Herminigildo Ranera conducts the Philippine Philharmonic Orchestra |
After enduring the intense summer heat that characterized the month of April, the weather finally cooperated and cooled down as I made a trek to the mountains for the 5th edition of PPO Sunsets @ Makiling, a performance of light classics and pop music by the Philippine Philharmonic Orchestra at the Tanghalang Maria Makiling at the National Arts Center in Laguna.
But cooler still were the
performances of the three promising and exceptional ladies namely trumpet
player Rhoxene Octaviano, banduria player Nikki Zen Obmasca, and harpist Jane
Banta, who were the featured soloists in this concert led by PPO’s Associate
Conductor Herminigildo Ranera.
The opening piece, Franz von Suppé’s
Poet and Peasant Overture, with its
swaying melody and various changes of tempo, felt like as if the refreshing
breeze in the mountain was swaying along with the music. I was amused when I
heard collective whispers among the audience when they recognized the opening
bars of the next piece. They were familiar with the music but probably weren’t
aware before that it was the popular Molto
allegro from Symphony No. 40 in G
minor, KV. 550 by Wolfgang Amadeus Mozart.
Now on to the soloists’
performances starting with 14 year old trumpet player Rhoxene Octaviano who
performed the showpiece Fantaisie and
Variations on The Carnival of Venice by Jean-Baptiste Arban. I was
surprised upon learning that Rhoxene hails from Malabon, a neighboring city of
my hometown that has a deep marching band tradition. Showing promise in such a
young age, I wouldn’t be surprised to see her continuing her trumpet studies in
one of the leading music colleges here or even abroad in a few years.
Following her was 15 year old
Nikki Zen Obmasca, who gave a hold your breath performance of Niccolò
Paganini’s Moto Perpetuo transcribed
for the banduria. This was the same piece that she performed at the NAMCYA
winners’ concert last year and as expected, the audience gave her the same
rousing applause after she seemingly played nonstop during the entire piece. Rhoxene
and Nikki probably felt at home performing at the venue as both are currently
students at the Philippine High School for the Arts.
Before performing, harpist Jane
Banta had some brief words about her instrument nicely summed up in four words:
Heavenly, Arpeggios, Rare and Pedals. During her lecture, she
performed the cadenza that served as the introduction to Waltz of the Flowers from Pyotr Ilyich Tchaikovsky’s The Nutcracker. I wished that it
actually led to the entire piece being performed since it would’ve been a
definite crowd pleaser. But she presented the Andante-Allegro movement from
George Frideric Handel’s Concerto in B-flat
Major, Op. 4 No. 6, HWV 294 which is originally for the organ.
It is not every day that a
harpist gets highlighted and Jane has gotten her fair share of exposure here since
completing her Master of Music degree in Harp Performance at the State Univerity of New York last year. Catch more of her and the
harp as she headlines the second installment of the Special Concert Series happening this August 29, 2018 at the CCP
Little Theater.
The orchestra then performed a
great variety of music ranging from Ryan Cayabyab’s arrangement of Jose Santos’
Dalagang Pilipina, Selections from
Claude-Michel Schönberg Les Miserables,
Gustav Holst’s encompassing Jupiter from
The Planets, Op. 32 and an
orchestral version of Johannes Brahms’ lively Hungarian Dance No. 6 in D Major, WoO1. Throughout this portion, I
noticed a young girl wearing a bright pink skirt who could be no more than
seven years old dancing to the music like she didn’t have a care in the world.
I’d place my bet that she was probably the most involved audience member during
the entire concert.
Most of the audience joined the
little girl in grooving to the beat as the PPO turned to more popular fare for
their encores namely Havana by
Camila Cabello and Despacito by Luis
Fonsi ft. Daddy Yankee.
Attendance was a lot better this
year owing to better weather but the cloudy skies blocked a clear view of the
sunset. I hope that there will be a more efficient way to shuttle people out of
the venue after the concert. There were jeepneys providing one way trips but
their limited number meant that dozens of people still had to wait for them to
come back to pick them up. I’m concerned since it’s not a comforting thought to
get stuck and get forced to descend from Mt. Makiling by foot.
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