similar to last year that includes events and special feature articles to be published at the Japanese Film Festival website.

Wednesday, November 03, 2021

CCP reopens with film screenings celebrating Filipino excellence


The last time I was at the Cultural Center of the Philippines was back in February 21, 2020 for Alice and Friends, an unforgettable night considering all the drama and controversy that surrounded that performance.

That night feels like ages ago but now, after almost 20 months and dozens of uploaded online presentations later, the CCP is ready to let audiences in (albeit in very limited numbers) for a series of special film screenings. Billed as Wagi: A Celebration of Filipino Excellence, this series features three titles highlighting Filipinos whose achievements made headlines this year in the international scene.

Kicking off the series on November 5, 2021 is Ramona Diaz’s A Thousand Cuts in celebration of journalist Maria Ressa. In October, Ressa was awarded a Nobel Peace Prize, along with journalist Dmitry Muratov, for her stand on the truth, democracy, and press freedom. After the screening, there will be a talk back with the filmmaker and other media personalities.

Athletes from the 2020 Tokyo Olympics, led by weightlifter Hidilyn Diaz who brought the country’s first ever Olympic gold, are the subjects of Atom Araullo’s Team Pilipinas. This GMA 7 documentary will be screened on November 26, 2021. The 2020 Tokyo Olympics Philippine contingent is the most successful campaign in the country's sporting history with 4 medals won. Along with Diaz's gold, boxers brought home the other medals with Nesthy Petecio and Carlos Paalam winning silver and Eumir Marcial winning bronze.

On December 9, 2021, the spotlight will be on John Arcilla, the winner of the Coppa Volpi for Best Actor at the 78th Venice Film Festival with the screening of Erik Matti’s On the Job: The Missing 8. Arcilla's win marked the first time that a Filipino won an acting award at this film festival which is the oldest and among the most prestigious in the world. This screening, co-presented with the Embassy of Italy in Manila, will also feature a talkback afterwards.

All screenings will be at the Tanghalang Nicanor Abelardo (CCP Main Theater) and will begin at 7:00 PM.

In line with the protocols imposed by the government in regards to establishments, there will only be a 30% capacity allowed for the screenings. Only fully vaccinated audience members will be allowed inside. One must present vaccination card, fill up health forms or scan QR code via the Stay safe mobile app upon entry. There will be temperature checks too. Expect a shift in ticketing system too as the CCP adopts scanning QR codes in mobile devices in lieu of paper tickets.

There will also be a strict entry and exit procedure meaning that socializing at the lobby before and after the screenings is now a huge no-no. Of course, the minimum health and safety measures like wearing of face masks and those controversial face shields along with social distancing are still mandatory.

Before the pandemic, the longest time I’ve been away from the CCP was two months and that happened way back in 2009. Now, the CCP is just a few days away from opening its doors once again since the lockdown of March 2020. It might take some time before live performances can happen again, but showing films that celebrate the success of Filipinos is an encouraging step for the CCP to bring some hope to the country that is still getting battered and pummeled by the pandemic.

Check out the CCP's website www.culturalcenter.gov.ph for more details about the screenings and also the protocols being implemented as the center reopens.