The UST Symphony Orchestra, under the baton of Daniel Bartolome tried to hit two birds with one stone and appeal to a wide variety of audiences at their opening concert of the season with Brahms Meets Disney. held at the Cultural Center of the Philippines. Probably the most unusual music pairing that I’ve ever seen at an orchestra performance, this concert featured the music of Johannes Brahms along with music from Walt Disney feature films throughout the decades.
As the USTSO’s first concert for
this academic calendar, this was my first opportunity to see new blood
replacing those who have already graduated. Not surprisingly, the upper strings
outnumbered the lower strings and the violins drowned the cellos and basses earlier on with
the opening piece of Brahms’ Academic Festival Overture, Op. 80.
The big test for the orchestra
though was accompanying Malaysian pianist Ng Chong Lim with Brahms’ Piano
Concerto No. 1 in D minor, Op. 15. While Lim was up to the task and handled the
grand scale of the concerto with command and relative ease (and giving me
another opportunity to hear the Fazioli grand piano so soon after the last time I did), the orchestra struggled
especially the numerous upper strings that were prone to go wild at times. At
the end, I felt more relieved that the orchestra was able to get through and
survive the entire concerto. And major props for Lim for keeping his ground
even if the orchestra was not up to par.
Finally, with the Brahms part out
of the way, the orchestra and everyone else were more relaxed with the Disney
Suite arranged by Jedrick Itugot. The featured soloists in the suite were
faculty members Ronan Ferrer, Eugene delos Santos, Elisanta Cortes, Thea Perez,
Nenen Espina, and students Demi Fresco, Faye Transfiguracion, John Saga, and
Ryan Tamondong. Backing them up were the combined forces of the UST Vocal Performance
Department, Coro Tomasino and Liturgikon. The songs performed were from a wide
range of Walt Disney animated feature films like Snow White, Cinderella, Sleeping
Beauty, Little Mermaid, Aladdin, Beauty and the Beast, Mulan, and Moana. Having
Santa Fe, a song from the live action film and later on adapted as a stage musical Newsies,
was an odd inclusion and I think that this was probably a nod for Ronan Ferrer (who
sang it) and Daniel Bartolome as the two were the vocal coach and music director
respectively at the musical’s recent staging.
While I have my misgivings with
the Brahms piano concerto (my most anticipated part), I knew the importance of the Disney Suite
(I was not initially really keen on it, I admit) as it marked the return of Nenen Espina to the
stage after suffering from a major health scare earlier this year. She exuded
joy in all of her solos and it was truly a treat to witness this important
moment for her after being aware of everything that she has gone through this
year.
Overall, this concert was a brave
risk for the USTSO especially with the Brahms piano concerto. A few
concerts are still lined up for the orchestra this season and it’s up to them to make
sure that they would show marked improvement in their upcoming performances.
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