Erik Santos |
I’ve
seen Erik Santos perform during J.P., ang Gig ni Rizal which gave me a glimpse
of how he would fare if he ever decide to try musical theater. Well, he
eventually did and I was able to catch the preview night of Disney’s The Little Mermaid where he played the role of his namesake Prince Eric. I’ve also been
to his PowER IKons concert where he paid tribute to music icons hoping that one day, he’d be an icon as well. I’ve also
bumped into him on several occasions when I watched other concerts and shows.
But remarkably, I’ve never had the chance to know Erik more as a recording
artist (he is dubbed as the Ultimate Serenader and Prince of Pop before that) until recently when he had a
bloggers’ meet up held at the Kitchen of Cakes and Coffee at Tomas Morato in Quezon City.
During
this afternoon, Erik eagerly answered questions regarding his seventh and
latest album Awit Para Sa’Yo, his thoughts about branching out musically and in
other fields, and ultimately, his long term goals as an artist and as an
individual. His latest album under Star Records containing 14 tracks (nine
originals and five covers) by local composers displays his strength as a
balladeer. Erik mentioned that plans to stick with ballads since that is what he
does best and what basically put him to where he is right now. But he is willing to
explore in the arrangements of these songs. He does experiment a lot and go
outside of the box during concerts and other live performances like doing some fast songs and attempting to dance as well. And when he was
asked, Erik stated that he is open to recording a track or two that
sound and feel different from his previous songs. But as far as recording a
whole album that is radically different, he said that that isn’t the direction
that he wants to take.
A
different direction that Erik did take late last year was venturing into
musical theater. He recalled that his stint at musical theater taught him not to be
late and to be mindful of other people’s time. He also learned to do his homework
and give his all because at the end of the day, he believes that he is only
good as his last performance. He added that he plan to do more musical theater
work but he hopes that it’s a meatier role and a different one compared to the
one that he just played. As for the future, he plans to put up a business but he refused to divulge more details about it. He does see himself as a family man with kids about a decade from now. Ultimately, he wants to be like Basil Valdez in terms of recording and be like Martin Nievera in terms of concerts and other live performances. He is also looking forward to celebrating a decade in the showbiz industry which happens next year.
The
tracks in
Awit Para Sa’Yo feature the typical soaring ballad (quiet at first as it
builds into an epic climax) that showcase Erik’s vocal range. And it is this
type of singing that endears him to mothers (he does acknowledge that they are among his biggest and most loyal supporters). One of Erik’s
favorites in the album is Pangarap Ko Ang Ibigin Ka which he really wanted to
include in the album. He said that while this song is strongly associated with
Regine Velasquez, the arrangement put a different spin on it. Another song that
had to go through a different arrangement was Paminsan-Minsan, a Richard
Reynoso original. He admitted that this was difficult for him to record since
the song was not only just a huge hit in its heyday, but it has also become a
videoke staple. One of his own compositions, Hanggang Kailan Kita Mamahalin
(Gary Valenciano co-wrote it) made it to the album but he feels that he isn’t
ready yet to start writing songs for others although he has written a bunch of
songs but for personal consumption only. Lastly, he is pleased though that an
original song, Kulang Ako Kung Wala Ka was chosen as the lead single for his
album and that it was received well by the listeners. I’ve had his album for sometime now and I admit that his epic ballads do tend to get emotionally heavy. I told Erik personally that it was hard for me to listen to his entire album in one go since I always needed to take a break after a bunch of songs. I feel that the emotions and the epic nature of the tracks will just overwhelm me should I attempt to listen to the whole album in one sitting. I'm just glad that there's the track Langit which is my favorite because listening to it does lift me up to the heavens. Lastly, Erik's songs in this album, especially the last track Muling Buksan ang Puso, make me wish that he sing with a full symphony orchestra. And if he ever does a concert backed up with an orchestra, then count me in since that will truly be epic.
Awit
Para Sa’Yo
Tracks:
1. Kulang
Ako Kung Wala Ka
2. Kailan
Ka Magiging Akin
3. Hindi
Na Magbabago
4. Bakit
Mahal Pa Rin Kita
5. Sana
Ikaw
6. Langit
7. Mula
Sa Araw Na Ito
8. Pangarap
Ko Ang Ibigin Ka
9. ‘Di
Lang Ikaw
10. Hanggang
Kailan Kita Mamahalin
11. If
You Have To
12. Paminsan-Minsan
13. Sa
Iyong Paglisan
14. Muling
Buksan Ang Puso
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