Reviving the Roots of Philippine Theatre: a Month-Long Tribute to Zarzuela at Instituto Cervantes and UST

Instituto Cervantes, the Embassy of Spain, and the University of Santo Tomas, present a month-long cultural program highlighting the shared legacy of zarzuela in the Philippines. From August 1 to 28, a cultural celebration featuring weekly zarzuela screenings, an immersive zarzuela workshop, and a Zarzuela recital will take place in the Instituto Cervantes in Intramuros and the University of Santo Tomas.

The Zarzuela, considered to be one of the most treasured forms of art in the Spanish-speaking world, also happens to be the most popular cultural product in the Philippines for decades in history. It is the musical genre that truly left its mark in the history of the Philippine theater, as said in the timeless words of Nick Joaquin, “Certainly, in no other art form, whether in English, Spanish, or Tagalog, has the Filipino shown himself so much at home; and in no other, since then, has he been able to establish such close rapport with the people."

Entitled Zarzuela Viva, this month-long event will feature a weekly screening of zarzuelas throughout August. The series opens on August 1 at 3:00 p.m. with the screening of the documentary Tiempo de Zarzuela by Cristina Otero Roth at the Intramuros branch of Instituto Cervantes. On August 7, also at 3:00 p.m. at the same venue, audiences can enjoy a production by Teatro de la Zarzuela of the classic La del manojo de rosas by Pablo Sorozábal.

The third installment in the series will be a screening of Alfredo Sanzol’s production of El barberillo de Lavapiés by Francisco Asenjo Barbieri, scheduled for August 14. The final screening will feature El sobre verde by Jacinto Guerrero on August 28. These last two screenings will take place at 3:00 p.m. at the Central Laboratory Auditorium of the University of Santo Tomas (UST).

Ramón Grau

Presented as the highlight of Zarzuela Viva, a 4-day Zarzuela Workshop will be conducted by Spanish pianist Ramón Grau from Teatro de La Zarzuela in Madrid. The workshop will be held at the Conservatory of Music of the University of Santo Tomas in Manila (UST) and is addressed to advanced students of music. Those interested in joining the workshop can reserve a spot by submitting their CV to cultmni@cervantes.es.

On August 26, as a result of the Zarzuela workshop led by pianist Ramón Grau, he and the participants will present Zarzuela-Sarswela, a concert featuring a selection of pieces from the classic Spanish zarzuelas El barberillo de Lavapiés and La del manojo de rosas from the screening, alongside works from Philippine sarswelas. The recital will be held at the Education Auditorium (4F Albertus Magnus Building), UST. This event is open to everyone, but attendees and participants are encouraged to register early through this link: https://forms.office.com/e/gqQYWUHzSb

Here is a detailed lineup of the films to be screened:

El barberillo de Lavapiés (2019)

Director/s: Alfredo Sanzol/Jose Miguel Pérez Sierra

El barberillo de Lavapiés is one of the most joyful and iconic pieces in the Spanish lyrical tradition. With music by Francisco Asenjo Barbieri and a libretto by Luis Mariano de Larra, this work has stood the test of time as a symbol of Madrid’s traditional spirit and musical theater. It’s considered a masterpiece of Spanish musical history and a shining example of both Madrilenian character and Hispanic lyrical art.

In this new production, stage director Alfredo Sanzol emphasizes the comic and adventurous aspects of the story, while staying true to its underlying pursuit of beauty. For Sanzol, comedy is a powerful and freeing tool, it allows us to explore life’s conflicts with both depth and lightness. The plot follows the charming and lovable characters Lamparilla and Paloma, whose story intertwines with the romantic entanglements of Marquesita Estrella and Don Luis. All of this unfolds against a political backdrop marked by the transition between the governments of Grimaldi and Floridablanca. The musical direction is led by José Miguel Pérez-Sierra, who brings out the richness of Barbieri’s score, considered one of the high points of the zarzuela genre. The collaboration between Barbieri and Larra resulted in a work that fully captures the essence of Madrid: a story set in 18th-century Madrid, with 19th-century music, and a timeless vitality that still resonates today.

La del Manojo de Rosas (1990)

Directors: Guillermo García Calvo/Emilio Sagi

This production of La del Manojo de Rosas, directed by Emilio Sagi, has become a modern classic of Spanish lyrical theatre. With music by Pablo Sorozábal and a libretto by Anselmo C. Carreño and Francisco Ramos de Castro, this zarzuela is one of the most beloved by audiences, thanks to its lively spirit, humor, and warm portrayal of Madrid in the 1930s.

Since its premiere in 1990, this version has been performed across Spain and even in cities like Rome and Paris, consistently earning praise from both audiences and critics. Sagi’s direction captures the charm and emotional depth of the sainete (a short, comic theatrical piece), giving it a fresh, updated look while staying true to its original character.

Set in a Madrid neighborhood, the story revolves around Ascensión and Clarita, two young, independent and determined women who represent the feminine awakening of a time of change.

Through their voices and their decisions, the play reflects a society in transformation, where Sorozábal's music-full of poetry, grace and emotion- becomes the soul of a close and universal story.

With a new cast and musical direction by Guillermo García Calvo, this production is just as exciting and powerful as it was 30 years ago. La del Manojo de Rosas is not only a tribute to Madrid during the Republican era, but also a celebration of zarzuela as a living art form—one that keeps evolving and continues to touch the hearts of new generations.

El sobre verde (2022)

Directors: Cecilia Bercovich/Nuria Castejón

El sobre verde is a sainete (theatrical humurous skit) in two acts with touches of revue, that is, a musical show set in the popular Madrid of a century ago and in the skyscraper-filled New York of the time. The music is by Francisco Guerrero and the original texts were written by Enrique Paradas and Joaquín Jiménez. In its time it was a huge success, and here we present a revised version of the piece for young audiences (and not-so-young ones). El sobre verde is a festive musical comedy full of songs, dancing, and humor. But in our version, it also offers a brief yet powerful reflection on fortune. In these hyper-connected, highly technological times, mediated by screens, when money governs the fate of the world when having is more important than being, when appearances, the number of ‘likes’, the brand of one’s clothes or the zeros in the bank account seem to matter more than friendship, loyalty or justice, Nicanor's fable, his journey from rags to riches and back again, leaves us with a bittersweet aftertaste and leads us to ask ourselves: what would we do if we found the green envelope?

Tiempo de Zarzuela (2023)

Director: Cristina Otero Roth

Tiempo de Zarzuela is an exciting immersion into the world of the Spanish lyrical genre that has endured for four centuries, becoming an invaluable treasure of the artistic and emotional memory of the Spanish-speaking community. Directed by Cristina Otero Roth and produced by López Li Films in 2023, this film transports us through the history and heritage of zarzuela, revealing its profound impact on Spanish culture and art.

The film delves into the roots of zarzuela, exploring its origins and evolution over the centuries. Through interviews with experts, musicians and actors, Tiempo de Zarzuela offers a unique insight into the importance of this genre in Hispanic culture and and its influence on music and theater both in Spain and beyond.

From the earliest zarzuelas to the most contemporary productions, the film presents a wide range of memorable moments and outstanding performances. It also provides a glimpse into the current landscape of zarzuela, demonstrating that it remains a vibrant and relevant form of artistic expression today. Tiempo de Zarzuela is a tribute to a genre that has touched the hearts of audiences around the world and continues to captivate new generations with its rich tradition and exciting interpretations.

Here is the schedule of screenings:

Instituto Cervantes, Intramuros

August 1, 2025, 3:00 PM 

Tiempo de Zarzuela

August 7, 2025, 3:00 PM

La del Manojo de Rosas

Central Laboratory Auditorium, UST

August 14, 2025, 3:00 PM

El barberillo de Lavapiés

August 28, 2025, 3:00 PM

El sobre verde

Zarzuela Viva is organized by Instituto Cervantes de Manila in collaboration with the Embassy of Spain in the Philippines, AECID, the Conservatory of Music of UST, Teatro de La Zarzuela, and Intramuros Administration.

For more information about Zarzuela Viva, visit Instituto Cervantes' website at www.manila.cervantes.es, or follow it on Facebook at https://www.facebook.com/InstitutoCervantesManila/

RAd's Page Turners: White Noise by Don DeLillo

Back in December last year, I decided to get White Noise by Don DeLillo done and over with as it has been on my to be read pile even before the pandemic began. Because of the holiday distractions that came along with that time of the year, I plowed through it at a glacial pace. I somehow neglected the book altogether as the plot picked up with the black cloud just about to threaten the lives of Jack Gladney, his family and the rest of the college town.

An unfinished book bothers me so here I am, more than half a year later, attempting to read it again. And it's only recently that I learned that the novel has been adapted into a film. Yeah, how can I miss news about it? Directed by Noah Baumbach and starring Adam Driver, Greta Gerwig, and Don Cheadle, the film adaptation of White Noise is available to view over at Netflix. Nothing motivates me more to finish a book than a film adaptation already waiting at the sidelines.

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White Noise by Don DeLillo

https://amzn.to/3U4SxBf

White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultra­modern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. When an industrial accident unleashes an “airborne toxic event,” a lethal black chemical cloud floats over their lives. The menacing cloud is a more urgent and visible version of the “white noise” engulfing the Gladneys—radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings—pulsing with life, yet suggesting something ominous.

"Dois Fabios" headline MSO's Brazilian Guitar & Cello concert

Not just one, but two Fabios are set to bring Brazilian music to the Manila Symphony Orchestra's latest installment of its 2025-2026 season happening on August 9, 2025, 7:30 PM at the Bayanihan Hall, Creative Arts Centre of the British School Manila, BGC in Taguig.

The "dois Fabios" headlining the concert, billed as Brazilian Guitar & Cello, are guitarist Fábio Zanon and cellist Fabio Presgrave. Joining them at this concert is soprano Stefanie Quintin-Avila while MSO's music director and principal conductor Marlon Chen takes to the podium.

Music to be performed includes the Prelúdio (Ponteio) from Bachianas Brasileiras No. 7 and the Ária and Dança from Bachianas Brasileiras No. 4 by Heitor Villa-Lobos, Jeffrey Ching's Concerto da camera, Radamés Gnattali's Concerto No. 4 for Guitar and String Orchestra, and Astor Piazzolla's Le Grand Tango for Cello and String Orchestra.

Fábio Zanon

Guitarist Fábio Zanon earned his master’s from the University of London and rose to prominence by winning major guitar competitions in 1996, including the Francisco Tárrega, GFA, and Alessandria contests; he later received numerous honors, including an honorary doctorate from the Universidad Nacional de Rosario and awards such as the Carlos Gomes Prize and Bravo! Award.

Fabio Presgrave

Born in Rio, cellist Fabio Presgrave earned his degree from The Juilliard School and has performed as soloist with orchestras worldwide, including the Qatar Philharmonic and Orquestra Sinfônica Brasileira, under renowned conductors such as Rafael Payare and Lior Shambadal.

Stefanie Quintin-Avila

Praised for her vocal flexibility and commanding presence, Stefanie Quintin-Avila is a multi-awarded soprano, receiving honors such as the Delphic Lyra Award and the Presidential Award for Culture and the Arts. She holds a Bachelor of Music from the University of the Philippines and a Master’s in Contemporary Music Performance from UC San Diego.

Marlon Chen

Known for his dynamic charisma and versatility, Marlon Chen has led performances across four continents in opera, ballet, and symphonic music. He was appointed Music Director and Principal Conductor of the Manila Symphony Orchestra in 2019 and holds guest conducting roles with leading ensembles worldwide.

Brazilian Guitar & Cello is presented by the Manila Symphony Orchestra Foundation Inc. and Standard Insurance in partnership with the Ministry of Foreign Affairs of Brazil through Guimarães Rosa Institute (IGR) and the Embassy of Brazil in Manila.

CCP's The Met: LIVE in HD screens Mozart's Le nozze de Figaro this July

Dive into a comic opera where the female lead doesn't die as Wolfgang Amadeus Mozart's Le nozze di Figaro hits the big screens on July 1, 2025, 5:30 PM at Glorietta 4 Cinema 1 located at the Ayala Center in Makati.

The screening of Le nozze di Figaro is the sixth installment of the 10th season of CCP's Met: LIVE in HD presented by the Cultural Center of the Philippines in partnership with the Metropolitan Opera of New York, the Filipinas Opera Society Foundation, Inc., and Ayala Malls Cinemas.

This production by Richard Eyre stars Olga Kulchynska and Michael Sumuel as the lovers Susanna and Figaro respectively. They are joined by Fedrica Lombardi as Countess Almaviva, Sun-Ly Pierce as Cherubino, Elizabeth Bishop as Marcellina, Joshua Hopkins as Count Almaviva, and Maurizio Muraro as Dr. Bartolo.

And making her Metropolitan Opera conducting debut is Joanna Mallwitz, chief conductor and artistic director of the Konzerthausorchester Berlin.

Reprinted below is the press release.

CCP’s The Met: LIVE in HD spotlights the melodic genius of Mozart’s “Le Nozze di Figaro” this July

The Cultural Center of the Philippines (CCP) presents Wolfgang Amadeus Mozart’s brilliant arias in “Le Nozze di Figaro” as the sixth installment of CCP’s The Met: LIVE in HD - Season 10 this July 1, 2025, at 5:30 p.m., at Glorietta 4, Cinema 1 in Makati City.

Mozart’s Le Nozze di Figaro (The Marriage of Figaro) centers on servants Figaro and Susanna, who are about to marry. The Count and Countess, each with personal reasons, hope to stop the wedding. While trouble lurks in the shadows, Figaro and Susanna juggle shocking truths with their immense love for each other.

Chasing greater fame and financial security, Mozart based Le Nozze di Figaro on Paisiello’s Il barbiere di Siviglia, which Beaumarchais’s Le Barbier de Séville had influenced. He worked with librettist Lorenzo Da Ponte to finish the opera. The then-emperor had refused permission to stage Beaumarchais’s iteration because of its German translation. As a precaution, Da Ponte omitted political content from Mozart’s work. After it succeeded, the two continued their partnership with Don Giovanni (1787) and Così fan tutte (1790).

The impeccable comedy welcomes the audience with whisper-like melodies that quickly build into a short-breathed little theme. Despite narrating comedic scenes, the piece is quite self-contained. Its overture beautifully sustains a slow middle section with a melancholy oboe solo.

Through scampering violins, flutes, and clarinets, Mozart narrated the Le Nozze di Figaro’s twists and turns in a succession of hectically upbeat figurations. Generally, the opera won over its audience’s affection. Hungarian poet Ferenc Kazinczy and “Father of the Symphony” Joseph Haydn even praised its lively ensemble scenes.

In 2017, BBC News surveyed opera singers for the best opera written. Le Nozze di Figaro easily came out on top of the 20 featured operas.

For this Met Opera’s version, lyric soprano Olga Kulchynska plays the forgiving Susanna while bass-baritone Michael Sumuel is her lover Figaro. Italian soprano Federica Lombardi also breathes life into the Countess. Joanna Mallwitz, chief conductor and artistic director of the Konzerthausorchester Berlin, makes her Metropolitan Opera conducting debut in Mozart’s Le Nozze di Figaro.

Mozart’s Le Nozze di Figaro is laced with themes of love, class, and gender. Catch this classic on the sixth installment of CCP’s The Met: LIVE in HD Season 10 on July 1, at 5:30 p.m., at Glorietta 4’s Cinema 1 in Makati City.

The CCP, in partnership with the Metropolitan Opera of New York, the Filipinas Opera Society Foundation, Inc., and Ayala Malls Cinemas, showcases Mozart’s masterful melodies in excellent Dolby Surround and high-definition video.

While introducing Filipino audiences to world-class artistic experiences through CCP’s The Met: LIVE in HD, CCP keeps true to its commitment to developing the nation’s appreciation for all art forms. Screening The Met’s intricate stagings in Philippine cinemas teases a deep admiration for the beauty of operas.

Regular tickets for CCP’s The Met: LIVE in HD - Season 10 are priced at Php350. Students and young professionals can avail of the special price of Php100 per ticket upon presentation of a valid ID. To purchase tickets, visit the ticket booth at the venue or book online via www.sureseats.com.

Keep track of the latest screenings of CCP’s The Met: LIVE in HD through the official Facebook account of the CCP Film, Broadcast, and New Media or the CCP website (www.culturalcenter.gov.ph). For current and future event updates, follow the CCP’s official social media accounts on Facebook, X, Instagram, and TikTok.