|
Benjamin Cabrera beside his work Heroes Hall, Heroes All |
|
Raul Isidro beside his work Kites |
As seen in The Strike of Print, an essay by exhibit curator Patrick Flores
found in the exhibit’s accompanying brochure, tirada is a term among printmakers that signifies a strike: to pull
off or pull out a piece of work in a series of multiples. It also means labor
or effort, a decisive action.
|
Virgilio Aviado beside his works The Boxer, The Cruncher, and Dutch Interior |
|
Rodolfo Samonte beside his work Curvation No. 9 |
It is written in it that the
exhibit is built around a range of concerns: the aesthetic integrity and
intelligence of the work of the print and the status of the printmaker as an
artist; the validity of appropriation within the artistic system of the print;
the capacity of the print of respond to socio-political reality; the
self-consciousness of the print as a medium; the place of the print in art
history; and the processes by which the print plays out in the ecology of the
popular. The essay has further details of each concern.
|
Jun-Jun Sta. Ana beside his work |
|
Yas Doctor beside her work |
A walkthrough for the press was
recently and I was able to see not just the works but also hear some of the
artists like Ambie Abaño, Virgilio Aviado, Mars Bugaoan, Benjamin Cabrera, Joey
Cobcobo, Yas Doctor, Raul Isidro, Henrielle Pagkaliwangan, Rhoda Recto, Rodolfo
Samonte, and Jun-Jun Sta. Ana give context and insight about their respective works.
|
Henrielle
Pagkaliwangan beside her works Umaga, Dapithapon, and Gabi |
|
Joey Cobcobo beside his work Purong Utos 1-10 |
And in the 50 years of Philippine
printmaking, there had been countless artists across generations, including
National Artists for Visual Arts like Bencab, Ang Kiukok, Jose Joya, Cesar
Legaspi, Arturo Luz, and Vicente Manansala, who have dabbled into this art form
as evidenced by the over 300 works from more than 100 artists that are included
in this exhibit.
|
Rhoda Recto beside her work Up the Cold North |
|
Mars Bugaoan beside his work |
I admit that I was overwhelmed by
the numerous terms regarding printmaking like aquatint, collagraph, drypoint,
lithograph, mezzotint, monotype, serigraph, etc. and barely had any idea what
most of them mean. But prints remain to be an accessible and great and affordable
way for an art enthusiast to begin a collection.
|
Ambie
Abaño beside her work Soliman |
The exhibit Tirada is located at the Bulwagang Juan Luna (CCP Main Gallery),
Pasilyo Vicente Manansala and Pasilyo Guillermo Tolentino (2nd &
3rd floor hallway galleries) of the Cultural Center of the
Philippines. The exhibit will be on view until July 15, 2018. Viewing hours are
from 10:00 AM-6:00 PM but extends up to 10:00 PM whenever there are evening
performances at the CCP Main Theater.
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