A thoughtfully woven program in PPO's tribute to Hector Berlioz

Violist Rey Casey Concepcion, conductor Michaël Cousteau,
and the Philippine Philharmonic Orchestra

The Philippine Philharmonic Orchestra paid tribute to French conductor Hector Berlioz in the occasion of the French composer's 150th death anniversary through a concert led by guest conductor Michaël Cousteau.

Conductor Michaël Cousteau and the Philippine Philharmonic Orchestra

Presented by the Cultural Center of the Philippines, the Embassy of France, and Stores Specialists, Inc, the concert featured a thoughtfully woven program consisting of music by Berlioz and some of his contemporaries.

French Ambassador Nicolas Galey, soprano Rachelle Gerodias, conductor Michaël
Cousteau, violist Rey Casey Concepcion, baritone Byeong-In Park,
and CCP Board Member Baltazar Endriga

Right off the bat, Berlioz presence was felt with his orchestration of the French National anthem performed by the PPO (that included three timpanists) and sung by real life couple Rachelle Gerodias and Byeong-In Park.

The program started with Wagner's Prelude from Tristan und Isolde WWV 90. This piece is usually followed by the Liebestodt but in this evening, it surprisingly segued to Berlioz' Harold en Italie, Op.16 H. 68 instead that had me double checking the souvenir program to see if there hadn't been any mistake. The entrances and exit of violist Rey Casey Concepcion throughout the piece provided a bit of theatricality in the performance which is quite melancholic and relaxed as opposed to the explosive concerto. But Concepcion still delivered a display of technical virtuosity with his encore of Capriccio in C minor, Op. 55 'Hommage à Paganini' by Henri Vieuxtemps.

The second half of the concert consisted of Berlioz' Scène d'amour from Roméo et Juliette, Op. 17, H. 79 and Franz Liszt's Les préludes, S. 97. It was not easy listening to these pieces which aren't really my cup of tea. And being program music, it would've helped greatly knowing the context of the pieces. But I was later told Cousteau had a lecture at the Les Jeudis Culturels the night before explaining the musical connection between these pieces. It made me regret not attending the lecture so that I would've had a greater understanding and appreciation of the PPO's performance in this concert.